The Murthly Hours PDF Download
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Author: John Higgitt
Publisher: University of Toronto Press
ISBN: 9780802047595
Category : History
Languages : en
Pages : 400
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Book Description
Accompanying CD-ROM contains digital facsimile of the Murthly Hours with commentary.
Author: John Higgitt
Publisher: University of Toronto Press
ISBN: 9780802047595
Category : History
Languages : en
Pages : 400
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Book Description
Accompanying CD-ROM contains digital facsimile of the Murthly Hours with commentary.
Author: Claire Donovan
Publisher: University of Toronto Press
ISBN: 9780802059512
Category : History
Languages : en
Pages : 244
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Book Description
Claire Donovan provides a detailed discussion of the Hours, its iconography and its place in the thirteenth-century Oxford book trade, with five appendices, notes and bibliography.
Author:
Publisher:
ISBN:
Category : Literature, Medieval
Languages : en
Pages : 124
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Book Description
Author: Charity Scott-Stokes
Publisher: DS Brewer
ISBN: 1843843005
Category : History
Languages : en
Pages : 202
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Book Description
English translation of a variety of texts from women's books of hours, with introduction, notes, and an interpretive essay. The book of hours is said to have been the most popular book owned by the laity in the later Middle Ages. This volume brings together a selection of texts taken from books of hours known to have been owned by women. While some will be familiar from bibles or prayer-books, others have to be sought in specialist publications, often embedded in other material, and a few have not until now been available at all in modern editions or translations. The texts arecomplemented by an introduction setting the book of hours in its context, an interpretive essay, glossary and annotated bibliography.
Author: Kathryn M. Rudy
Publisher: Open Book Publishers
ISBN: 1783742364
Category : Literary Criticism
Languages : en
Pages : 226
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Book Description
Medieval manuscripts resisted obsolescence. Made by highly specialised craftspeople (scribes, illuminators, book binders) with labour-intensive processes using exclusive and sometimes exotic materials (parchment made from dozens or hundreds of skins, inks and paints made from prized minerals, animals and plants), books were expensive and built to last. They usually outlived their owners. Rather than discard them when they were superseded, book owners found ways to update, amend and upcycle books or book parts. These activities accelerated in the fifteenth century. Most manuscripts made before 1390 were bespoke and made for a particular client, but those made after 1390 (especially books of hours) were increasingly made for an open market, in which the producer was not in direct contact with the buyer. Increased efficiency led to more generic products, which owners were motivated to personalise. It also led to more blank parchment in the book, for example, the backs of inserted miniatures and the blanks ends of textual components. Book buyers of the late fourteenth and throughout the fifteenth century still held onto the old connotations of manuscripts—that they were custom-made luxury items—even when the production had become impersonal. Owners consequently purchased books made for an open market and then personalised them, filling in the blank spaces, and even adding more components later. This would give them an affordable product, but one that still smacked of luxury and met their individual needs. They kept older books in circulation by amending them, attached items to generic books to make them more relevant and valuable, and added new prayers with escalating indulgences as the culture of salvation shifted. Rudy considers ways in which book owners adjusted the contents of their books from the simplest (add a marginal note, sew in a curtain) to the most complex (take the book apart, embellish the components with painted decoration, add more quires of parchment). By making sometimes extreme adjustments, book owners kept their books fashionable and emotionally relevant. This study explores the intersection of codicology and human desire. Rudy shows how increased modularisation of book making led to more standardisation but also to more opportunities for personalisation. She asks: What properties did parchment manuscripts have that printed books lacked? What are the interrelationships among technology, efficiency, skill loss and standardisation?
Author: Mark Purcell
Publisher: Yale University Press
ISBN: 0300248687
Category : Architecture
Languages : en
Pages : 352
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Book Description
Beginning with new evidence that cites the presence of books in Roman villas and concluding with present day vicissitudes of collecting, this generously illustrated book presents a complete survey of British and Irish country house libraries. Replete with engaging anecdotes about owners and librarians, the book features fascinating information on acquisition bordering on obsession, the process of designing library architecture, and the care (and neglect) of collections. The author also disputes the notion that these libraries were merely for show, arguing that many of them were profoundly scholarly, assembled with meticulous care, and frequently used for intellectual pursuits. For those who love books and the libraries in which they are collected and stored, The Country House Library is an essential volume to own.
Author: Alexa Sand
Publisher: Cambridge University Press
ISBN: 1107032229
Category : Art
Languages : en
Pages : 433
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Book Description
Focuses on one of the most attractive features of late medieval manuscript illumination: the portrait of the book owner at prayer within the pages of her prayer-book.
Author: Lisa Moore Hunt
Publisher: Routledge
ISBN: 1135868301
Category : History
Languages : en
Pages : 262
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Book Description
This study first examines the marginal repertoire in two well-known manuscripts, the Psalter of Guy de Dampierre and an Arthurian Romance, within their material and codicological contexts. This repertoire then provides a template for an extended study of the marginal motifs that appear in eighteen related manuscripts, which range from a Bible to illustrated versions of the encyclopedias of Vincent de Beauvais and Brunetto Latini. Considering the manuscript as a whole work of art, the marginalia’s physical relationship to nearby texts and images can shed light on the reception of these illuminated books by their medieval viewers.
Author: Jane Geddes
Publisher: Routledge
ISBN: 1317248066
Category : Social Science
Languages : en
Pages : 328
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Book Description
Exploring the medieval heritage of Aberdeenshire and Moray, the essays in this volume contain insights and recent work presented at the British Archaeological Association Conference of 2014, based at Aberdeen University. The opening, historical chapters establish the political, economic and administrative context of the region, looking at both the secular and religious worlds and include an examination of Elgin Cathedral and the bishops’ palaces. The discoveries at the excavations of the kirk of St Nicholas, which have revealed the early origins of religious life in Aberdeen city, are summarized and subsequent papers consider the role of patronage. Patronage is explored in terms of architecture, the dramas of the Reformation and its aftermath highlighted through essentially humble parish churches, assailed by turbulent events and personalities. The collegiate church at Cullen, particularly its tomb sculpture, provides an unusually detailed view of the spiritual and dynastic needs of its patrons. The decoration of spectacular ceilings, both carved and painted, at St Machar’s Cathedral, Provost Skene’s House and Crathes Castle, are surveyed through the eyes of their patrons and the viewers below. Saints and religious devotion feature in the last four chapters, focusing on the carved wooden panels from Fetteresso, which display both piety and a rare glimpse of Scottish medieval carnal humour, the illuminated manuscripts from Arbuthnott, the Aberdeen Breviary and Historia Gentis Scotorum. The medieval artistic culture of north-east Scotland is both battered by time and relatively little known. With discerning interpretation, this volume shows that much high-quality material still survives, while the lavish illustrations restore some glamour to this lost medieval world.
Author: Colum Hourihane
Publisher:
ISBN: 0195395360
Category : Architecture, Medieval
Languages : en
Pages : 4064
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Book Description
This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.
