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Author: Victor Kofi Agawu
Publisher: Oxford University Press
ISBN: 0190263202
Category : History
Languages : en
Pages : 389
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Book Description
The world of Sub-Saharan African music is immensely rich and diverse, containing a plethora of repertoires and traditions. In The African Imagination in Music, renowned music scholar Kofi Agawu offers an introduction to the major dimensions of this music and the values upon which it rests. Agawu leads his readers through an exploration of the traditions, structural elements, instruments, and performative techniques that characterize the music. In sections that focus upon rhythm, melody, form, and harmony, the essential parts of African music come into relief. While traditional music, the backbone of Africa's musical thinking, receives the most attention, Agawu also supplies insights into popular and art music in order to demonstrate the breadth of the African musical imagination. Close readings of a variety of songs, including an Ewe dirge, an Aka children's song, and Fela's 'Suffering and Smiling' supplement the broader discussion. The African Imagination in Music foregrounds a hitherto under-reported legacy of recordings and insists on the necessity of experiencing music as sound in order to appreciate and understand it fully. Accordingly, a Companion Website features important examples of the music discussed in detail in the book. Accessibly and engagingly written for a general audience, The African Imagination in Music is poised to renew interest in Black African music and to engender discussion of its creative underpinnings by Africanists, ethnomusicologists, music theorists and musicologists.
Author: Victor Kofi Agawu
Publisher: Oxford University Press
ISBN: 0190263202
Category : History
Languages : en
Pages : 389
Get Book Here
Book Description
The world of Sub-Saharan African music is immensely rich and diverse, containing a plethora of repertoires and traditions. In The African Imagination in Music, renowned music scholar Kofi Agawu offers an introduction to the major dimensions of this music and the values upon which it rests. Agawu leads his readers through an exploration of the traditions, structural elements, instruments, and performative techniques that characterize the music. In sections that focus upon rhythm, melody, form, and harmony, the essential parts of African music come into relief. While traditional music, the backbone of Africa's musical thinking, receives the most attention, Agawu also supplies insights into popular and art music in order to demonstrate the breadth of the African musical imagination. Close readings of a variety of songs, including an Ewe dirge, an Aka children's song, and Fela's 'Suffering and Smiling' supplement the broader discussion. The African Imagination in Music foregrounds a hitherto under-reported legacy of recordings and insists on the necessity of experiencing music as sound in order to appreciate and understand it fully. Accordingly, a Companion Website features important examples of the music discussed in detail in the book. Accessibly and engagingly written for a general audience, The African Imagination in Music is poised to renew interest in Black African music and to engender discussion of its creative underpinnings by Africanists, ethnomusicologists, music theorists and musicologists.
Author: Eric Charry
Publisher: Indiana University Press
ISBN: 0253005825
Category : Music
Languages : en
Pages : 405
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Book Description
Hip Hop Africa explores a new generation of Africans who are not only consumers of global musical currents, but also active and creative participants. Eric Charry and an international group of contributors look carefully at youth culture and the explosion of hip hop in Africa, the embrace of other contemporary genres, including reggae, ragga, and gospel music, and the continued vitality of drumming. Covering Senegal, Mali, Côte d'Ivoire, Ghana, Nigeria, Kenya, Tanzania, Malawi, and South Africa, this volume offers unique perspectives on the presence and development of hip hop and other music in Africa and their place in global music culture.
Author: Helen Winter
Publisher: Helen Winter
ISBN:
Category : Music
Languages : en
Pages : 47
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Book Description
The steel tongue drum (aka tong drum, tank drum, gluck-o-phone, hapi, or steeldrum) and the handpan (aka hank drum, UFO drum, zen drum, meditation, healing, or chakra drum) are percussion musical instruments designed to help you focus on your feelings, sensations, and body. You don't need classical music training or knowledge of music theory to play them. The main purpose is relaxation, meditation, and traveling through your inner world. This book is aimed at those who want to add popular melodies to their experimentation.
The Famous African Songs were adapted here for Tongue Drum and Handpan. We believe that African songs, due to their clear rhythmic patterns, are ideal for tongue and hang drums.
These songs are possible to play on most drum models.
We write the note numbers above the notes because our sheet music is aimed at absolute beginners.Just follow numbers and enjoy.
Also, we add a QR code to most songs. Follow the link and find this song on YouTube, so that you can listen to the rhythm before beginning to play.
For which tongue drum are these songs suitable?
Each tongue drum is very different and it is impossible to accommodate songs for all kinds of tongue drums in one book.
The songs which have been collected in this book can be played on most drum models. If you have less than 1 octave of keys on your drum, you may need to skip some songs. However, if your drum has many sharp notes, you will need a book that contains chromatic songs.
Here, we have collected only simplified diatonic melodies.
Contents
- Achta ta ta ta ta. Song from Morocco
- A Ram Sam Sam. Song from Morocco
- Askari Eee. Song from Tanzania
- Atadwe. Song from Ghana
- Banaha. Song from Congo
- Banuwa. Song from Liberia
- Bebe Moke. Song from Congo
- Before Dinner. Song from Congo
- Che Che Koolay. Song from Ghana
- Coco Laye-Laye. Song from Congo
- Do Do Ki Do. Song from Cameroon
- Eh Soom Boo Kawaya. Song from Nigeria
- Famba Naye. Song from Zimbabwe
- Funga Alafia. Song from Ghana
- Iro Ye. Song from Benin
- Kanzenzenze. Song from Congo
- Kotiko. Song from Congo
- L'abe igi orombo. Song from Nigeria
- Manamolela. Song from South Africa
- Mayo Nafwa. Song from Zambia
- Obwisana. Song from Ghana
- Plouf Tizen Tizen. Song from Algeria
- Sansa Kroma. Song from Ghana
- Sélinguenia. Song from Kenya
- Shosholoza. Song from South Africa
- Si Ma Ma Ka. Song from Ghana
- Sindi. Song from Burkina Faso
- Siyahamba. Song from South Africa
- Siyanibingelela. Song from South Africa
- Stick Passing Song. Song from Uganda
- Umele. Song from South Africa
- Wa Wa Wa. Song from Congo
- Welcome Song. Song from Uganda
- Zimbole. Song from South Africa
- Zomina. Song from Togo
Author: Helen Winter
Publisher: Helen Winter
ISBN:
Category : Music
Languages : en
Pages : 65
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Book Description
The African songs here are written using European notation, and we should understand that songs cannot be written as authentically as the music is played in its original form. African music does not implement temporality or major or minor chords. Therefore, the sheet music for African songs here is like a rough draft of the original music. You won't be able to play an African song by the sheet music alone. This is true for jazz and the blues, and it is just as true for African folk music. African music always assumes improvisation, adding variations and syncopation. Its main task is not to be reproduced, but to get everyone involved, since music, by definition, is the expression of emotional states with the help of sounds of a certain frequency and rhythm. This book was written for keyboard, but remember that traditional African music never involved or included a piano or other keyboard instrument.An indication of the country of origin of the song is an approximation because many traditional cultures cross current national borders. The language in which the song is sung is more important, and it can be used in various countries. Most songs have been simplified for beginners and letter names have been added under the musical notes to make it possible for you to confidently begin playing. Since African music assumes improvisation and variation, we recommend using this sheet music only as a guide. The most important thing is to listen and repeat the recordings linked to the QR code. Contents Achta ta ta ta ta. Song from Morocco Ah Ya Zein. Song from Egypt Ahuna. Song from Lesotho Amawole. Song from Congo Askari Eee. Song from Tanzania Atadwe. Song from Ghana A Ram Sam Sam. Song from Morocco Banaha. Song from Congo Banuwa. Song from Liberia Bebe Moke. Song from Congo Before Dinner. Song from Congo Bilanga Na Ngai. Song from Congo Che Che Koolay. Song from Ghana Coco Laye-Laye. Song from Congo Dipidu. Song from Uganda Do Do Ki Do. Song from Cameroon Eh Soom Boo Kawaya. Song from Nigeria Erile Baboye. Song from South Africa Famba Naye. Song from Zimbabwe Funga Alafia. Song from Ghana Iro Ye. Song from Benin Kanzenzenze. Song from Congo Katoto Lala. Song from Congo Kokoleoko. Song from Liberia Kotiko. Song from Congo Kuya Mbio. Song from Tanzania L'abe igi Orombo. Song from Nigeria Makotoude. Song from Mali Makun. Song from Mali Ndeke. Song from Congo Manamolela. Song from South Africa Mayo Nafwa. Song from Zambia Mbele Mama. Song from South Africa Melimba. Song from Senegal Ning Wendete. Song from Kenya Noyana. Song from South Africa Obwisana. Song from Ghana Olélé Moliba Makasi. Song from Congo Plouf Tizen Tizen. Song from Algeria Sansa Kroma. Song from Ghana Sélinguenia. Song from Kenya Shosholoza. Song from South Africa Si Ma Ma Ka. Song from Ghana Si Si Kumbale. Song from South Africa Sindi. Song from Burkina Faso Siyahamba. Song from South Africa Siyanibingelela. Song from South Africa Stick Passing Song. Song from Uganda Take Time in Life. Song from Liberia Tue Tue. Song from Ghana Umele. Song from South Africa Wa Wa Wa. Song from Congo Welcome Song. Song from Uganda Zimbole. Song from South Africa Zomina. Song from Togo
Author: J. H. Kwabena Nketia
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 292
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Book Description
The study of African music is a study at once of unity and diversity. The range of indigenous musical resources and practices found on this vast continent is as wide and varies as its topography. In this informative and highly readable book, Professor Nketia provides an overview of the musical traditions of Africa with respect to their historical, cultural, and social background, their organization and practice, and delineates the most significant aspects of musical style.
Author: Gerhard Kubik
Publisher: Univ. Press of Mississippi
ISBN: 9781578061464
Category : Music
Languages : en
Pages : 268
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Book Description
In 1969 Gerhard Kubik chanced to encounter a Mozambican labor migrant, a miner in Transvaal, South Africa, tapping a cipendani, a mouth-resonated musical bow. A comparable instrument was seen in the hands of a white Appalachian musician who claimed it as part of his own cultural heritage. Through connections like these Kubik realized that the link between these two far-flung musicians is African-American music, the sound that became the blues. Such discoveries reveal a narrative of music evolution for Kubik, a cultural anthropologist and ethnomusicologist. Traveling in Africa, Brazil, Venezuela, and the United States, he spent forty years in the field gathering the material for Africa and the Blues. In this book, Kubik relentlessly traces the remote genealogies of African cultural music through eighteen African nations, especially in the Western and Central Sudanic Belt. Included is a comprehensive map of this cradle of the blues, along with 31 photographs gathered in his fieldwork. The author also adds clear musical notations and descriptions of both African and African American traditions and practices and calls into question the many assumptions about which elements of the blues were "European" in origin and about which came from Africa. Unique to this book is Kubik's insight into the ways present-day African musicians have adopted and enlivened the blues with their own traditions. With scholarly care but with an ease for the general reader, Kubik proposes an entirely new theory on blue notes and their origins. Tracing what musical traits came from Africa and what mutations and mergers occurred in the Americas, he shows that the African American tradition we call the blues is truly a musical phenomenon belonging to the African cultural world [Publisher description].
Author: Chantal Grosléziat
Publisher:
ISBN: 9782923163796
Category : Juvenile Fiction
Languages : en
Pages : 0
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Book Description
Presents a collection of twenty-nine lullabies and rhymes that include lyrics reproduced in the original African language and translated into English.
Author: Helen Winter
Publisher: Helen Winter
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 51
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Book Description
You have never played music or you cannot read sheet music, but you want to play famous and inspiring hymns and spirituals. Don’t worry! You will begin to play right away. This book was written to help the absolute beginner to play in a simple and easy way that requires no knowledge of reading music. If you are a beginner, playing by note can be difficult. It is easier to follow color-coded circles with note letters. The melodies have been transposed to one octave and simplified. Also, the letter-coded notations have been added and complex notations and symbols have been reduced. Such simplification makes it possible for people to play melodies, especially those who can’t read music or who have never played music before. The keys color of your musical instrument must be the same as the color chromatic scale in this book which corresponds to the popular Chromanotes color system. Popular in the US, the Chroma-Notes Colored Music System mixes the three primary colors: red, yellow, and blue. Mixing them gives three colors in between (orange, green, and violet), and mixing the 6 colors gives the new color tones. In total, there are 12 colors, which include all 12 notes of the chromatic scale, and one color blends into the next. The first 3 chroma-note colors are identical to the chakra color (C - red, D - orange, E - yellow). Note F is light green, note G - blue-green, A - blue-violet or magenta, and B - violet. We use here the Boomwhackers color system commonly used by American music teachers. All songs from this book are possible to play on an 8-note one-octave instrument. This book is aimed at your first musical experience no matter what age you are. There is no wrong time or not enough preparation to take up spiritual pursuits. Contents Babylon’s Falling Bring Me a Little Water, Sylvia Elijah Rock Every Time I Feel the Spirit God is So Good Great Big Stars Great Day He's Got the Whole World in His Hands Kumbaya, My Lord Michael Row the Boat Ashore Peace Like a River Sinner Man My Lord What a Morning We Are Climbing Jacob's Ladder We Are Marching (Siyahamba) When the Saints Go Marchin' In Who Built the Ark?
Author: Kofi Agawu
Publisher: Routledge
ISBN: 1317794060
Category : Music
Languages : en
Pages : 289
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Book Description
The aim of this book is to stimulate debate by offering a critique of discourse about African music. Who writes about African music, how, and why? What assumptions and prejudices influence the presentation of ethnographic data? Even the term "African music" suggests there is an agreed-upon meaning, but African music signifies differently to different people. This book also poses the question then, "What is African music?" Agawu offers a new and provocative look at the history of African music scholarship that will resonate with students of ethnomusicology and post-colonial studies. He offers an alternative "Afro-centric" means of understanding African music, and in doing so, illuminates a different mode of creativity beyond the usual provenance of Western criticism. This book will undoubtedly inspire heated debate--and new thinking--among musicologists, cultural theorists, and post-colonial thinkers. Also includes 15 musical examples.
Author: Tom Butler
Publisher:
ISBN: 9781697918564
Category :
Languages : en
Pages : 492
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Book Description
We Can Know the Nature of RealityOur understanding of the nature of reality is undergoing an important shift from mostly supposition and belief to actionable facts based on important developments in parapsychology and transcommunication. This means the emergence of new tools which are helping us better understand our nature and the nature of the world we live in.To be sure this shift involves theory and research, but it ultimately comes down to who we are and what we can become. The best way to describe this future paradigm is in terms of mindfulness and the middle way of mindful living. This is not the mindfulness of living in the moment based on the belief that we are our body. It is the mindfulness of experiencing life from the perspective of your immortal self.This book is written to show you the evidence of survival and the implications of that evidence as an important model for future research. While your personal progression depends a lot on understanding the evidence, the community sharing your journey is equally important. To help you learn where to look for help, a comprehensive survey of our paranormalist community is included.Mindfulness can lead to important growth in your ability to work with nature, to sense the subtle fields influencing your life and more confidently commune with your loved ones on the other side. But it is important to understand how this paradigm shift is changing our understanding of the phenomena of transcommunication and interconnectedness in our community. The last part of this book includes a comprehensive discussion of the phenomena, including EVP-ITC, healing intention and mediumship transcommunication phenomena.
