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Author: Martin Agricola
Publisher: CUP Archive
ISBN: 9780521366403
Category : Music
Languages : en
Pages : 232
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Book Description
Musica instrumentalis deudsch (1529) was intended as a textbook in musical performance. A completely revised edition appeared in 1545. Highly illustrated, these books give practical instruction on a number of musical instruments and as such they are valuable sources of information about the study and performance of music in Germany in the early sixteenth century.
Author: Martin Agricola
Publisher: CUP Archive
ISBN: 9780521366403
Category : Music
Languages : en
Pages : 232
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Book Description
Musica instrumentalis deudsch (1529) was intended as a textbook in musical performance. A completely revised edition appeared in 1545. Highly illustrated, these books give practical instruction on a number of musical instruments and as such they are valuable sources of information about the study and performance of music in Germany in the early sixteenth century.
Author: Sebastian Virdung
Publisher: Cambridge University Press
ISBN: 0521308305
Category : Music
Languages : en
Pages : 292
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Book Description
This early German 'do-it-yourself' manual tells us about music-making in the years just before the Reformation.
Author:
Publisher: BRILL
ISBN: 9004435034
Category : History
Languages : en
Pages : 653
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Book Description
A Companion to Music at the Habsburgs Courts in the Sixteenth and Seventeenth Centuries, edited by Andrew H. Weaver, is the first in-depth survey of Habsburg musical patronage over a broad timeframe. Bringing together existing research and drawing upon primary sources, the authors, all established experts, provide overviews of the musical institutions, the functions of music, the styles and genres cultivated, and the historical, political, and cultural contexts for music at the Habsburg courts. The wide geographical scope includes the imperial courts in Vienna and Prague, the royal court in Madrid, the archducal courts in Graz and Innsbruck, and others. This broad view of Habsburg musical activities affirms the dynasty’s unique position in the cultural life of early modern Europe. Contributors are Lawrence Bennett, Charles E. Brewer, Drew Edward Davies, Paula Sutter Fichtner, Alexander J. Fisher, Christine Getz, Beth L. Glixon, Jeffrey Kurtzman, Virginia Christy Lamothe, Honey Meconi, Sara Pecknold, Jonas Pfohl, Pablo L. Rodríguez, Steven Saunders, Herbert Seifert, Louise K. Stein, and Andrew H. Weaver.
Author: Kate Clark
Publisher:
ISBN: 0190913339
Category : Music
Languages : en
Pages : 273
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Book Description
The renaissance flute, with its rich history, stunning repertoire, and mellow tone, has attracted a significant following among flutists, whether they specialize in modern flute or historical instruments. Yet, actually delving into the study of renaissance flute has proven a challenge - there exists a confusing array of editions of renaissance music, specialized (and often expensive) facsimiles of manuscripts and early prints, and in unfamiliar notations, while at the same time there is a dearth of resources for beginners. Confronting this challenge with the first ever practitioners' handbook for renaissance flute, Kate Clark and Amanda Markwick offer flutists of all levels a clear and accessible introduction to the world and repertoire of the instrument. In The Renaissance Flute: A Contemporary Guide, Clark and Markwick cover all aspects, from practicalities such as buying and maintaining the instrument, to actual music for solo and group performance, to theory designed to improve the understanding and playing of renaissance polyphony. This approach enables students to immerse themselves at their own pace and build on their skills with each chapter. With nearly 40 full pages of exercises, and a companion website with recorded examples and filmed instructions from the authors, The Renaissance Flute provides professionals and newcomers alike a new entryway into the world and practice of renaissance music.
Author: David Lasocki
Publisher: Yale University Press
ISBN: 0300118708
Category : MUSIC
Languages : en
Pages : 387
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Book Description
The fascinating story of a hugely popular instrument, detailing its rich and varied history from the Middle Ages to the present The recorder is perhaps best known today for its educational role. Although it is frequently regarded as a stepping-stone on the path toward higher musical pursuits, this role is just one recent facet of the recorder's fascinating history--which spans professional and amateur music-making since the Middle Ages. In this new addition to the Yale Musical Instrument Series, David Lasocki and Robert Ehrlich trace the evolution of the recorder. Emerging from a variety of flutes played by fourteenth-century soldiers, shepherds, and watchmen, the recorder swiftly became an artistic instrument for courtly and city minstrels. Featured in music by the greatest Baroque composers, including Bach and Handel, in the twentieth century it played a vital role in the Early Music Revival and achieved international popularity and notoriety in mass education. Overall, Lasocki and Ehrlich make a case for the recorder being surprisingly present, and significant, throughout Western music history.
Author: Igor Kipnis
Publisher: Routledge
ISBN: 1135949778
Category : Music
Languages : en
Pages : 1323
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Book Description
The Harpsichord and Clavichord, An Encyclopedia includes articles on this family of instruments, including famous players, composers, instruments builders, the construction of the instruments, and related terminology. It is the first complete reference on this important family of keyboard instruments. The contributors include major scholars of music and musical instrument history from around the world. It completes the three-volume Encyclopedia of Keyboard Instruments.
Author: Blanche M. Gangwere
Publisher: Bloomsbury Publishing USA
ISBN: 0313072825
Category : Social Science
Languages : en
Pages : 550
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Book Description
This annotated chronology of western music is the third in a series of outlines on the history of music in western civilization. It contains a 120-page annotated bibliography, followed by a detailed, documented outline that is divided into ten chapters. Each chapter is written in chronological order with every line being documented by means of abbreviations that refer to the annotated bibliography. There are short biographies of the theorists and detailed discussions of their works. The information on music is organized by classes of music rather than by composer. Also included are lists of manuscripts with descriptions of their contents and notations as to where they may be found. The material for the outline has been taken from primary and secondary sources along with articles from periodicals. Like the other two volumes in this series, Music History from the Late Roman through the Gothic Periods, 313-1425 and Music History During the Renaissance Period, 1425-1520, this volume will be an important research tool for anyone interested in music history.
Author: Richard W. Griscom
Publisher: Routledge
ISBN: 113583931X
Category : Music
Languages : en
Pages : 842
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Book Description
A Choice "Best Academic" book in its first edition, The Recorder remains an essential resource for anyone who wants to know about this instrument. This new edition is thoroughly redone, takes account of the publishing activity of the years since its first publication, and still follows the original organization.
Author: Ross W. Duffin
Publisher: Indiana University Press
ISBN: 9780253215338
Category : Music
Languages : en
Pages : 618
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Book Description
A Performer's Guide to Medieval Music is an essential compilation of essays on all aspects of medieval music performance, with 40 essays by experts on everything from repertoire, voices, and instruments to basic theory. This concise, readable guide has proven indispensable to performers and scholars of medieval music.
Author: John Kmetz
Publisher: Cambridge University Press
ISBN: 9780521440455
Category : Music
Languages : en
Pages : 314
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Book Description
This 1994 collection of fourteen essays, written by an eminent group of scholars, explores the musical culture of the German-speaking realm between c.1450 and 1600. The essays demonstrate the important role played by German speakers in the development of instrumental music in the Renaissance, the shaping of the curricula of musical education in the modern age, in setting patterns of musical patronage, in establishing congregational singing in churches, and in developing commercial music printing. The essays shed light on the music that flourished at Imperial and ducal courts, universities, parish churches, collegiate schools, as well as the homes of prosperous merchants. The volume thus provides an overview of German polyphonic music in the age of Gutenberg, Dürer and Luther and documents the changing social status of music in Germany during a crucial epoch of its history.
