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Author: Elizabeth Stoddard
Publisher:
ISBN:
Category :
Languages : en
Pages : 292
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Book Description
Author: Elizabeth Stoddard
Publisher:
ISBN:
Category :
Languages : en
Pages : 292
Get Book Here
Book Description
Author: Elizabeth Stoddard
Publisher: University of Pennsylvania Press
ISBN: 081220560X
Category : Fiction
Languages : en
Pages : 401
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Book Description
"Stoddard was, next to Melville and Hawthorne, the most strikingly original voice in the mid-nineteenth-century American novel, a voice . . . that ought to gain a more sympathetic and perceptive hearing in our time than in her own."—from the Introduction The centerpiece of this volume is The Morgesons (1862), one of the few outstanding feminist bildungsromanae of that century. Additional selections include arresting short stories and provocative journalistic essays/reviews, plus a number of letters and manuscript journals that have never before been published. The texts are fully edited and documented.
Author: Elizabeth Stoddard
Publisher: IndyPublish.com
ISBN:
Category : Fiction
Languages : en
Pages : 276
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Book Description
This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.
Author: Lioba Frings
Publisher: GRIN Verlag
ISBN: 3668466297
Category : Literary Collections
Languages : en
Pages : 23
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Book Description
Seminar paper from the year 2017 in the subject American Studies - Literature, grade: 3,0, University of Bonn, language: English, abstract: A woman’s life in nineteenth-century American society was limited to the domestic sphere, or the household as well as church, and restricted with regard to current and future duties as mothers and wives. While young girls on the one hand need to learn how to fulfill their future duties as mothers and wives, their mothers and teachers on the other hand need to pass their knowledge regarding these duties on to their daughters. Certain gender roles served as the framework for women in society, mainly shaped by the Cult of True Womanhood. Other factors that influenced the role of women were the therewith connected virtues, which a woman was supposed to embody, as well as the common and well-known definition of a ‘True Woman’. With regard to the protagonist in The Morgesons the author “simply disregards the ‘cult of true womanhood’” (Weir 430). Autonomy with regard to women was rare, or even non-existing, and normally unwished-for, especially from the perspective of men, husbands or fathers, who expected every woman to simply take care of household and descendants.
Author: Lynn Mahoney
Publisher: Routledge
ISBN: 1135883424
Category : Biography & Autobiography
Languages : en
Pages : 205
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Book Description
First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Elizabeth Stoddard
Publisher:
ISBN:
Category :
Languages : en
Pages : 346
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Book Description
Author: Ashley Reed
Publisher: Cornell University Press
ISBN: 1501751379
Category : Literary Criticism
Languages : en
Pages : 173
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Book Description
In Heaven's Interpreters, Ashley Reed reveals how nineteenth-century American women writers transformed the public sphere by using the imaginative power of fiction to craft new models of religious identity and agency. Women writers of the antebellum period, Reed contends, embraced theological concepts to gain access to the literary sphere, challenging the notion that theological discourse was exclusively oppressive and served to deny women their own voice. Attending to modes of being and believing in works by Augusta Jane Evans, Harriet Jacobs, Catharine Maria Sedgwick, Elizabeth Oakes Smith, Elizabeth Stoddard, Harriet Beecher Stowe, and Susan Warner, Reed illuminates how these writers infused the secular space of fiction with religious ideas and debates, imagining new possibilities for women's individual agency and collective action. Thanks to generous funding from Virginia Tech and its participation in TOME (Toward an Open Monograph Ecosystem), the ebook editions of this book are available as Open Access volumes from Cornell Open cornellpress.cornell.edu/cornell-open) and other repositories.
Author: Jennifer Putzi
Publisher: University of Georgia Press
ISBN: 0820343447
Category : Literary Criticism
Languages : en
Pages : 208
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Book Description
What we know of the marked body in nineteenth-century American literature and culture often begins with The Scarlet Letter's Hester Prynne and ends with Moby Dick's Queequeg. This study looks at the presence of marked men and women in a more challenging array of canonical and lesser-known works, including exploration narratives, romances, and frontier novels. Jennifer Putzi shows how tattoos, scars, and brands can function both as stigma and as emblem of healing and survival, thus blurring the borderline between the biological and social, the corporeal and spiritual. Examining such texts as Typee, Uncle Tom's Cabin, Captivity of the Oatman Girls, The Morgesons, Iola Leroy, and Contending Forces, Putzi relates the representation of the marked body to significant events, beliefs, or cultural shifts, including tattooing and captivity, romantic love, the patriarchal family, and abolition and slavery. Her particular focus is on both men and women of color, as well as white women-in other words, bodies that did not signify personhood in the nineteenth century and thus by their very nature were grotesque. Complicating the discourse on agency, power, and identity, these texts reveal a surprisingly complex array of representations of and responses to the marked body--some that are a product of essentialist thinking about race and gender identities and some that complicate, critique, or even rebel against conventional thought.
Author: Dale M. Bauer
Publisher: Cambridge University Press
ISBN: 1139826085
Category : Literary Criticism
Languages : en
Pages : 374
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Book Description
Providing an overview of the history of writing by women in the period, this 2001 Companion establishes the context in which this writing emerged, and traces the origin of the terms which have traditionally defined the debate. It includes essays on topics of recent concern, such as women and war, erotic violence, the liberating and disciplinary effects of religion, and examines the work of a variety of women writers, including Harriet Beecher Stowe, Rebecca Harding Davis and Louisa May Alcott. The volume plots new directions for the study of American literary history, and provides several valuable tools for students, including a chronology of works and suggestions for further reading.
Author: Chad Luck
Publisher: Fordham Univ Press
ISBN: 0823263010
Category : Literary Criticism
Languages : en
Pages : 418
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Book Description
What does it mean to own something? How does a thing become mine? Liberal philosophy since John Locke has championed the salutary effects of private property but has avoided the more difficult questions of property’s ontology. Chad Luck argues that antebellum American literature is obsessed with precisely these questions. Reading slave narratives, gothic romances, city-mystery novels, and a range of other property narratives, Luck unearths a wide-ranging literary effort to understand the nature of ownership, the phenomenology of possession. In these antebellum texts, ownership is not an abstract legal form but a lived relation, a dynamic of embodiment emerging within specific cultural spaces—a disputed frontier, a city agitated by class conflict. Luck challenges accounts that map property practice along a trajectory of abstraction and “virtualization.” The book also reorients recent Americanist work in emotion and affect by detailing a broader phenomenology of ownership, one extending beyond emotion to such sensory experiences as touch, taste, and vision. This productive blend of phenomenology and history uncovers deep-seated anxieties—and enthusiasms—about property across antebellum culture.
