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Author: Peter (of Limoges)
Publisher: PIMS
ISBN: 9780888443014
Category : Exempla
Languages : en
Pages : 0
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Book Description
"Peter of Limoges's Moral Treatise on the Eye is arguably the single most important medieval text situated at the junction of two dynamic areas of intellectual history: the history of optical science and the history of pastoral care."--Page [4].
Author: Peter (of Limoges)
Publisher: PIMS
ISBN: 9780888443014
Category : Exempla
Languages : en
Pages : 0
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Book Description
"Peter of Limoges's Moral Treatise on the Eye is arguably the single most important medieval text situated at the junction of two dynamic areas of intellectual history: the history of optical science and the history of pastoral care."--Page [4].
Author: Herbert L. Kessler
Publisher: PIMS
ISBN: 9780888442093
Category : Art
Languages : en
Pages : 0
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Book Description
"This volume examines afresh the various ways in which the introduction of ancient and Arabic optical theories transformed thirteenth-century thinking about vision, how scientific learning came to be reconciled with theological speculation, and the effect these new developments had on those who learned about them through preaching. At the core of this collection lies Peter of Limoges's 'Tractatus moralis de oculo', a compilation remarkable for subsuming science into the edifice of theology and glossing the physiology of the eye and theories of perception in terms of Christian ethics and moralization, making esoteric learning accessible to the public (including artists) through preaching. Transgressing traditional boundaries between art history, science, literature, and the history of religion, the nine essays in this volume complicate the generally accepted understanding of the impact science had on thirteenth-century visual culture."--
Author: Henry E. Allison
Publisher: OUP Oxford
ISBN: 0191615528
Category : Philosophy
Languages : en
Pages : 661
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Book Description
Henry Allison examines the central tenets of Hume's epistemology and cognitive psychology, as contained in the Treatise of Human Nature. Allison takes a distinctive two-level approach. On the one hand, he considers Hume's thought in its own terms and historical context. So considered, Hume is viewed as a naturalist, whose project in the first three parts of the first book of the Treatise is to provide an account of the operation of the understanding in which reason is subordinated to custom and other non-rational propensities. Scepticism arises in the fourth part as a form of metascepticism, directed not against first-order beliefs, but against philosophical attempts to ground these beliefs in the "space of reasons." On the other hand, Allison provides a critique of these tenets from a Kantian perspective. This involves a comparison of the two thinkers on a range of issues, including space and time, causation, existence, induction, and the self. In each case, the issue is seen to turn on a contrast between their underlying models of cognition. Hume is committed to a version of the perceptual model, according to which the paradigm of knowledge is a seeing with the "mind's eye" of the relation between mental contents. By contrast, Kant appeals to a discursive model in which the fundamental cognitive act is judgment, understood as the application of concepts to sensory data, Whereas regarded from the first point of view, Hume's account is deemed a major philosophical achievement, seen from the second it suffers from a failure to develop an adequate account of concepts and judgment.
Author: Wietse de Boer
Publisher: BRILL
ISBN: 9004315497
Category : History
Languages : en
Pages : 312
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Book Description
The essays collected in The Five Senses in Medieval and Early Modern England examine the interrelationships between sense perception and secular and Christian cultures in England from the medieval into the early modern periods. They address canonical texts and writers in the fields of poetry, drama, homiletics, martyrology and early scientific writing, and they espouse methods associated with the fields of corpus linguistics, disability studies, translation studies, art history and archaeology, as well as approaches derived from traditional literary studies. Together, these papers constitute a major contribution to the growing field of sensorial research that will be of interest to historians of perception and cognition as well as to historians with more generalist interests in medieval and early modern England. Contributors include: Dieter Bitterli, Beatrix Busse, Rory Critten, Javier Díaz-Vera, Tobias Gabel, Jens Martin Gurr, Katherine Hindley, Farah Karim-Cooper, Annette Kern-Stähler, Richard Newhauser, Sean Otto, Virginia Richter, Elizabeth Robertson, and Kathrin Scheuchzer
Author: James Mixson
Publisher: BRILL
ISBN: 9004297529
Category : Religion
Languages : en
Pages : 445
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Book Description
The Observant Movement was a widespread effort to reform religious life across Europe. It took root around 1400, and for a century and more thereafter it inspired or shaped much that became central to European religion and culture. The Observants produced many of the leading religious figures of the later Middle Ages—Catherine of Siena, Bernardino of Siena and Savonarola in Italy, Francisco Jiménez de Cisneros in Spain, and in Germany Martin Luther himself. This volume provides scholars with a current, synthetic introduction to the Observant Movement. Its essays also seek collectively to expand the horizons of our study of Observant reform, and to open new avenues for future scholarship. Contributors are Michael D. Bailey, Pietro Delcorno, Tamar Herzig, Anne Huijbers, James D. Mixson, Alison More, Carolyn Muessig, Maria Giuseppina Muzzarelli, Bert Roest, Timothy Schmitz, and Gabriella Zarri.
Author: Ryan McDermott
Publisher: University of Notre Dame Pess
ISBN: 0268087091
Category : Literary Criticism
Languages : en
Pages : 406
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Book Description
Tropologies is the first book-length study to elaborate the medieval and early modern theory of the tropological, or moral, sense of scripture. Ryan McDermott argues that tropology is not only a way to interpret the Bible but also a theory of literary and ethical invention. The “tropological imperative” demands that words be turned into works—books as well as deeds. Beginning with Augustine, Jerome, and Gregory the Great, then treating monuments of exegesis such as the Glossa ordinaria and Nicholas of Lyra, as well as theorists including Thomas Aquinas, Erasmus, Martin Luther, and others, Tropologies reveals the unwritten history of a major hermeneutical theory and inventive practice. Late medieval and early Reformation writers adapted tropological theory to invent new biblical poetry and drama that would invite readers to participate in salvation history by inventing their own new works. Tropologies reinterprets a wide range of medieval and early modern texts and performances—including the Patience-Poet, Piers Plowman, Chaucer, the York and Coventry cycle plays, and the literary circles of the reformist King Edward VI—to argue that “tropological invention” provided a robust alternative to rhetorical theories of literary production. In this groundbreaking revision of literary history, the Bible and biblical hermeneutics, commonly understood as sources of tumultuous discord, turn out to provide principles of continuity and mutuality across the Reformation’s temporal and confessional rifts. Each chapter pursues an argument about poetic and dramatic form, linking questions of style and aesthetics to exegetical theory and theology. Because Tropologies attends to the flux of exegetical theory and practice across a watershed period of intellectual history, it is able to register subtle shifts in literary production, fine-tuning our sense of how literature and religion mutually and dynamically informed and reformed each other.
Author: Tara Williams
Publisher: Penn State Press
ISBN: 0271081783
Category : Literary Criticism
Languages : en
Pages : 185
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Book Description
This multidisciplinary volume illustrates how representations of magic in fourteenth-century romances link the supernatural, spectacle, and morality in distinctive ways. Supernatural marvels represented in vivid visual detail are foundational to the characteristic Middle English genres of romance and hagiography. In Middle English Marvels, Tara Williams explores the didactic and affective potential of secular representations of magic and shows how fourteenth-century English writers tested the limits of that potential. Drawing on works by Augustine, Gervase of Tilbury, Chaucer, and the anonymous poets of Sir Orfeo and Sir Gawain and the Green Knight, among others, Williams examines how such marvels might convey moral messages within and beyond the narrative. She analyzes examples from both highly canonical and more esoteric texts and examines marvels that involve magic and transformation, invoke visual spectacle, and invite moral reflection on how one should relate to others. Within this shared framework, Williams finds distinct concerns—chivalry, identity, agency, and language—that intersect with the marvelous in significant ways. Integrating literary and historical approaches to the study of magic, this volume convincingly shows how certain fourteenth-century texts eschewed the predominant trends and developed a new theory of the marvelous. Williams’s engaging, erudite study will be of special interest to scholars of the occult, the medieval and early modern eras, and literature.
Author: Patricia Clare Ingham
Publisher: University of Pennsylvania Press
ISBN: 0812291239
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
Despite the prodigious inventiveness of the Middle Ages, the era is often characterized as deeply suspicious of novelty. But if poets and philosophers urged caution about the new, Patricia Clare Ingham contends, their apprehension was less the result of a blind devotion to tradition than a response to radical expansions of possibility in diverse realms of art and science. Discovery and invention provoked moral questions in the Middle Ages, serving as a means to adjudicate the ethics of invention and opening thorny questions of creativity and desire. The Medieval New concentrates on the preoccupation with newness and novelty in literary, scientific, and religious discourses of the twelfth through sixteenth centuries. Examining a range of evidence, from the writings of Roger Bacon and Geoffrey Chaucer to the letters of Christopher Columbus, and attending to histories of children's toys, the man-made marvels of romance, the utopian aims of alchemists, and the definitional precision of the scholastics, Ingham analyzes the ethical ambivalence with which medieval thinkers approached the category of the new. With its broad reconsideration of what the "newfangled" meant in the Middle Ages, The Medieval New offers an alternative to histories that continue to associate the medieval era with conservation rather than with novelty, its benefits and liabilities. Calling into question present-day assumptions about newness, Ingham's study demonstrates the continued relevance of humanistic inquiry in the so-called traditional disciplines of contemporary scholarship.
Author: Gavin Flood
Publisher: Oxford University Press, USA
ISBN: 0199684561
Category : Religion
Languages : en
Pages : 329
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Book Description
Explores the metaphor of inwardness and the idea of truth within, along with the methods developed in three religions to attain it, such as prayer and meditation.
Author: Albrecht Classen
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110377616
Category : History
Languages : en
Pages : 748
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Book Description
A follow-up publication to the Handbook of Medieval Studies, this new reference work turns to a different focus: medieval culture. Medieval research has grown tremendously in depth and breadth over the last decades. Particularly our understanding of medieval culture, of the basic living conditions, and the specific value system prevalent at that time has considerably expanded, to a point where we are in danger of no longer seeing the proverbial forest for the trees. The present, innovative handbook offers compact articles on essential topics, ideals, specific knowledge, and concepts defining the medieval world as comprehensively as possible. The topics covered in this new handbook pertain to issues such as love and marriage, belief in God, hell, and the devil, education, lordship and servitude, Christianity versus Judaism and Islam, health, medicine, the rural world, the rise of the urban class, travel, roads and bridges, entertainment, games, and sport activities, numbers, measuring, the education system, the papacy, saints, the senses, death, and money.
