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Author: Dionysius Lardner
Publisher: London, Walton and Maberly
ISBN:
Category : Arts
Languages : en
Pages : 236
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Book Description
Author: Dionysius Lardner
Publisher: London, Walton and Maberly
ISBN:
Category : Arts
Languages : en
Pages : 236
Get Book Here
Book Description
Author: Dionysius Lardner
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 230
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Book Description
Author: Charles Coleman Sellers
Publisher: W. W. Norton & Company
ISBN: 9780393057003
Category : Biography & Autobiography
Languages : en
Pages : 392
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Book Description
Charles Willson Peale was not only one of our finest early American painters, but also the founder of the world's first popular museum of natural science and art.
Author: Museum of Science and Industry (Chicago, Ill.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: John Kean
Publisher: Museum Victoria
ISBN: 1921833254
Category : Art
Languages : en
Pages : 104
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Book Description
The Art of Science presents the best of Museum Victoria’s remarkable collection of natural history artworks, currently on a national touring exhibition of the same name. Based on the museum’s collection of rare books, field sketches, art works and taxonomic studies, the book features some of the most exquisite, rare and important illustrations of flora and fauna ever created. In addition to the artworks, which tell a story of exploration, discovery, painstaking research and documentation, the book also traces the lives, curiosities and observations of the artists and explorers, whom throughout history often worked against the odds to gather and record. The Art of Science is a unique collection of exquisite images that will enrich our understanding of the history of art and science, the natural world, and the miracle of human perception.
Author: John Holmes
Publisher:
ISBN: 9781851245567
Category :
Languages : en
Pages : 192
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Book Description
Built between 1855 and 1860, Oxford University Museum of Natural History is the extraordinary result of close collaboration between artists and scientists. Inspired by John Ruskin, the architect Benjamin Woodward and the Oxford scientists worked with leading Pre-Raphaelite artists on the design and decoration of the building. The decorative art was modelled on the Pre-Raphaelite principle of meticulous observation of nature, itself indebted to science, while individual artists designed architectural details and carved portrait statues of influential scientists. The entire structure was an experiment in using architecture and art to communicate natural history, modern science and natural theology. 'Temple of Science' sets out the history of the campaign to build the museum before taking the reader on a tour of art in the museum itself. It looks at the façade and the central court, with their beautiful natural history carvings and marble columns illustrating different geological strata, and at the pantheon of scientists. Together they form the world's finest collection of Pre-Raphaelite sculpture. The story of one of the most remarkable collaborations between scientists and artists in European art is told here with lavish illustrations.
Author: Museum of Science (Boston, Massachusetts)
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Dionysius Lardner
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 240
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Book Description
Author: Henry Louis Gates Jr.
Publisher: Harvard University Press
ISBN: 0674276124
Category : History
Languages : en
Pages : 321
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Book Description
2023 PROSE Award in European History “An invaluable historical example of the creation of a scientific conception of race that is unlikely to disappear anytime soon.” —Washington Post “Reveals how prestigious natural scientists once sought physical explanations, in vain, for a social identity that continues to carry enormous significance to this day.” —Nell Irvin Painter, author of The History of White People “A fascinating, if disturbing, window onto the origins of racism.” —Publishers Weekly “To read [these essays] is to witness European intellectuals, in the age of the Atlantic slave trade, struggling, one after another, to justify atrocity.” —Jill Lepore, author of These Truths: A History of the United States In 1739 Bordeaux’s Royal Academy of Sciences announced a contest for the best essay on the sources of “blackness.” What is the physical cause of blackness and African hair, and what is the cause of Black degeneration, the contest announcement asked. Sixteen essays, written in French and Latin, were ultimately dispatched from all over Europe. Documented on each page are European ideas about who is Black and why. Looming behind these essays is the fact that some four million Africans had been kidnapped and shipped across the Atlantic by the time the contest was announced. The essays themselves represent a broad range of opinions, which nonetheless circulate around a common theme: the search for a scientific understanding of the new concept of race. More important, they provide an indispensable record of the Enlightenment-era thinking that normalized the sale and enslavement of Black human beings. These never previously published documents survived the centuries tucked away in Bordeaux’s municipal library. Translated into English and accompanied by a detailed introduction and headnotes written by Henry Louis Gates, Jr., and Andrew Curran, each essay included in this volume lays bare the origins of anti-Black racism and colorism in the West.
Author: Dionysius Lardner
Publisher:
ISBN: 9781330566206
Category : Science
Languages : en
Pages : 232
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Book Description
Excerpt from The Museum of Science and Art, Vol. 9 Fig.37. Chevaliers Universal Microscope. The Microscope. Chapter I.1. Origin of the term.2. Simple microscopes are magnifying glasses.3. Compound microscope.4. Object-glass and eye-glass.5. General description of the instrument.6. Uses of the field-glass. 7. ReflectLARDNER Smuseum Op Science. B 1 No.105. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
