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Author: Greg Grandin
Publisher: Metropolitan Books
ISBN: 1250179815
Category : History
Languages : en
Pages : 256
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Book Description
WINNER OF THE PULITZER PRIZE A new and eye-opening interpretation of the meaning of the frontier, from early westward expansion to Trump’s border wall. Ever since this nation’s inception, the idea of an open and ever-expanding frontier has been central to American identity. Symbolizing a future of endless promise, it was the foundation of the United States’ belief in itself as an exceptional nation – democratic, individualistic, forward-looking. Today, though, America hasa new symbol: the border wall. In The End of the Myth, acclaimed historian Greg Grandin explores the meaning of the frontier throughout the full sweep of U.S. history – from the American Revolution to the War of 1898, the New Deal to the election of 2016. For centuries, he shows, America’s constant expansion – fighting wars and opening markets – served as a “gate of escape,” helping to deflect domestic political and economic conflicts outward. But this deflection meant that the country’s problems, from racism to inequality, were never confronted directly. And now, the combined catastrophe of the 2008 financial meltdown and our unwinnable wars in the Middle East have slammed this gate shut, bringing political passions that had long been directed elsewhere back home. It is this new reality, Grandin says, that explains the rise of reactionary populism and racist nationalism, the extreme anger and polarization that catapulted Trump to the presidency. The border wall may or may not be built, but it will survive as a rallying point, an allegorical tombstone marking the end of American exceptionalism.
Author: Greg Grandin
Publisher: Metropolitan Books
ISBN: 1250179815
Category : History
Languages : en
Pages : 256
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Book Description
WINNER OF THE PULITZER PRIZE A new and eye-opening interpretation of the meaning of the frontier, from early westward expansion to Trump’s border wall. Ever since this nation’s inception, the idea of an open and ever-expanding frontier has been central to American identity. Symbolizing a future of endless promise, it was the foundation of the United States’ belief in itself as an exceptional nation – democratic, individualistic, forward-looking. Today, though, America hasa new symbol: the border wall. In The End of the Myth, acclaimed historian Greg Grandin explores the meaning of the frontier throughout the full sweep of U.S. history – from the American Revolution to the War of 1898, the New Deal to the election of 2016. For centuries, he shows, America’s constant expansion – fighting wars and opening markets – served as a “gate of escape,” helping to deflect domestic political and economic conflicts outward. But this deflection meant that the country’s problems, from racism to inequality, were never confronted directly. And now, the combined catastrophe of the 2008 financial meltdown and our unwinnable wars in the Middle East have slammed this gate shut, bringing political passions that had long been directed elsewhere back home. It is this new reality, Grandin says, that explains the rise of reactionary populism and racist nationalism, the extreme anger and polarization that catapulted Trump to the presidency. The border wall may or may not be built, but it will survive as a rallying point, an allegorical tombstone marking the end of American exceptionalism.
Author: Richard Slotkin
Publisher: Open Road Media
ISBN: 1504090357
Category : Social Science
Languages : en
Pages : 816
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Book Description
National Book Award Finalist: A study of national myths, lore, and identity that “will interest all those concerned with American cultural history” (American Political Science Review). Winner of the American Historical Association’s Albert J. Beveridge Award for Best Book in American History In Regeneration Through Violence, the first of his trilogy on the mythology of the American West, historian and cultural critic Richard Slotkin demonstrates how the attitudes and traditions that shape American culture evolved from the social and psychological anxieties of European settlers struggling in a strange new world to claim the land and displace Native Americans. Using the popular literature of the seventeenth, eighteenth, and early nineteenth centuries—including captivity narratives, the Daniel Boone tales, and the writings of Hawthorne, Thoreau, and Melville—Slotkin traces the full development of this myth. “Deserves the careful attention of everyone concerned with the history of American culture or literature. ”—Comparative Literature “Slotkin’s large aim is to understand what kind of national myths emerged from the American frontier experience. . . . [He] discusses at length the newcomers’ search for an understanding of their first years in the New World [and] emphasizes the myths that arose from the experiences of whites with Indians and with the land.” —Western American Literature
Author: Jill Keppeler
Publisher: Gareth Stevens Publishing LLLP
ISBN: 1538237415
Category : Juvenile Nonfiction
Languages : en
Pages : 32
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Book Description
The idea of the American frontier means a lot to many Americans' images of themselves and their country. Everyone has heard stories or watched movies showing tough, brave settlers crossing the continent, daring harsh weather, hostile natives, and rough terrain to nobly "tame" the frontier and expand the United States. Is this image true to life? Young readers will get a wider perspective of the tales of the American frontier, including points of view often left out of history books and popular entertainment, and learn more about the real landscape of the West.
Author: Robin W. Winks
Publisher:
ISBN:
Category : Frontier and pioneer life
Languages : en
Pages : 0
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Book Description
Author: Wilma A. Dunaway
Publisher: Univ of North Carolina Press
ISBN: 0807861170
Category : History
Languages : en
Pages : 476
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Book Description
In The First American Frontier, Wilma Dunaway challenges many assumptions about the development of preindustrial Southern Appalachia's society and economy. Drawing on data from 215 counties in nine states from 1700 to 1860, she argues that capitalist exchange and production came to the region much earlier than has been previously thought. Her innovative book is the first regional history of antebellum Southern Appalachia and the first study to apply world-systems theory to the development of the American frontier. Dunaway demonstrates that Europeans established significant trade relations with Native Americans in the southern mountains and thereby incorporated the region into the world economy as early as the seventeenth century. In addition to the much-studied fur trade, she explores various other forces of change, including government policy, absentee speculation in the region's natural resources, the emergence of towns, and the influence of local elites. Contrary to the myth of a homogeneous society composed mainly of subsistence homesteaders, Dunaway finds that many Appalachian landowners generated market surpluses by exploiting a large landless labor force, including slaves. In delineating these complexities of economy and labor in the region, Dunaway provides a perceptive critique of Appalachian exceptionalism and development.
Author: Elsie Singmaster
Publisher:
ISBN: 9780689121630
Category : Pennsylvania
Languages : en
Pages : 284
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Author: Selina Schuster
Publisher: GRIN Verlag
ISBN: 3656497044
Category : Literary Collections
Languages : en
Pages : 20
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Book Description
Seminar paper from the year 2010 in the subject American Studies - Culture and Applied Geography, grade: 2,0, University of Paderborn (Institut für Anglistik/Amerikanistik), course: Pro-Seminar 'The American Frontier', language: English, abstract: In this term paper I’m going to answer the question if the Western Myth and the idea of an American Frontier are still current topics in modern day America. The glorified myth of a frontier moving faster and faster into the unknown is deeply rooted in the heads of the American people, since the first settlers moved westwards, over hundred-fifty years ago. It had an enormous impact on America’s history and on its national identity. But can this idea of a frontier still be found today, or is it just a historically important, but today mostly unappealing episode in recent history books? Furthermore, I will try to find an answer where hints and connections to the myth of the Old West - with its cowboys, lonesome riders and sheriffs - can be found in modern American culture. Are those images of the wild, deserted West still topical and influential, and if so, where. In which parts of life and culture can they be found, or are the Old West and the Western Myth just outdated? I’m going to carry out my researches about this topic with the help of the books ‘The American frontier – Go West, young man’ by Prof. Dr. Michael Porsche, ‘The frontier in American History’ by Frederick Jackson Turner, ‘The Wild West: Myth and History’ by Alexander Emmerich and several internet sources to illustrate and prove my theses. At the end of this term paper I hope to be able to point out, in which parts of everyday life in modern America references to the myth of the Wild West and the American Frontier can be found and which significance they have.
Author: Richard White
Publisher: Univ of California Press
ISBN: 0520915321
Category : History
Languages : en
Pages : 145
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Book Description
Log cabins and wagon trains, cowboys and Indians, Buffalo Bill and General Custer. These and other frontier images pervade our lives, from fiction to films to advertising, where they attach themselves to products from pancake syrup to cologne, blue jeans to banks. Richard White and Patricia Limerick join their inimitable talents to explore our national preoccupation with this uniquely American image. Richard White examines the two most enduring stories of the frontier, both told in Chicago in 1893, the year of the Columbian Exposition. One was Frederick Jackson Turner's remarkably influential lecture, "The Significance of the Frontier in American History"; the other took place in William "Buffalo Bill" Cody's flamboyant extravaganza, "The Wild West." Turner recounted the peaceful settlement of an empty continent, a tale that placed Indians at the margins. Cody's story put Indians—and bloody battles—at center stage, and culminated with the Battle of the Little Bighorn, popularly known as "Custer's Last Stand." Seemingly contradictory, these two stories together reveal a complicated national identity. Patricia Limerick shows how the stories took on a life of their own in the twentieth century and were then reshaped by additional voices—those of Indians, Mexicans, African-Americans, and others, whose versions revisit the question of what it means to be an American. Generously illustrated, engagingly written, and peopled with such unforgettable characters as Sitting Bull, Captain Jack Crawford, and Annie Oakley, The Frontier in American Culture reminds us that despite the divisions and denials the western movement sparked, the image of the frontier unites us in surprising ways.
Author: Carter Matthew Carter
Publisher: Edinburgh University Press
ISBN: 1474402836
Category : Performing Arts
Languages : en
Pages : 381
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Book Description
What is the nature of the relationship between the Hollywood Western and American frontier mythology? How have Western films helped develop cultural and historical perceptions, attitudes and beliefs towards the frontier? Is there still a place for the genre in light of revisionist histories of the American West?Myth of the Western re-invigorates the debate surrounding the relationship between the Western and frontier mythology, arguing for the importance of the genre's socio-cultural, historical and political dimensions. Taking a number of critical-theoretical and philosophical approaches, Matthew Carter applies them to prominent forms of frontier historiography. He also considers the historiographic element of the Western by exploring the different ways in which the genre has responded to the issues raised by the frontier. Carter skilfully argues that the genre has - and continues to reveal - the complexities and contradictions at the heart of US society. With its clear analyses of and intellectual challenges to the film scholarship that has developed around the Western over a 65-year period, this book adds new depth to our understanding of specific film texts and of the genre as a whole - a welcome resource for students and scholars in both Film Studies and American Studies.
Author: Bernard K. Mundy
Publisher:
ISBN:
Category : Hollins University
Languages : en
Pages : 33
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