Author: Kevin Moore
Publisher: A&C Black
ISBN: 0718502272
Category : Social Science
Languages : en
Pages : 193
Book Description
Museums and Popular Culture seeks to unravel the paradox that to adequately reflect popular culture museums may need to abandon their traditional form. This is a book which no one interested in museums can afford to ignore.
Museums and Popular Culture
Twentieth-century Popular Culture in Museums and Libraries
Author: Fred E. H. Schroeder
Publisher: Popular Press
ISBN: 9780879721626
Category : Art
Languages : en
Pages : 286
Book Description
Although libraries and museums for many centuries have taken the lead, under one rational or another, in recovering, storing, and displaying various kinds of culture of their periods, lately, as the gap between elite and popular culture has apparently widened, these repositories of artifacts of the present for the future have tended to drift more and more to what many people call the aesthetically pleasing elements of our culture. The degree to which our libraries and museums have ignored our culture is terrifying, when one scans the documents and artifacts of our time which, if history in any wise repeats itself, will in the immediate and distant future become valuable indices of our present culture to future generations. As Professor Schroeder dramatically states it, "No doubt about it, it is the contemporary popular culture that is the endangered species." The essays in this book investigate the reasons for present-day neglect of popular culture materials and chart the various routes by which conscientious and insightful librarians and museum directors can correct this disastrous oversight.
Publisher: Popular Press
ISBN: 9780879721626
Category : Art
Languages : en
Pages : 286
Book Description
Although libraries and museums for many centuries have taken the lead, under one rational or another, in recovering, storing, and displaying various kinds of culture of their periods, lately, as the gap between elite and popular culture has apparently widened, these repositories of artifacts of the present for the future have tended to drift more and more to what many people call the aesthetically pleasing elements of our culture. The degree to which our libraries and museums have ignored our culture is terrifying, when one scans the documents and artifacts of our time which, if history in any wise repeats itself, will in the immediate and distant future become valuable indices of our present culture to future generations. As Professor Schroeder dramatically states it, "No doubt about it, it is the contemporary popular culture that is the endangered species." The essays in this book investigate the reasons for present-day neglect of popular culture materials and chart the various routes by which conscientious and insightful librarians and museum directors can correct this disastrous oversight.
Museums and Popular Culture
Author: Kevin Moore
Publisher: Bloomsbury Visual Arts
ISBN: 9781350056763
Category : Design
Languages : en
Pages : 256
Book Description
What are museums for? How far should museums shift from their traditional focus on high culture to explore popular culture? How can the passion people feel for popular material culture best be conveyed in displays? In attempting to answer these fundamental questions, Kevin Moore offers a radical critique of existing museum practice, arguing that, in order to have a sustainable future, museums must rise to the challenge of representing popular culture. Drawing on examples (both successful and unsuccessful) of contemporary museum practice, including the V&A's blockbuster shows on David Bowie and Alexander McQueen, and the Saatchi Gallery's Rolling Stones exhibiti, he seeks to unravel the paradox that to reflect popular culture adequately, museums may need to abandon their traditional form.
Publisher: Bloomsbury Visual Arts
ISBN: 9781350056763
Category : Design
Languages : en
Pages : 256
Book Description
What are museums for? How far should museums shift from their traditional focus on high culture to explore popular culture? How can the passion people feel for popular material culture best be conveyed in displays? In attempting to answer these fundamental questions, Kevin Moore offers a radical critique of existing museum practice, arguing that, in order to have a sustainable future, museums must rise to the challenge of representing popular culture. Drawing on examples (both successful and unsuccessful) of contemporary museum practice, including the V&A's blockbuster shows on David Bowie and Alexander McQueen, and the Saatchi Gallery's Rolling Stones exhibiti, he seeks to unravel the paradox that to reflect popular culture adequately, museums may need to abandon their traditional form.
The Museum and Popular Culture
Author: Thomas Ritchie Adam
Publisher:
ISBN:
Category : Travel
Languages : en
Pages : 200
Book Description
Publisher:
ISBN:
Category : Travel
Languages : en
Pages : 200
Book Description
High & Low
Author: Kirk Varnedoe
Publisher: ABRAMS
ISBN:
Category : Architecture
Languages : en
Pages : 468
Book Description
Readins in high & low
Publisher: ABRAMS
ISBN:
Category : Architecture
Languages : en
Pages : 468
Book Description
Readins in high & low
Culture Strike
Author: Laura Raicovich
Publisher: Verso Books
ISBN: 1839760524
Category : Art
Languages : en
Pages : 225
Book Description
A leading activist museum director explains why museums are at the center of a political storm In an age of protest, cultural institutions have come under fire. Protestors have mobilized against sources of museum funding, as happened at the Metropolitan Museum, and against board appointments, forcing tear gas manufacturer Warren Kanders to resign at the Whitney. That is to say nothing of demonstrations against exhibitions and artworks. Protests have roiled institutions across the world, from the Abu Dhabi Guggenheim to the Akron Art Museum. A popular expectation has grown that galleries and museums should work for social change. As Director of the Queens Museum, Laura Raicovich helped turn that New York muni- cipal institution into a public commons for art and activism, organizing high-powered exhibitions that doubled as political protests. Then in January 2018, she resigned, after a dispute with the Queens Museum board and city officials. This public controversy followed the museum’s responses to Donald Trump’s election, including her objections to the Israeli government using the museum for an event featuring Vice President Mike Pence. In this lucid and accessible book, Raicovich examines some of the key museum flashpoints and provides historical context for the current controversies. She shows how art museums arose as colonial institutions bearing an ideology of neutrality that masks their role in upholding conservative, capitalist values. And she suggests ways museums can be reinvented to serve better, public ends.
Publisher: Verso Books
ISBN: 1839760524
Category : Art
Languages : en
Pages : 225
Book Description
A leading activist museum director explains why museums are at the center of a political storm In an age of protest, cultural institutions have come under fire. Protestors have mobilized against sources of museum funding, as happened at the Metropolitan Museum, and against board appointments, forcing tear gas manufacturer Warren Kanders to resign at the Whitney. That is to say nothing of demonstrations against exhibitions and artworks. Protests have roiled institutions across the world, from the Abu Dhabi Guggenheim to the Akron Art Museum. A popular expectation has grown that galleries and museums should work for social change. As Director of the Queens Museum, Laura Raicovich helped turn that New York muni- cipal institution into a public commons for art and activism, organizing high-powered exhibitions that doubled as political protests. Then in January 2018, she resigned, after a dispute with the Queens Museum board and city officials. This public controversy followed the museum’s responses to Donald Trump’s election, including her objections to the Israeli government using the museum for an event featuring Vice President Mike Pence. In this lucid and accessible book, Raicovich examines some of the key museum flashpoints and provides historical context for the current controversies. She shows how art museums arose as colonial institutions bearing an ideology of neutrality that masks their role in upholding conservative, capitalist values. And she suggests ways museums can be reinvented to serve better, public ends.
Pop Culture with Character
Author: Arnold T. Blumberg
Publisher: Gemstone Publishing
ISBN: 9781888472684
Category : Fiction
Languages : en
Pages : 0
Book Description
Museum gallery floor plan on 1 folded leaf inserted at back of book.
Publisher: Gemstone Publishing
ISBN: 9781888472684
Category : Fiction
Languages : en
Pages : 0
Book Description
Museum gallery floor plan on 1 folded leaf inserted at back of book.
The Museum and Popular Culture
Author:
Publisher:
ISBN:
Category : Adult education
Languages : en
Pages : 177
Book Description
Publisher:
ISBN:
Category : Adult education
Languages : en
Pages : 177
Book Description
Science Museums in Transition
Author: Carin Berkowitz
Publisher: University of Pittsburgh Press
ISBN: 0822982757
Category : Science
Languages : en
Pages : 384
Book Description
Winner, Outstanding Academic Title 2017, Choice Magazine The nineteenth century witnessed a dramatic shift in the display and dissemination of natural knowledge across Britain and America, from private collections of miscellaneous artifacts and objects to public exhibitions and state-sponsored museums. The science museum as we know it—an institution of expert knowledge built to inform a lay public—was still very much in formation during this dynamic period. Science Museums in Transition provides a nuanced, comparative study of the diverse places and spaces in which science was displayed at a time when science and spectacle were still deeply intertwined; when leading naturalists, curators, and popular showmen were debating both how to display their knowledge and how and whether they should profit from scientific work; and when ideals of nationalism, class politics, and democracy were permeating the museum’s walls. Contributors examine a constellation of people, spaces, display practices, experiences, and politics that worked not only to define the museum, but to shape public science and scientific knowledge. Taken together, the chapters in this volume span the Atlantic, exploring private and public museums, short and long-term exhibitions, and museums built for entertainment, education, and research, and in turn raise a host of important questions, about expertise, and about who speaks for nature and for history.
Publisher: University of Pittsburgh Press
ISBN: 0822982757
Category : Science
Languages : en
Pages : 384
Book Description
Winner, Outstanding Academic Title 2017, Choice Magazine The nineteenth century witnessed a dramatic shift in the display and dissemination of natural knowledge across Britain and America, from private collections of miscellaneous artifacts and objects to public exhibitions and state-sponsored museums. The science museum as we know it—an institution of expert knowledge built to inform a lay public—was still very much in formation during this dynamic period. Science Museums in Transition provides a nuanced, comparative study of the diverse places and spaces in which science was displayed at a time when science and spectacle were still deeply intertwined; when leading naturalists, curators, and popular showmen were debating both how to display their knowledge and how and whether they should profit from scientific work; and when ideals of nationalism, class politics, and democracy were permeating the museum’s walls. Contributors examine a constellation of people, spaces, display practices, experiences, and politics that worked not only to define the museum, but to shape public science and scientific knowledge. Taken together, the chapters in this volume span the Atlantic, exploring private and public museums, short and long-term exhibitions, and museums built for entertainment, education, and research, and in turn raise a host of important questions, about expertise, and about who speaks for nature and for history.
Museum Frictions
Author: Ivan Karp
Publisher: Duke University Press
ISBN: 9780822338949
Category : Art
Languages : en
Pages : 642
Book Description
This third volume in a bestselling series on culture, society, and museums examines the effects of globalization on contemporary museum, heritage, and exhibition practices.
Publisher: Duke University Press
ISBN: 9780822338949
Category : Art
Languages : en
Pages : 642
Book Description
This third volume in a bestselling series on culture, society, and museums examines the effects of globalization on contemporary museum, heritage, and exhibition practices.