Author: Alexandra Bounia
Publisher: Routledge
ISBN: 1351885251
Category : History
Languages : en
Pages : 475
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Book Description
The phenomenon of collecting as a systematic activity undertaken for symbolic rather than actual needs, is traditionally taken to originate in the middle of the fifteenth century, when the first cabinets of curiosities appear in Italy. Yet it is clear that the practice of collecting started long before that, indeed its origins can be traced back thousands of years to European prehistoric communities. Whilst this early genesis is, due to lack of written records, still shrouded in much mystery, The Nature of Classical Collecting argues that the collecting practices of classical Greece and Rome offer a rich tapestry of experiences which can be reconstructed to illuminate a pivotal period in the long and ever developing phenomenon of collecting. Utilizing a wide variety of examples of classical collections - including grave goods, the accumulations of Greek temples and open-air shrines, the royal collections of Hellenistic kings, Roman art and curiosity collections, and relics - The Nature of Classical Collecting focuses on the field of the 'pre-history' of collecting, a neglected yet critical phase that helped crystallize the western concept of collecting. Drawing primarily on Latin writings from the period 100 BCE to 100 CE it shows how collecting underwent a transition from a religious and political activity, to an intellectual practice in which connoisseurship could impart social status. It also demonstrates how the appreciation of objects and artists changed as new qualities were attributed to material culture, resulting in the establishment of art markets, patronage and an interest in the history of art. By exploring these early developments, The Nature of Classical Collecting not only provides a fascinating insight into the culture of late Hellenistic/early Imperial Roman collecting, but also offers a much fuller grounding for understanding the influences and inspirations of those Renaissance collectors who themselves were to have such a profound influence on the course of European art, architecture and culture.
Author: Maia Wellington Gahtan
Publisher: BRILL
ISBN: 900428348X
Category : History
Languages : en
Pages : 236
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Book Description
Museum Archetypes and Collecting in the Ancient World offers a broad, yet detailed analysis of the phenomenon of collecting in the ancient world through a museological lens. In the last two decades this has provided a basis for exciting interdisciplinary explorations by archaeologists, art historians, and historians of the history of collecting. This compendium of essays by different specialists is the first general overview of the reasons why ancient civilizations from Archaic Greece to the Late Classical/Early Christian period amassed objects and displayed them together in public, private and imaginary contexts. It addresses the ranges of significance these proto-museological conditions gave to the objects both in sacred and secular settings.
Author: Sandra H. Dudley
Publisher: Routledge
ISBN: 0415692717
Category : Antiques & Collectibles
Languages : en
Pages : 306
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Book Description
This collection of essays explores the stories that can be told by and about objects and those who choose to collect them. Examining collecting in different historical, social and institutional contexts, the authors consider the meanings and values with which objects are imputed and the processes and implications of collecting.
Author: Jaś Elsner
Publisher: Oxford University Press
ISBN: 0191081094
Category : Art
Languages : en
Pages : 337
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Book Description
The passage from Imperial Rome to the era of late antiquity, when the Roman Empire underwent a religious conversion to Christianity, saw some of the most significant and innovative developments in Western culture. This stimulating book investigates the role of the visual arts, the great diversity of paintings, statues, luxury arts, and masonry, as both reflections and agents of those changes. Jas' Elsner's ground-breaking account discusses both Roman and early Christian art in relation to such issues as power, death, society, acculturation, and religion. By examining questions of reception, viewing, and the culture of spectacle alongside the more traditional art-historical themes of imperial patronage and stylistic change, he presents a fresh and challenging interpretation of an extraordinarily rich cultural crucible in which many fundamental developments of later European art had their origins. This second edition includes a new discussion of the Eurasian context of Roman art, an updated bibliography, and new, full colour illustrations.
Author: Barbara E. Borg
Publisher: John Wiley & Sons
ISBN: 1119077893
Category : Literary Criticism
Languages : en
Pages : 685
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Book Description
A Companion to Roman Art encompasses various artistic genres, ancient contexts, and modern approaches for a comprehensive guide to Roman art. Offers comprehensive and original essays on the study of Roman art Contributions from distinguished scholars with unrivalled expertise covering a broad range of international approaches Focuses on the socio-historical aspects of Roman art, covering several topics that have not been presented in any detail in English Includes both close readings of individual art works and general discussions Provides an overview of main aspects of the subject and an introduction to current debates in the field
Author: Elise A Friedland
Publisher: Oxford University Press
ISBN: 0199921830
Category : Art
Languages : en
Pages : 737
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Book Description
The study of Roman sculpture has been an essential part of the disciplines of Art History and Classics since the eighteenth century. Famous works like the Laocoön, the Arch of Titus, and the colossal portrait of Constantine are familiar to millions. Again and again, scholars have returned to sculpture to answer questions about Roman art, society, and history. Indeed, the field of Roman sculptural studies encompasses not only the full chronological range of the Roman world but also its expansive geography, and a variety of artistic media, formats, sizes, and functions. Exciting new theories, methods, and approaches have transformed the specialized literature on the subject in recent decades. Rather than creating another chronological catalogue of representative examples from various periods, genres, and settings, The Oxford Handbook of Roman Sculpture synthesizes current best practices for studying this central medium of Roman art, situating it within the larger fields of Art History, Classical Archaeology, and Roman Studies. This comprehensive volume fills the gap between introductory textbooks and highly focused professional literature. The Oxford Handbook of Roman Sculpture conveniently presents new technical, scientific, literary, and theoretical approaches to the study of Roman sculpture in one reference volume while simultaneously complementing textbooks and other publications that present well-known works in the corpus. The contributors to this volume address metropolitan and provincial material from the early republican period through late antiquity in an engaging and fresh style. Authoritative, innovative, and up-to-date, The Oxford Handbook of Roman Sculpture will remain an invaluable resource for years to come.
Author: S. E. Hijmans
Publisher: BRILL
ISBN: 9004521585
Category : Art
Languages : en
Pages : 638
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Book Description
Hijmans demonstrates that a sophisticated analysis of images of Sol sheds an entirely new light on the role of the sun in Roman religion. This book includes a discussion of relevant theory and a number of case studies. This is part II of a two-part set.
Author: Yunchiahn C. Sena
Publisher: University of Washington Press
ISBN: 0295744588
Category : Art
Languages : en
Pages : 236
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Book Description
Despite China’s long tradition of venerating the past as the ultimate source of cultural authority, the discourse of antiquity prior to the Song period (960–1279) demonstrated little concern for ancient objects. With a focus on physical artifacts of the past, Song intellectuals began a new discipline, “the study of bronze and stone” (jinshixue), that generated collections of items such as bronze vessels and bells, stone steles, and ink rubbings of inscriptions carved or cast on objects. This first comprehensive study in English of the Song antiquarian movement and how it refashioned the distant past uses textual and material evidence to examine this development, which has had long-lasting influence on Chinese intellectual history and on the preservation of material objects. In addition to collecting and comparing artifacts, Song antiquaries compiled extensive catalogs that included drawings, measurements, and meticulous descriptions. Their studies have contributed to the way history has been documented since the eleventh century and serve as a basis for archaeology of the modern period. Bronze and Stone contextualizes the Song antiquarian movement among previous Chinese engagements with antiquity, subsequent popular interest in ancient objects, and world antiquarianism.
Author: Bronwen Douglas
Publisher: Pacific Presences
ISBN: 9789088905742
Category : History
Languages : en
Pages : 340
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Book Description
This book is a study of 'collecting' undertaken by Joseph Antoine Bruni d'Entrecasteaux and his shipmates in Tasmania, the western Pacific Islands, and Indonesia. In 1791-1794 Bruni d'Entrecasteaux led a French naval expedition in search of the lost vessels of La Pérouse which had last been seen by Europeans at Botany Bay in March 1788. After Bruni d'Entrecasteaux died near the end of the voyage and the expedition collapsed in political disarray in Java, its collections and records were subsequently scattered or lost. The book's core is a richly illustrated examination, analysis, and catalog of a large array of ethnographic objects collected during the voyage, later dispersed, and recently identified in museums in France, Norway, the Netherlands, Switzerland, and the United States. The focus on artifacts is informed by a broad conception of collecting as grounded in encounters or exchanges with Indigenous protagonists and also as materialized in other genres--written accounts, vocabularies, and visual representations (drawings, engravings, and maps). Historically, the book outlines the antecedents, occurrences, and aftermath of the voyage, including its location within the classic era of European scientific voyaging (1766-1840) and within contemporary colonial networks. Particular chapters trace the ambiguous histories of the extant collections. Ethnographically, contributors are alert to local settings, relationships, practices, and values; to Indigenous uses and significance of objects; to the reciprocal, dialogic nature of collecting; to local agency or innovation in exchanges; and to present implications of objects and their histories, especially for modern scholars and artists, both Indigenous and non-Indigenous.
Author: Jane Fejfer
Publisher: Museum Tusculanum Press
ISBN: 8763542587
Category : History
Languages : en
Pages : 498
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Book Description
Ordet tradition kan tillægges mange betydninger, og som begreb har det en lang historie bag sig i den vestlige kultur. Selve ordet stammer fra det latinske tradere, at overlevere, og er et vigtigt begreb, når man forsøger at tolke det antikke menneskes sociale relationer ud fra arkæologiske fund. Forandring kan ikke forklares uden man kender til og er bevidst om den materielle kultur set over en længere tidsperiode. Derfor søger arkæologer ved hjælp af longue durée-perspektivet at spore vedvarende forandringer i det arkæologiske materiale. Dette rigt illustrerede værk fører læseren fra det forhistoriske Santorini til senantikkens Rom, fra detaljerede tekstilbeskrivelser til prædikantlister hugget i sten, for at undersøge, hvordan tradition har spillet en rolle i overleveringen af kultur. Hver af bogens bidragydere undersøger et specifikt aspekt af traditionens afgørende rolle i forståelsen af, hvordan identitet skabes og bevares i antikkens verden. Kultiske ritualer, brugen af magiske objekter og symboler, offerfund i græske helligdomme, begravelsesportrætter og jernalderens keramik er blandt de mange elementer, der bliver beskrevet. Tradition viser, hvordan kultur er iboende i os alle, og hvordan handlinger og objekter spiller en afgørende rolle i kulturel kontinuitet og forandring. Med sin grundige tværfaglige tilgang til emnet tilfører Tradition ny viden til forståelsen af den klassiske og antikke verden. Bidragydere: Niels Bargfeldt/Cecilie Brøns/Jane Fejfer/Solvejg Hansen/Signe Isager/Ifke van Kam-pen/Arja Karivieri/Jens Krasilnikoff/Eva Mortensen/Christian Mühlenbock/Marjatta Nielsen/Nora Petersen/Rubina Raja/Sine Grove Saxkjær & Jan Kindberg Jacobsen/Stine Schierup/Lone Wriedt Sørensen/Christina Videbech/Kristina Winther-Jacobsen. Jane Fejfer er lektor i klassisk arkæologi på Københavns Universitet Mette Moltesen er tidligere museumsinspektør ved Ny Carlsberg Glyptotek. Annette Rathje er lektor emerita i klassisk arkæologi ved Københavns Universitet. Tradition – from the Latin tradere, literally to hand over or hand down – has many meanings and as a concept has a long history in Western culture. When using archaeological remains to interpret the social relations of people of Antiquity, tradition becomes an important concept. We cannot explain change without knowing and being conscious of la longue durée of material culture. Thus, over a long-term perspective archaeologists seek to trace a record of continual change. This lavishly illustrated book takes readers from prehistoric Santorini to Late Antique Rome and discusses the role of tradition in the transmission of culture and the creation, maintenance and negotiation of identity in the ancient world. Covering a wide array of subjects, including cultic rituals and the use of magical objects and symbols, votive traditions in Greek sanctuaries, funerary portraits, and Iron Age pottery, Tradition reveals how culture inheres in each and how actions and objects alike play a role in the continuation and change of culture. With its thoroughly interdisciplinary approach, Tradition breaks new ground in the studies of the classical and ancient world. Contributors: Niels Bargfeldt/Cecilie Brøns/Jane Fejfer/Solvejg Hansen/Signe Isager/Ifke van Kampen/Arja Karivieri/Jens Krasilnikoff/Eva Morten-sen/Christian Mühlenbock/Marjatta Nielsen/Nora Petersen/Rubina Raja/Sine Grove Saxkjær & Jan Kindberg Jacobsen/Stine Schierup/Lone Wriedt Sørensen/Christina Videbech/Kristina Winther-Jacobsen. Jane Fejfer is associate professor of classical archaeology at the University of Copenhagen. Mette Moltesen is former curator of Ancient Sculp-ture at Ny Carlsberg Glyptotek in Copenhagen. Annette Rathje is associate professor emerita of classical archaeology at the University of Copenhagen.
