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Author: Katharina Pilaski
Publisher: Mohr Siebeck
ISBN: 9783161521881
Category : Art
Languages : en
Pages : 228
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Book Description
The Munich Kunstkammer was conceived as a central repository of knowledge about the world, and the territory of its founder Albrecht V. Katharina Pilaski Kaliardos focuses on the collection's functions in the larger context of the centralization of princely power and the territory's confessionalization in the wake of the Council of Trent.
Author: Katharina Pilaski
Publisher: Mohr Siebeck
ISBN: 9783161521881
Category : Art
Languages : en
Pages : 228
Get Book
Book Description
The Munich Kunstkammer was conceived as a central repository of knowledge about the world, and the territory of its founder Albrecht V. Katharina Pilaski Kaliardos focuses on the collection's functions in the larger context of the centralization of princely power and the territory's confessionalization in the wake of the Council of Trent.
Author: Katharina Pilaski Kaliardos
Publisher:
ISBN: 9783161586118
Category :
Languages : en
Pages :
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Book Description
The Kunstkammer that Albrecht V, Duke of Bavaria, founded in Munich in the 1560s was among the first princely collections conceived as a site for the storage and production of universal knowledge, and was distinguished by a particular emphasis on the representation of the territory and dynasty of its founder. In her study, Katharina Pilaski Kaliardos focuses on the collection's functions in the context of the larger program of the centralization of princely power and the territory's confessionalization in the wake of the Council of Trent. For the first time, this study anchors the Kunstkammer in the immediate context of the intellectual milieu of the Bavarian court, reconstructing the interests of courtiers related to the collection's epistemology. In light of the museological treatise published by Samuel Quiccheberg at the Munich court in 1565, the author analyzes the Kunstkammer's connection to the topical tradition and encyclopedic projects of the time, arguing that the collection's original ambition was to be a fundamentally pragmatic site for the representation and production of knowledge useful for the governance of the territory. An analysis of objects documenting wondrous natural events throughout the territory elucidates the particularly Catholic approach to natural prodigies and their role in the collection's confessional argument. In her exploration of period perceptions of the Kunstkammer's profuse holdings of documentary imagery, Kaliardos situates reproductions of natural objects in the context of contemporary religious practice, and in the natural-philosophical discourse about the powers of art to reproduce nature.
Author: Katharina Pilaski
Publisher:
ISBN:
Category : Bavaria (Germany)
Languages : en
Pages : 285
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Book Description
Author: Galerie Art in Progress (Munich, Germany)
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: R.J.W. Evans
Publisher: Routledge
ISBN: 1351946668
Category : History
Languages : en
Pages : 282
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Book Description
'Curiosity' and 'wonder' are topics of increasing interest and importance to Renaissance and Enlightenment historians. Conspicuous in a host of disciplines from history of science and technology to history of art, literature, and society, both have assumed a prominent place in studies of the Early Modern period. This volume brings together an international group of scholars to investigate the various manifestations of, and relationships between, 'curiosity' and 'wonder' from the 16th to the 18th centuries. Focused case studies on texts, objects and individuals explore the multifaceted natures of these themes, highlighting the intense fascination and continuing scrutiny to which each has been subjected over three centuries. From instances of curiosity in New World exploration to the natural wonders of 18th-century Italy, Curiosity and Wonder from the Renaissance to the Enlightenment locates its subjects in a broad geographical and disciplinary terrain. Taken together, the essays presented here construct a detailed picture of two complex themes, demonstrating the extent to which both have been transformed and reconstituted, often with dramatic results.
Author: Susan Maxwell
Publisher: Routledge
ISBN: 1351545442
Category : Art
Languages : en
Pages : 251
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Book Description
Shedding new light on the relatively unknown art of the Wittelsbach dukes's sixteenth-century court, The Court Art of Friedrich Sustris represents the first monograph to focus on this Italian-trained Netherlandish artist. The volume incorporates original archival material, including letters and payment records into the analysis of Sustris's many projects that ranged from large fresco cycles to intimate luxury and devotional objects. Duke Wilhelm V of Bavaria transformed Munich into a vital cultural crossroads between northern Europe and Italy. As Wilhelm's court artist and artistic director, Friedrich Sustris created a unified vision that broadcast Bavarian magnificence to princely courts across Europe. Although much of Sustris's work is lost, the remaining body of his drawings provides a unique window onto the reception of drawings by early modern elites within the context of their collecting practices.
Author: Caroline Vout
Publisher: Princeton University Press
ISBN: 0691177031
Category : Art
Languages : en
Pages : 374
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Book Description
How did the statues of ancient Greece wind up dictating art history in the West? How did the material culture of the Greeks and Romans come to be seen as "classical" and as "art"? What does "classical art" mean across time and place? In this ambitious, richly illustrated book, art historian and classicist Caroline Vout provides an original history of how classical art has been continuously redefined over the millennia as it has found itself in new contexts and cultures. All of this raises the question of classical art's future. What we call classical art did not simply appear in ancient Rome, or in the Renaissance, or in the eighteenth-century Academy. Endlessly repackaged and revered or rebuked, Greek and Roman artifacts have gathered an amazing array of values, both positive and negative, in each new historical period, even as these objects themselves have reshaped their surroundings. Vout shows how this process began in antiquity, as Greeks of the Hellenistic period transformed the art of fifth-century Greece, and continued through the Roman empire, Constantinople, European court societies, the neoclassical English country house, and the nineteenth century, up to the modern museum. A unique exploration of how each period of Western culture has transformed Greek and Roman antiquities and in turn been transformed by them, this book revolutionizes our understanding of what classical art has meant and continues to mean.
Author: James J. Sheehan
Publisher: Oxford University Press on Demand
ISBN: 0195135725
Category : Art
Languages : en
Pages : 273
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Book Description
"The first study of its kind, this book will appeal to historians, museum professionals, and anyone interested in the relationship between art, politics, and culture."--BOOK JACKET.
Author: Bridget Heal
Publisher: John Wiley & Sons
ISBN: 1119422477
Category : Art
Languages : en
Pages : 230
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Book Description
The religious turmoil of the sixteenth century constituted a turning point in the history of Western Christian art. The essays presented in this volume investigate the ways in which both Protestant and Catholic reform stimulated the production of religious images, drawing on examples from across Europe and beyond. Eight essays by leading scholars in the field Brings art historians and historians into productive dialogue Broad chronology, from the sixteenth to the eighteenth century Broad geographical coverage Richly illustrated
Author: Wolfram Koeppe
Publisher: Metropolitan Museum of Art
ISBN: 1588392880
Category : Incrustation (Stone carving)
Languages : en
Pages : 422
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Book Description
"In the royal and princely courts of Europe, artworks made of multicolored semiprecious stones were passionately coveted objects. Known as pietre dure, or hardstones, this type of artistic expression includes?paintings in stone,? which were composed of intricately cut separate pieces that were made into magnificent tabetops, cabinets, and wall decorations. Other works included vessels and ornaments carved with virtuosic skill from a single piece of rare and brilliant lapis lazuli, chalcedony, jasper, or similarly prized substance; exquisite objects such as boxes, clocks, and jewelry; and portraits of nobles sculpted in variously colored stones. Derived from ancient Roman decorative stonework, the art of pietre dure was developed in Renaissance Florence, where the manufacture of such objects was enthusiastically sponsored by Medici princes. Ideally suited for ostentatious display, the works sent an unmistakable message of wealth and political might that was understood in centers of power everywhere. From Italy the medium spread across Europeto Prague, Madrid, Naples, Paris, and later Saint Petersburg. Precious and fragile, pietre dure objects are rarely brought together in large numbers. This richly illustrated catalogue contains more than 150 masterworks from across Europe, dating from five centuries, including almost every artistic use of semiprecious stone during this time as well as some of the finest examples of the medium. Eight essays by European and American experts discuss the individualized development of pietre dure in every European region, the latest developments in scholarship, the interrelationships between art and dynastic politics and between cultures, and a variety of techniques used to produce these luxurious masterworks."--Metropolitan Museum of Art website.
