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Author: Nicholas Temperley
Publisher: Cambridge University Press
ISBN: 9780521274579
Category : Music
Languages : en
Pages : 496
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Book Description
Companion volume (v. 2) contains examples of the music, sources and critical notes.
Author: Nicholas Temperley
Publisher: Cambridge University Press
ISBN: 9780521274579
Category : Music
Languages : en
Pages : 496
Get Book Here
Book Description
Companion volume (v. 2) contains examples of the music, sources and critical notes.
Author: Nicholas Temperley
Publisher: Cambridge University Press
ISBN: 9780521023375
Category : Music
Languages : en
Pages : 224
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Book Description
Professor Temperley suggests that the Elizabethan metrical psalm tunes were survivors of a mode of popular music that preceded the familiar corpus of ballad tunes. Passed on by oral transmission through several generations of unregulated singing, these once lively tunes changed gradually into very slow, quavering chants. Temperley guides the reader through the complex social, theological and aesthetic movements that played their part in the formation of the late Victorian ideal of the surpliced choir in every chancel, and he makes a fresh assessment of that old bugbear, the Victorian hymn tune. His findings show that the radical liturgical experiments of the last few years have not dislodged the Victorian model for the music of the English parish church. This volume provides an anthology of parish church music of all kinds from the fifteenth century to the twentieth, newly edited from primary sources for study or for performance.
Author: Linda Phyllis Austern
Publisher: Routledge
ISBN: 1317073991
Category : History
Languages : en
Pages : 410
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Book Description
Psalms in the Early Modern World is the first book to explore the use, interpretation, development, translation, and influence of the Psalms in the Atlantic world, 1400-1800. In the age of Reformation, when religious concerns drove political, social, cultural, economic, and scientific discourse, the Bible was the supreme document, and the Psalms were arguably its most important book.The Psalms played a central role in arbitrating the salient debates of the day, including but scarcely limited to the nature of power and the legitimacy of rule; the proper role and purpose of nations; the justification for holy war and the godliness of peace; and the relationship of individual and community to God. Contributors to the collection follow these debates around the Atlantic world, to pre- and post-Hispanic translators in Latin America, colonists in New England, mystics in Spain, the French court during the religious wars, and both Protestants and Catholics in England. Psalms in the Early Modern World showcases essays by scholars from literature, history, music, and religious studies, all of whom have expertise in the use and influence of Psalms in the early modern world. The collection reaches beyond national and confessional boundaries and to look at the ways in which Psalms touched nearly every person living in early modern Europe and any place in the world that Europeans took their cultural practices.
Author: Iain Quinn
Publisher: Routledge
ISBN: 1351672401
Category : Music
Languages : en
Pages : 323
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Book Description
Studies in English Organ Music is a collection of essays by expert authors that examines key areas of the repertoire in the history of organ music in England. The essays on repertoire are placed alongside supporting studies in organ building and liturgical practice in order to provide a comprehensive contextualization. An analysis of the symbiotic relationship between the organ, liturgy, and composers reveals how the repertoire has been shaped by these complementary areas and developed through history. This volume is the first collection of specialist studies related to the field of English organ music.
Author: Roger Hansford
Publisher: Routledge
ISBN: 131713530X
Category : Music
Languages : en
Pages : 340
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Book Description
This new study of the intersection of romance novels with vocal music records a society on the cusp of modernisation, with a printing industry emerging to serve people’s growing appetites for entertainment amidst their changing views of religion and the occult. No mere diversion, fiction was integral to musical culture and together both art forms reveal key intellectual currents that circulated in the early nineteenth-century British home and were shared by many consumers. Roger Hansford explores relationships between music produced in the early 1800s for domestic consumption and the fictional genre of romance, offering a new view of romanticism in British print culture. He surveys romance novels by Ann Radcliffe, Matthew Lewis, Sir Walter Scott, James Hogg, Edward Bulwer and Charles Kingsley in the period 1790–1850, interrogating the ways that music served to create mood and atmosphere, enlivened social scenes and contributed to plot developments. He explores the connections between musical scenes in romance fiction and the domestic song literature, treating both types of source and their intersection as examples of material culture. Hansford’s intersectional reading revolves around a series of imaginative figures – including the minstrel, fairies, mermaids, ghosts, and witches, and Christians engaged both in virtue and vice – the identities of which remained consistent as influence passed between the art forms. While romance authors quoted song lyrics and included musical descriptions and characters, their novels recorded and modelled the performance of songs by the middle and upper classes, influencing the work of composers and the actions of performers who read romance fiction.
Author: Ian Bradley
Publisher: SCM Press
ISBN: 0334049938
Category : Music
Languages : en
Pages : 257
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Book Description
Arthur Sullivan is best known as W. S. Gilbert's collaborator in the Savoy Operas. Sullivan was regarded as the nation's leading composer of sacred oratorios on a par with Mendelssohn and Brahms. Ian Bradley provides the first detailed, comprehensive, critical study and review of Sullivan's church and sacred music.
Author: Amanda Eubanks Winkler
Publisher: Cambridge University Press
ISBN: 1108490867
Category : Art
Languages : en
Pages : 261
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Book Description
The first book to systematically analyze the role the performing arts played in English schools after the Reformation.
Author: Sandra Hagan
Publisher: Routledge
ISBN: 1351893505
Category : Literary Criticism
Languages : en
Pages : 396
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Book Description
Although previous scholarship has acknowledged the importance of the visual arts to the Brontës, relatively little attention has been paid to the influence of music, theatre, and material culture on the siblings' lives and literature. This interdisciplinary collection presents new research on the Brontës' relationship to the wider world of the arts, including their relationship to the visual arts. The contributors examine the siblings' artistic ambitions, productions, and literary representations of creative work in both amateur and professional realms. Also considered are re-envisionings of the Brontës' works, with an emphasis on those created in the artistic media the siblings themselves knew or practiced. With essays by scholars who represent the fields of literary studies, music, art, theatre studies, and material culture, the volume brings together the strongest current research and suggests areas for future work on the Brontës and their cultural contexts.
Author: Peter Horton
Publisher: Routledge
ISBN: 0429627173
Category : Music
Languages : en
Pages : 355
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Book Description
Originally published in 2003 and selected from papers given at the third biennial conference on Music in Nineteenth-Century Britain, this volume, in common with its two predecessors, reflects the interdisciplinary character of the topic. The introductory essay by Julian Rushton considers some of the questions that are key to this area of study: what is the nineteenth century, what is British music, and did London influence the continent? The essays that follow are divided into broad thematic groups covering aspects of gender, church music, national identity, and local and national institutions. This collection illustrates that while nineteenth-century British music studies is still in its infancy as a field of research, it is one that is burgeoning and contributing to our understanding of British social and cultural life of the period.
Author: David Martin
Publisher: Routledge
ISBN: 1351951823
Category : Religion
Languages : en
Pages : 235
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Book Description
Christian Language and its Mutations explores how Christian language alters in various social, cultural, historical and religious contexts. Having delineated the core language of Christianity, David Martin analyses how it mutates in different historical and social contexts, notably: peace and war; the arts - particularly painting and music; the sacred space (the city) and the sacred text (the liturgy); education; and the global situation of Christianity and contemporary secular society - evangelicalism, rational religion, Pentecostalism and Base Communities. Presenting a unique perspective to show how and why Christianity alters according to context, this book will prove insightful and accessible to students, clergy and general readers alike. David Martin is Honorary Professor in the Department of Religious Studies, Lancaster University, and Emeritus Professor of Sociology at the London School of Economics, UK. He is the author of some two dozen books, including many landmark titles in the sociology of religion.
