Author: Benjamin Brawley
Publisher:
ISBN:
Category : African American artists
Languages : en
Pages : 224
Book Description
The Negro in Literature and Art in the United States
Author: Benjamin Brawley
Publisher:
ISBN:
Category : African American artists
Languages : en
Pages : 224
Book Description
Publisher:
ISBN:
Category : African American artists
Languages : en
Pages : 224
Book Description
Modern Negro Art
Author: James Amos Porter
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 320
Book Description
A benchmark in African American art history, originally published in 1943, later reissued in 1969. The present edition adds a new introduction by David C. Driskell that places the book and Porter's work in context. With four color and 79 bandw illustrations on glossy stock. Annotation copyright by Book News, Inc., Portland, OR
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 320
Book Description
A benchmark in African American art history, originally published in 1943, later reissued in 1969. The present edition adds a new introduction by David C. Driskell that places the book and Porter's work in context. With four color and 79 bandw illustrations on glossy stock. Annotation copyright by Book News, Inc., Portland, OR
The Negro in Literature and Art in the United States
Author: Benjamin Griffith Brawley
Publisher: Wentworth Press
ISBN:
Category : Art
Languages : en
Pages : 246
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Publisher: Wentworth Press
ISBN:
Category : Art
Languages : en
Pages : 246
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Negro in the United States
Author: Dorothy Porter Wesley
Publisher:
ISBN:
Category : History
Languages : en
Pages : 336
Book Description
Identifies some 1,700 works about African Americans. Entries include full bibliographic information as well as Library of Congress call numbers and location in 11 major university libraries. Entries are arranged by subjects such as art, civil rights, folk tales, history, legal status, medicine, music, race relations, and regional studies. First published in 1970 by the Library of Congress.
Publisher:
ISBN:
Category : History
Languages : en
Pages : 336
Book Description
Identifies some 1,700 works about African Americans. Entries include full bibliographic information as well as Library of Congress call numbers and location in 11 major university libraries. Entries are arranged by subjects such as art, civil rights, folk tales, history, legal status, medicine, music, race relations, and regional studies. First published in 1970 by the Library of Congress.
The Black Arts Movement
Author: James Smethurst
Publisher: Univ of North Carolina Press
ISBN: 080787650X
Category : Social Science
Languages : en
Pages : 488
Book Description
Emerging from a matrix of Old Left, black nationalist, and bohemian ideologies and institutions, African American artists and intellectuals in the 1960s coalesced to form the Black Arts Movement, the cultural wing of the Black Power Movement. In this comprehensive analysis, James Smethurst examines the formation of the Black Arts Movement and demonstrates how it deeply influenced the production and reception of literature and art in the United States through its negotiations of the ideological climate of the Cold War, decolonization, and the civil rights movement. Taking a regional approach, Smethurst examines local expressions of the nascent Black Arts Movement, a movement distinctive in its geographical reach and diversity, while always keeping the frame of the larger movement in view. The Black Arts Movement, he argues, fundamentally changed American attitudes about the relationship between popular culture and "high" art and dramatically transformed the landscape of public funding for the arts.
Publisher: Univ of North Carolina Press
ISBN: 080787650X
Category : Social Science
Languages : en
Pages : 488
Book Description
Emerging from a matrix of Old Left, black nationalist, and bohemian ideologies and institutions, African American artists and intellectuals in the 1960s coalesced to form the Black Arts Movement, the cultural wing of the Black Power Movement. In this comprehensive analysis, James Smethurst examines the formation of the Black Arts Movement and demonstrates how it deeply influenced the production and reception of literature and art in the United States through its negotiations of the ideological climate of the Cold War, decolonization, and the civil rights movement. Taking a regional approach, Smethurst examines local expressions of the nascent Black Arts Movement, a movement distinctive in its geographical reach and diversity, while always keeping the frame of the larger movement in view. The Black Arts Movement, he argues, fundamentally changed American attitudes about the relationship between popular culture and "high" art and dramatically transformed the landscape of public funding for the arts.
A Short History of the American Negro
Author: Benjamin Brawley
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages : 276
Book Description
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages : 276
Book Description
The New Negro
Author: Alain Locke
Publisher: Courier Dover Publications
ISBN: 0486849163
Category : Literary Collections
Languages : en
Pages : 450
Book Description
Widely regarded as the key text of the Harlem Renaissance, this landmark anthology of fiction, poetry, essays, drama, music, and illustration includes contributions by Langston Hughes, Zora Neale Hurston, Claude McKay, James Weldon Johnson, and other luminaries.
Publisher: Courier Dover Publications
ISBN: 0486849163
Category : Literary Collections
Languages : en
Pages : 450
Book Description
Widely regarded as the key text of the Harlem Renaissance, this landmark anthology of fiction, poetry, essays, drama, music, and illustration includes contributions by Langston Hughes, Zora Neale Hurston, Claude McKay, James Weldon Johnson, and other luminaries.
The New Negro
Author: Henry Louis Gates Jr.
Publisher: Princeton University Press
ISBN: 9780691126524
Category : History
Languages : en
Pages : 614
Book Description
When African American intellectuals announced the birth of the "New Negro" around the turn of the twentieth century, they were attempting through a bold act of renaming to change the way blacks were depicted and perceived in America. By challenging stereotypes of the Old Negro, and declaring that the New Negro was capable of high achievement, black writers tried to revolutionize how whites viewed blacks--and how blacks viewed themselves. Nothing less than a strategy to re-create the public face of "the race," the New Negro became a dominant figure of racial uplift between Reconstruction and World War II, as well as a central idea of the Harlem, or New Negro, Renaissance. Edited by Henry Louis Gates, Jr., and Gene Andrew Jarrett, The New Negro collects more than one hundred canonical and lesser-known essays published between 1892 and 1938 that examine the issues of race and representation in African American culture. These readings--by writers including W.E.B. Du Bois, Paul Laurence Dunbar, Alain Locke, Carl Van Vechten, Zora Neale Hurston, and Richard Wright--discuss the trope of the New Negro, and the milieu in which this figure existed, from almost every conceivable angle. Political essays are joined by essays on African American fiction, poetry, drama, music, painting, and sculpture. More than fascinating historical documents, these essays remain essential to the way African American identity and history are still understood today.
Publisher: Princeton University Press
ISBN: 9780691126524
Category : History
Languages : en
Pages : 614
Book Description
When African American intellectuals announced the birth of the "New Negro" around the turn of the twentieth century, they were attempting through a bold act of renaming to change the way blacks were depicted and perceived in America. By challenging stereotypes of the Old Negro, and declaring that the New Negro was capable of high achievement, black writers tried to revolutionize how whites viewed blacks--and how blacks viewed themselves. Nothing less than a strategy to re-create the public face of "the race," the New Negro became a dominant figure of racial uplift between Reconstruction and World War II, as well as a central idea of the Harlem, or New Negro, Renaissance. Edited by Henry Louis Gates, Jr., and Gene Andrew Jarrett, The New Negro collects more than one hundred canonical and lesser-known essays published between 1892 and 1938 that examine the issues of race and representation in African American culture. These readings--by writers including W.E.B. Du Bois, Paul Laurence Dunbar, Alain Locke, Carl Van Vechten, Zora Neale Hurston, and Richard Wright--discuss the trope of the New Negro, and the milieu in which this figure existed, from almost every conceivable angle. Political essays are joined by essays on African American fiction, poetry, drama, music, painting, and sculpture. More than fascinating historical documents, these essays remain essential to the way African American identity and history are still understood today.
The Great War and the Culture of the New Negro
Author: Mark Whalan
Publisher:
ISBN: 9780813045993
Category : African Americans
Languages : en
Pages : 303
Book Description
Examining the legacy of the Great War on African American culture, this book considers the work of such canonical writers as W.E.B. Du Bois, Langston Hughes, Nella Larsen and Alain Locke. It also considers the legacy of the war for African Americans as represented in film, photography and anthropology.
Publisher:
ISBN: 9780813045993
Category : African Americans
Languages : en
Pages : 303
Book Description
Examining the legacy of the Great War on African American culture, this book considers the work of such canonical writers as W.E.B. Du Bois, Langston Hughes, Nella Larsen and Alain Locke. It also considers the legacy of the war for African Americans as represented in film, photography and anthropology.
The Negro in Literature and Art in the United States
Author: Benjamin Brawley
Publisher: Createspace Independent Publishing Platform
ISBN: 9781983447174
Category :
Languages : en
Pages : 150
Book Description
This book is an amazing, interesting, detailed look at black people, mainly American, but also some European, from the 1700s to the 1900s in art, literature, painting, sculpture and theatre. The author also gives an interesting analysis of the work of these people, participating in areas not considered as suitable for black people and how black people are represented and perceived too in the arts. The author writes passionately, but also authoritatively.
Publisher: Createspace Independent Publishing Platform
ISBN: 9781983447174
Category :
Languages : en
Pages : 150
Book Description
This book is an amazing, interesting, detailed look at black people, mainly American, but also some European, from the 1700s to the 1900s in art, literature, painting, sculpture and theatre. The author also gives an interesting analysis of the work of these people, participating in areas not considered as suitable for black people and how black people are represented and perceived too in the arts. The author writes passionately, but also authoritatively.