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Author: Kenneth R Ball
Publisher:
ISBN:
Category :
Languages : en
Pages : 256
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Book Description
" ... is an informative, yet entertaining collection of interviews with notable collectors and repairmen, among them, George Gruhn, the Mandolin Brothers, and Mugwumps Magazine publisher Mike Holmes. The primary focus is on the art of collecting guitars and banjos, even though other instruments such as violins and basses are mentioned. The 121-page compilation is a good cross-section of what collecting is all about and is chock-full of interesting anecdotes and opinions ."-Guitar Player Magazine
Author: Kenneth R Ball
Publisher:
ISBN:
Category :
Languages : en
Pages : 256
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Book Description
" ... is an informative, yet entertaining collection of interviews with notable collectors and repairmen, among them, George Gruhn, the Mandolin Brothers, and Mugwumps Magazine publisher Mike Holmes. The primary focus is on the art of collecting guitars and banjos, even though other instruments such as violins and basses are mentioned. The 121-page compilation is a good cross-section of what collecting is all about and is chock-full of interesting anecdotes and opinions ."-Guitar Player Magazine
Author: Bart Hopkin
Publisher: Lark Books (NC)
ISBN: 9781579900489
Category : Musical instruments
Languages : en
Pages : 0
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Book Description
Using everyday items, a melodious collection of strings, winds, drums & more. Illus.
Author: J. Kenneth Moore
Publisher: Metropolitan Museum of Art
ISBN: 1588395626
Category : Music
Languages : en
Pages : 198
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Book Description
This insightful appreciation of musical instruments features more than one hundred extraordinary pieces from the Metropolitan Museum’s collection. Whether created to entertain a royal court, provide personal solace, or aid in rites and rituals, these instruments fully demonstrate music’s universal resonance and the ingenuity various cultures have deployed for musical expression. The results are astoundingly diverse: from Bronze Age cymbals and sistra to violins made by Stradivari, monumental slit drums from Oceania, and iconic twentieth-century American guitars. Stunning new photographs and a lively text reveal these objects to be works of both musical and visual art, as well as marvels of technology and masterpieces of design. Depictions of instruments and music making—paintings, statues, and pottery—further illuminate the narrative, providing a vivid counterpoint to these remarkable objects.
Author: Jeremy Montagu
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 144
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Book Description
Author: Jeremy Montagu
Publisher: Fallen Leaf Reference Books in Music
ISBN:
Category : Music
Languages : en
Pages : 216
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Book Description
This volume, one of a series of descriptive and annotated catalogues of all kinds of musical instruments, covers the reed instruments that are part of the collection of Jeremy Montagu (recently retired curator of the Bate Collection of Musical Instruments at the U. of Oxford). Covering double, single, free, ribbon, and retreating reeds, the entries contain a section of general information, followed by extremely detailed information as to dimensions, construction, where made (when applicable), and other data of particular interest to collectors or instrument dealers. The book contains several b & w illustrations. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Peter H. Adams
Publisher: Schiffer Book for Collectors
ISBN: 9780764300271
Category : Music
Languages : en
Pages : 0
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Book Description
Designed for collectors of antique brass musical instruments made before 1920, this book features more than 100 original line drawings from instrument catalogs as well as interesting new information. Also includes a helpful value guide, a glossary of terms, bibliography and several appendices, along with a current price guide.
Author: Jeremy Montagu
Publisher: Scarecrow Press
ISBN: 1461669944
Category : Music
Languages : en
Pages : 193
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Book Description
For everyone who's read the Bible and wondered what David's harp, or Nebuchadnezzar's sackbut and cornett really were, Jeremy Montagu, retired curator of Oxford's Bate Collection of Historical Instruments, has composed an astoundingly thorough investigation and explanation of the musical instruments that pepper the pages of Western Civilization's most holy book. This is a detailed study of all the musical instruments mentioned in the Bible, using the resources of linguistics, organology, and ethnomusicology to identify and describe them. Every reference to an instrument is noted and all the misconceptions of translation are corrected. The Bible, as we know it in English, is a translation, and the history of biblical translations into Aramaic, Greek, Latin and other languages is one of guesswork. The substitution of the musical instruments from the translator's era for those of the original author is as common as it is overlooked. Jubal did not have an organ, nor David a harp. This book uses all the resources available to establish what each instrument really was, what it looked like, and how it was played and is arranged in the same order as the King James Bible, with explanation where this differs from other versions in English. As well as a full bibliography, there are three indexes. The first is of Biblical Citations so that readers may check every mention in the Bible from its chapter and verse. The second is a quadrilingual parallel citation in Hebrew, Greek, Latin, and English, so that each reference can be crosschecked. The third is a general index. The four biblical languages, Hebrew, Aramaic, Greek, and Latin, are used to the full, and the original texts are cited frequently. There are 18 illustrations, some of which are archeological remains, some ethnographic parallels, and one is of the sole biblical instrument still in regular use: the ram's horn which brought down the walls of Jericho. Musical Instruments of the Bible is perfect for university theology and comparative religion depa
Author: Emanuel Winternitz
Publisher:
ISBN:
Category : Music in art
Languages : en
Pages : 364
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Book Description
This book first appeared in 1967. In the years since then, it has spawned the new academic sub-discipline of musical iconology, which belongs equally to the histories of art and of music. Emmanuel Winternitz, who was for thirty-one years Curator of Musical Collections at the Metropolitan Museum of Art, is one of the world's leading authorities on the history of musical instruments. He is also an erudite historian of art. Combining these two interests he has for many years studied the innumerable representations of musical instruments in Western art. In this collection of closely related articles, he examines what these pictures tell of the design and construction of instruments, of their performance, practice, and of the often subtle symbolic use to which artists put them. Kithara and cittern, lute and lyre, bagpipe and hurdy-gurdy, and the ubiquitous lira da braccio, all of these figured largely in the art of the Middle Ages or the Renaissance, together with a clutch of shwms, zinks, and crumhorns, and a variety of fantastic instruments that existed only in the imagination of the artists. In more than 200 photographs and many drawings, Winternizt illustrates instruments that range from an Egytptian wall-painting of a harp to a musette in a Watteau F te champ tre. He draws from the works of Titian, Raphael, D rer, and Bruegel, and also from medieval manuscripts and sculpture. Winternitz discusses these diverse elements with a combination of formidable learning, wit, and keen insight that makes this book at once a seminal work for scholars and a delight for lovers of art and music.
Author: Naomi Adler
Publisher:
ISBN:
Category : Folklore
Languages : en
Pages : 88
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Book Description
A collection of tales originating in countries around the world and featuring a musical instrument native to each country.
Author: Percival R. Kirby
Publisher:
ISBN: 9780854940448
Category : Musical instruments
Languages : en
Pages : 293
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Book Description
A detailed survey of native music in South Africa by Emeritus Professor P. R. Kirby, who studied the instruments under the guidance of native experts while living among the tribesmen. Firstly, a study of primitive music and secondly, a book of anthropological interest as it adds greatly to the knowledge of the customs of native tribes. It is profusely illustrated by photographs of living subjects, as well as of instruments from his own collection.
