Author: Peter Gay
Publisher: W. W. Norton & Company
ISBN: 0393243443
Category : History
Languages : en
Pages : 474
Book Description
In The Naked Heart, Peter Gay explores the bourgeoisie's turn inward. At the very time that industrialists, inventors, statesmen, and natural scientists were conquering new objective worlds, Gay writes, "the secret life of the self had grown into a favorite and wholly serious indoor sport." Following the middle class's preoccupation with inwardness through its varied cultural expressions (such as fiction, art, history, and autobiography), Gay turns also to the letters and confessional diaries of both obscure and prominent men and women. These revealing documents help to round out a sparkling portrait of an age.
The Naked Heart: The Bourgeois Experience Victoria to Freud
Author: Peter Gay
Publisher: W. W. Norton & Company
ISBN: 0393243443
Category : History
Languages : en
Pages : 474
Book Description
In The Naked Heart, Peter Gay explores the bourgeoisie's turn inward. At the very time that industrialists, inventors, statesmen, and natural scientists were conquering new objective worlds, Gay writes, "the secret life of the self had grown into a favorite and wholly serious indoor sport." Following the middle class's preoccupation with inwardness through its varied cultural expressions (such as fiction, art, history, and autobiography), Gay turns also to the letters and confessional diaries of both obscure and prominent men and women. These revealing documents help to round out a sparkling portrait of an age.
Publisher: W. W. Norton & Company
ISBN: 0393243443
Category : History
Languages : en
Pages : 474
Book Description
In The Naked Heart, Peter Gay explores the bourgeoisie's turn inward. At the very time that industrialists, inventors, statesmen, and natural scientists were conquering new objective worlds, Gay writes, "the secret life of the self had grown into a favorite and wholly serious indoor sport." Following the middle class's preoccupation with inwardness through its varied cultural expressions (such as fiction, art, history, and autobiography), Gay turns also to the letters and confessional diaries of both obscure and prominent men and women. These revealing documents help to round out a sparkling portrait of an age.
The Naked Heart: The Bourgeois Experience Victoria to Freud
Author: Peter Gay
Publisher: W. W. Norton
ISBN: 9780393315158
Category : History
Languages : en
Pages : 0
Book Description
In The Naked Heart, Peter Gay explores the bourgeoisie's turn inward. At the very time that industrialists, inventors, statesmen, and natural scientists were conquering new objective worlds, Gay writes, "the secret life of the self had grown into a favorite and wholly serious indoor sport." Following the middle class's preoccupation with inwardness through its varied cultural expressions (such as fiction, art, history, and autobiography), Gay turns also to the letters and confessional diaries of both obscure and prominent men and women. These revealing documents help to round out a sparkling portrait of an age.
Publisher: W. W. Norton
ISBN: 9780393315158
Category : History
Languages : en
Pages : 0
Book Description
In The Naked Heart, Peter Gay explores the bourgeoisie's turn inward. At the very time that industrialists, inventors, statesmen, and natural scientists were conquering new objective worlds, Gay writes, "the secret life of the self had grown into a favorite and wholly serious indoor sport." Following the middle class's preoccupation with inwardness through its varied cultural expressions (such as fiction, art, history, and autobiography), Gay turns also to the letters and confessional diaries of both obscure and prominent men and women. These revealing documents help to round out a sparkling portrait of an age.
The Naked Heart: The Bourgeois Experience Victoria to Freud (The Bourgeois Experience: Victoria to Freud)
Author: Peter Gay
Publisher: W. W. Norton & Company
ISBN: 0393315150
Category : History
Languages : en
Pages : 474
Book Description
Renowned historian Peter Gay examines the "inner life" of the middle class, depicting a bourgeoisie far more open and far less hypocritical than its critics have maintained. The figures on these pages include Dickens, Flaubert, Delacroix, Millet, Bocklin, George Eliot, William James and more. Photos.
Publisher: W. W. Norton & Company
ISBN: 0393315150
Category : History
Languages : en
Pages : 474
Book Description
Renowned historian Peter Gay examines the "inner life" of the middle class, depicting a bourgeoisie far more open and far less hypocritical than its critics have maintained. The figures on these pages include Dickens, Flaubert, Delacroix, Millet, Bocklin, George Eliot, William James and more. Photos.
The Cultivation of Hatred
Author: Peter Gay
Publisher: W. W. Norton & Company
ISBN: 9780393033984
Category : History
Languages : en
Pages : 724
Book Description
Gay's search through middle-class Victorian culture, illuminated by lively portraits of such daunting figures as Bismarck, Darwin and his acolytes, George Eliot, and the great satirists Daumier and Wilhelm Busch, covers a vast terrain: the relations between men and women, wit, demagoguery, and much more. We discover the multiple ways in which the nineteenth century at once restrained aggressive behavior and licensed it. Aggression split the social universe into insiders and outsiders. "By gathering up communities of insiders," Professor Gay writes, the Victorians "discovered--only too often invented--a world of strangers beyond the pale, of individuals and classes, races and nations it was perfectly proper to debate, patronize, ridicule, bully, exploit, or exterminate." The aggressions so channeled or bottled could not be contained forever. Ultimately, they exploded in the First World War.
Publisher: W. W. Norton & Company
ISBN: 9780393033984
Category : History
Languages : en
Pages : 724
Book Description
Gay's search through middle-class Victorian culture, illuminated by lively portraits of such daunting figures as Bismarck, Darwin and his acolytes, George Eliot, and the great satirists Daumier and Wilhelm Busch, covers a vast terrain: the relations between men and women, wit, demagoguery, and much more. We discover the multiple ways in which the nineteenth century at once restrained aggressive behavior and licensed it. Aggression split the social universe into insiders and outsiders. "By gathering up communities of insiders," Professor Gay writes, the Victorians "discovered--only too often invented--a world of strangers beyond the pale, of individuals and classes, races and nations it was perfectly proper to debate, patronize, ridicule, bully, exploit, or exterminate." The aggressions so channeled or bottled could not be contained forever. Ultimately, they exploded in the First World War.
The Oxford History of Life-Writing
Author: Patrick Hayes
Publisher: Oxford University Press
ISBN: 019266896X
Category : Literary Criticism
Languages : en
Pages : 627
Book Description
With the growing urgency of questions about how to claim identity and achieve authenticity, life-writing started to acquire an unprecedented cultural importance. A range of social and economic developments, from the publishing boom in memoir writing to the rise of the internet, transformed the possibilities for self-expression. By the end of the timespan covered in this book life-writing was no longer something done mainly by important individuals who wrote their autobiography, or by sensitive souls who kept a diary. It became a truly ubiquitous phenomenon, part and parcel of the everyday formation of selfhood. Considering a diverse range of texts from across the English-speaking world, this volume places life-writing in relation to wider debates about the sociology and philosophy of modern identity, and the changing marketplace of publishing and bookselling. Yet in doing so it seeks above all to credit the extraordinary literary inventiveness which the pursuit of self-knowledge inspired in this period. Major subjects addressed include: the aftermath of World War II, including responses to the Holocaust; the impact of psychoanalysis on biography; autofiction, autrebiography, and changing ideas about authentic self-knowledge; coming out memoirs and the transformation of sexual identity; feminist exemplary writing and lyric poetry; multilingualism and intercultural life-writing; the memoir boom and the decline of intimacy; testimony narrative and memory culture; posthumanism in theory and practice; literary biography as an alternative to literary theory; literary celebrity and its consequences for literature; social media and digital life-writing.
Publisher: Oxford University Press
ISBN: 019266896X
Category : Literary Criticism
Languages : en
Pages : 627
Book Description
With the growing urgency of questions about how to claim identity and achieve authenticity, life-writing started to acquire an unprecedented cultural importance. A range of social and economic developments, from the publishing boom in memoir writing to the rise of the internet, transformed the possibilities for self-expression. By the end of the timespan covered in this book life-writing was no longer something done mainly by important individuals who wrote their autobiography, or by sensitive souls who kept a diary. It became a truly ubiquitous phenomenon, part and parcel of the everyday formation of selfhood. Considering a diverse range of texts from across the English-speaking world, this volume places life-writing in relation to wider debates about the sociology and philosophy of modern identity, and the changing marketplace of publishing and bookselling. Yet in doing so it seeks above all to credit the extraordinary literary inventiveness which the pursuit of self-knowledge inspired in this period. Major subjects addressed include: the aftermath of World War II, including responses to the Holocaust; the impact of psychoanalysis on biography; autofiction, autrebiography, and changing ideas about authentic self-knowledge; coming out memoirs and the transformation of sexual identity; feminist exemplary writing and lyric poetry; multilingualism and intercultural life-writing; the memoir boom and the decline of intimacy; testimony narrative and memory culture; posthumanism in theory and practice; literary biography as an alternative to literary theory; literary celebrity and its consequences for literature; social media and digital life-writing.
A Compulsion for Antiquity
Author: Richard H. Armstrong
Publisher: Cornell University Press
ISBN: 150172066X
Category : Psychology
Languages : en
Pages : 324
Book Description
"If psychoanalysis is the return of repressed antiquity, distorted to be sure by modern desire, yet still bearing the telltale traces of the ancient archive, then would not our growing distance from the archive of antiquity also imply that we are in the process of losing our grip on psychoanalysis itself, as Freud conceived it?"—from Chapter 1As he developed his striking new science of the mind, Sigmund Freud had frequent recourse to ancient culture and the historical disciplines that draw on it. A Compulsion for Antiquity fully explores how Freud appropriated figures and themes from classical mythology and how the theory and practice of psychoanalysis paralleled contemporary developments in historiography, archaeology, philology, and the history of religions. Drawing extensively from Freud's private correspondence and other notes and documents, Richard H. Armstrong touches on Freud's indebtedness to Sophocles and the Oedipus complex, his interest in Moses and the Jewish religion, and his travels to Athens and Rome.Armstrong shows how Freud turned to the ancient world to deal with the challenges posed by his own scientific ambitions and how these lessons influenced the way he handled psychic "evidence" and formulated the universal application of what were initially isolated clinical truths. Freud's narrative reconstructions of the past also related to his sense of Jewishness, linking the historical trajectory of psychoanalysis with contemporary central European Jewish culture. Ranging across the breadth of Freud's work, A Compulsion for Antiquity offers fresh insights into the roots of psychoanalysis and fin de siècle European culture, and makes an important contribution to the burgeoning discipline of mnemohistory.
Publisher: Cornell University Press
ISBN: 150172066X
Category : Psychology
Languages : en
Pages : 324
Book Description
"If psychoanalysis is the return of repressed antiquity, distorted to be sure by modern desire, yet still bearing the telltale traces of the ancient archive, then would not our growing distance from the archive of antiquity also imply that we are in the process of losing our grip on psychoanalysis itself, as Freud conceived it?"—from Chapter 1As he developed his striking new science of the mind, Sigmund Freud had frequent recourse to ancient culture and the historical disciplines that draw on it. A Compulsion for Antiquity fully explores how Freud appropriated figures and themes from classical mythology and how the theory and practice of psychoanalysis paralleled contemporary developments in historiography, archaeology, philology, and the history of religions. Drawing extensively from Freud's private correspondence and other notes and documents, Richard H. Armstrong touches on Freud's indebtedness to Sophocles and the Oedipus complex, his interest in Moses and the Jewish religion, and his travels to Athens and Rome.Armstrong shows how Freud turned to the ancient world to deal with the challenges posed by his own scientific ambitions and how these lessons influenced the way he handled psychic "evidence" and formulated the universal application of what were initially isolated clinical truths. Freud's narrative reconstructions of the past also related to his sense of Jewishness, linking the historical trajectory of psychoanalysis with contemporary central European Jewish culture. Ranging across the breadth of Freud's work, A Compulsion for Antiquity offers fresh insights into the roots of psychoanalysis and fin de siècle European culture, and makes an important contribution to the burgeoning discipline of mnemohistory.
Sound Clash
Author: Kara Keeling
Publisher: JHU Press
ISBN: 1421405717
Category : History
Languages : en
Pages : 437
Book Description
Race, sex, and gender.
Publisher: JHU Press
ISBN: 1421405717
Category : History
Languages : en
Pages : 437
Book Description
Race, sex, and gender.
Art in Reproduction
Author: Robert Verhoogt
Publisher: Amsterdam University Press
ISBN: 9053569138
Category : Art
Languages : en
Pages : 718
Book Description
This illuminating study examines the cultural meaning of artistic reproduction in a refreshingly new context through its consideration of how three artists managed the reproduction of their work.
Publisher: Amsterdam University Press
ISBN: 9053569138
Category : Art
Languages : en
Pages : 718
Book Description
This illuminating study examines the cultural meaning of artistic reproduction in a refreshingly new context through its consideration of how three artists managed the reproduction of their work.
Musical Debate and Political Culture in France, 1700-1830
Author: Robert James Arnold
Publisher: Boydell & Brewer
ISBN: 1783272015
Category : History
Languages : en
Pages : 241
Book Description
The first full-length treatment of the operatic querelles in eighteenth-century France, placing individual querelles in historical context and tracing common themes of authority, national prestige and the power of music over popular sentiment.
Publisher: Boydell & Brewer
ISBN: 1783272015
Category : History
Languages : en
Pages : 241
Book Description
The first full-length treatment of the operatic querelles in eighteenth-century France, placing individual querelles in historical context and tracing common themes of authority, national prestige and the power of music over popular sentiment.
The Invention of Creativity
Author: Andreas Reckwitz
Publisher: John Wiley & Sons
ISBN: 0745697070
Category : Social Science
Languages : en
Pages : 300
Book Description
Contemporary society has seen an unprecedented rise in both the demand and the desire to be creative, to bring something new into the world. Once the reserve of artistic subcultures, creativity has now become a universal model for culture and an imperative in many parts of society. In this new book, cultural sociologist Andreas Reckwitz investigates how the ideal of creativity has grown into a major social force, from the art of the avant-garde and postmodernism to the ‘creative industries’ and the innovation economy, the psychology of creativity and self-growth, the media representation of creative stars, and the urban design of ‘creative cities’. Where creativity is often assumed to be a force for good, Reckwitz looks critically at how this imperative has developed from the 1970s to the present day. Though we may well perceive creativity as the realization of some natural and innate potential within us, it has rather to be understood within the structures of a very specific culture of the new in late modern society. The Invention of Creativity is a bold and refreshing counter to conventional wisdom that shows how our age is defined by radical and restrictive processes of social aestheticization. It will be of great interest to those working in a variety of disciplines, from cultural and social theory to art history and aesthetics.
Publisher: John Wiley & Sons
ISBN: 0745697070
Category : Social Science
Languages : en
Pages : 300
Book Description
Contemporary society has seen an unprecedented rise in both the demand and the desire to be creative, to bring something new into the world. Once the reserve of artistic subcultures, creativity has now become a universal model for culture and an imperative in many parts of society. In this new book, cultural sociologist Andreas Reckwitz investigates how the ideal of creativity has grown into a major social force, from the art of the avant-garde and postmodernism to the ‘creative industries’ and the innovation economy, the psychology of creativity and self-growth, the media representation of creative stars, and the urban design of ‘creative cities’. Where creativity is often assumed to be a force for good, Reckwitz looks critically at how this imperative has developed from the 1970s to the present day. Though we may well perceive creativity as the realization of some natural and innate potential within us, it has rather to be understood within the structures of a very specific culture of the new in late modern society. The Invention of Creativity is a bold and refreshing counter to conventional wisdom that shows how our age is defined by radical and restrictive processes of social aestheticization. It will be of great interest to those working in a variety of disciplines, from cultural and social theory to art history and aesthetics.