Author:
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Category :
Languages : en
Pages :
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The Musical Quarterly 1985
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Languages : en
Pages :
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The Musical Quarterly
Author: Oscar George Sonneck
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Category : Electronic journals
Languages : en
Pages : 750
Book Description
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 750
Book Description
The Musical Quarterly
Author: Oscar George Sonneck
Publisher:
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Category : Electronic journals
Languages : en
Pages : 782
Book Description
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 782
Book Description
The Musical Quarterly
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Category :
Languages : en
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The Musical Quarterly
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Category :
Languages : en
Pages : 0
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Languages : en
Pages : 0
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The Musical Quarterly
Author: Oscar George Theodore Sonneck
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Category :
Languages : en
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Musical Quarterly, LVI/4 (Oct. 1970)
Author: Paul Henry Lang
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Languages : en
Pages : 395
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Languages : en
Pages : 395
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The Musical Quarterly 1986
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The Musical Quarterly
Author: Oxford University Press
Publisher: Oxford University Press, USA
ISBN: 9780195107395
Category : Music
Languages : en
Pages : 150
Book Description
The Musical Quarterly, founded in 1915 by Oscar Sonneck, has long been cited as the premier scholarly musical journal in the United States. Over the years it has published the writings of virtually every important musicologist of this century including Aaron Copland, Arnold Schoenberg, Marc Blitzstein, Henry Cowell, and Camille Saint-Saens. In 1993, Leon Botstein assumed editorship of The Musical Quarterly. Botstein, who is music director and principal conductor of the American Symphony Orchestra, has guest-conducted orchestras around the world and recorded new works by the American composers Meyer Kupferman, Richard Wilson, and Robert Starer. President of Bard College since 1975, he has published extensively in The New York Times, Harper's, and The New Republic, as well as The Musical Quarterly. Under his direction, MQ focuses on the merging areas in scholarship where much of the challenging new work in the study of music is being produced. Regular sections include "American Musics," "Music and Culture," "The Twentieth Century," and an "Institutions, Industries, Technologies" section which examines music and the ways it is created and consumed. In addition, a fifth section entitled "Primary Sources" features discussions on issues of biography, texts, and manuscripts; reflections on leading figures; personal statements by noted performers and composers; and essays on performances and recordings. And along with discussions of important new books, MQ publishes review essays on a wide variety of significant new music performances and recordings"
Publisher: Oxford University Press, USA
ISBN: 9780195107395
Category : Music
Languages : en
Pages : 150
Book Description
The Musical Quarterly, founded in 1915 by Oscar Sonneck, has long been cited as the premier scholarly musical journal in the United States. Over the years it has published the writings of virtually every important musicologist of this century including Aaron Copland, Arnold Schoenberg, Marc Blitzstein, Henry Cowell, and Camille Saint-Saens. In 1993, Leon Botstein assumed editorship of The Musical Quarterly. Botstein, who is music director and principal conductor of the American Symphony Orchestra, has guest-conducted orchestras around the world and recorded new works by the American composers Meyer Kupferman, Richard Wilson, and Robert Starer. President of Bard College since 1975, he has published extensively in The New York Times, Harper's, and The New Republic, as well as The Musical Quarterly. Under his direction, MQ focuses on the merging areas in scholarship where much of the challenging new work in the study of music is being produced. Regular sections include "American Musics," "Music and Culture," "The Twentieth Century," and an "Institutions, Industries, Technologies" section which examines music and the ways it is created and consumed. In addition, a fifth section entitled "Primary Sources" features discussions on issues of biography, texts, and manuscripts; reflections on leading figures; personal statements by noted performers and composers; and essays on performances and recordings. And along with discussions of important new books, MQ publishes review essays on a wide variety of significant new music performances and recordings"
The Late Romantic Era
Author: Jim Samson
Publisher: Springer
ISBN: 134911300X
Category : Music
Languages : en
Pages : 472
Book Description
The Late Romantic Era treats the period bounded by the 1848 revolutions and the outbreak of World War I. It examines several musical dimensions of the bourgeois cultural ascendancy of the second half of the 19th century - the growth of independent institutions of music-making, the consolidation of a standard classical repertory and the emergence of increasingly specific repertories of popular music, professional and amateur. Single chapters on particular countries or regions are framed by pairs of chapters on Vienna, Paris and the German cities. In an opening chapter Dr Samson places the later geographical surveys within a thematic context which embraces social and economic change, political ideology and the climate of ideas.
Publisher: Springer
ISBN: 134911300X
Category : Music
Languages : en
Pages : 472
Book Description
The Late Romantic Era treats the period bounded by the 1848 revolutions and the outbreak of World War I. It examines several musical dimensions of the bourgeois cultural ascendancy of the second half of the 19th century - the growth of independent institutions of music-making, the consolidation of a standard classical repertory and the emergence of increasingly specific repertories of popular music, professional and amateur. Single chapters on particular countries or regions are framed by pairs of chapters on Vienna, Paris and the German cities. In an opening chapter Dr Samson places the later geographical surveys within a thematic context which embraces social and economic change, political ideology and the climate of ideas.