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Author: Craig Tichelkamp
Publisher: Augsburg Fortress Publishers
ISBN: 1506486738
Category : Education
Languages : en
Pages : 215
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Book Description
Reading has become a problem--not just of attention, comprehension, or illiteracy rates, but of politics, society, and religion. The Mystified Letter offers an alternative to this malaise: a theology of reading centered on mystical encounter. It retrieves medieval Christian reading culture to build a case for a mystical theology of literature.
Author: Craig Tichelkamp
Publisher: Augsburg Fortress Publishers
ISBN: 1506486738
Category : Education
Languages : en
Pages : 215
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Book Description
Reading has become a problem--not just of attention, comprehension, or illiteracy rates, but of politics, society, and religion. The Mystified Letter offers an alternative to this malaise: a theology of reading centered on mystical encounter. It retrieves medieval Christian reading culture to build a case for a mystical theology of literature.
Author: Andrew Lang
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 294
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Book Description
DigiCat Publishing presents to you this special edition of "The Disentanglers" by Andrew Lang. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Author: Andrew Lang
Publisher: Library of Alexandria
ISBN: 1465527419
Category : Fiction
Languages : en
Pages : 18996
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Book Description
When the learned first gave serious attention to popular ballads, from the time of Percy to that of Scott, they laboured under certain disabilities. The Comparative Method was scarcely understood, and was little practised. Editors were content to study the ballads of their own countryside, or, at most, of Great Britain. Teutonic and Northern parallels to our ballads were then adduced, as by Scott and Jamieson. It was later that the ballads of Europe, from the Faroes to Modern Greece, were compared with our own, with EuropeanMärchen, or children’s tales, and with the popular songs, dances, and traditions of classical and savage peoples. The results of this more recent comparison may be briefly stated. Poetry begins, as Aristotle says, in improvisation. Every man is his own poet, and, in moments of stronge motion, expresses himself in song. A typical example is the Song of Lamech in Genesis—“I have slain a man to my wounding, And a young man to my hurt.” Instances perpetually occur in the Sagas: Grettir, Egil, Skarphedin, are always singing. In Kidnapped, Mr. Stevenson introduces “The Song of the Sword of Alan,” a fine example of Celtic practice: words and air are beaten out together, in the heat of victory. In the same way, the women sang improvised dirges, like Helen; lullabies, like the lullaby of Danae in Simonides, and flower songs, as in modern Italy. Every function of life, war, agriculture, the chase, had its appropriate magical and mimetic dance and song, as in Finland, among Red Indians, and among Australian blacks. “The deeds of men” were chanted by heroes, as by Achilles; stories were told in alternate verse and prose; girls, like Homer’s Nausicaa, accompanied dance and ball play, priests and medicine-men accompanied rites and magical ceremonies by songs. These practices are world-wide, and world-old. The thoroughly popular songs, thus evolved, became the rude material of a professional class of minstrels, when these arose, as in the heroic age of Greece. A minstrel might be attached to a Court, or a noble; or he might go wandering with song and harp among the people. In either case, this class of men developed more regular and ample measures. They evolved the hexameter; the laisse of the Chansons de Geste; the strange technicalities of Scandinavian poetry; the metres of Vedic hymns; the choral odes of Greece. The narrative popular chant became in their hands the Epic, or the mediaeval rhymed romance. The metre of improvised verse changed into the artistic lyric. These lyric forms were fixed, in many cases, by the art of writing. But poetry did not remain solely in professional and literary hands. The mediaeval minstrels and jongleurs (who may best be studied in Léon Gautier’s Introduction to his Epopées Françaises) sang in Court and Camp. The poorer, less regular brethren of the art, harped and played conjuring tricks, in farm and grange, or at street corners. The foreign newer metres took the place of the old alliterative English verse. But unprofessional men and women did not cease to make and sing.
Author: Andrew Lang
Publisher: IndyPublish.com
ISBN:
Category : Fiction
Languages : en
Pages : 464
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Book Description
Author: Agnes Strickland
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 440
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Author: Agnes Strickland
Publisher:
ISBN:
Category : Queens
Languages : en
Pages : 444
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Book Description
Author: Martin Farquhar Tupper
Publisher:
ISBN:
Category :
Languages : en
Pages : 544
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Author: Martin Farquhar Tupper
Publisher:
ISBN:
Category :
Languages : en
Pages : 532
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Book Description
Author: Sylvie Patron
Publisher: U of Nebraska Press
ISBN: 1496224523
Category : Literary Criticism
Languages : en
Pages : 319
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Book Description
Twentieth-century narratology fostered the assumption, which distinguishes narratology from previous narrative theories, that all narratives have a narrator. Since the first formulations of this assumption, however, voices have come forward to denounce oversimplifications and dangerous confusions of issues. Optional-Narrator Theory is the first collection of essays to focus exclusively on the narrator from the perspective of optional-narrator theories. Sylvie Patron is a prominent advocate of optional-narrator theories, and her collection boasts essays by many prominent scholars—including Jonathan Culler and John Brenkman—and covers a breadth of genres, from biblical narrative to poetry to comics. This volume bolsters the dialogue among optional-narrator and pan-narrator theorists across multiple fields of research. These essays make a strong intervention in narratology, pushing back against the widespread belief among narrative theorists in general and theorists of the novel in particular that the presence of a fictional narrator is a defining feature of fictional narratives. This topic is an important one for narrative theory and thus also for literary practice. Optional-Narrator Theory advances a range of arguments for dispensing with the narrator, except when it can be said that the author actually “created” a fictional narrator.
Author: Elbert Hubbard
Publisher:
ISBN:
Category :
Languages : en
Pages : 314
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Book Description
