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Author: Ira Clark
Publisher: Bucknell University Press
ISBN: 9780838752258
Category : Drama
Languages : en
Pages : 332
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Book Description
"The Moral Art of Philip Massinger views the successor of Shakespeare and Fletcher in a new sociopolitical position: one of accommodation based on a moderate reformation of the tradition of the old hierarchy of inherited degree, patriarchy, and patronage. In addition, author Ira Clark claims a superior aesthetic position for tragicomedy as a sophisticated, elaborate synthesis of dramatic conventions in complex multiple plots filled with reversals, recognitions, miraculous conversations, and reconciliations after clashes of absolutes. The genre's complex testing of characters, discovery of their failures, and reintegration of them into a reformed society focuses central sociopolitical and moral issues for an allegedly decadent but actually deeply troubled society. Finally, the study takes into its account Massinger's many collaborations with John Fletcher, which are generally ignored. In sum, this work attempts to revise obsolete views of the dominant playwright just before the closing of the theaters and the opening of the English Civil War." ""A Case for Massinger" presents a critical history of why Massinger is unappreciated, traces his life with an eye to his ideal of patronage and his emphasis on gratitude, and outlines the rest of the work. "Models for Massinger the Apprentice" focuses on the techniques of tragicomedy as Massinger learned them from his three masters. The Queen of Corinth, written with Fletcher, serves as an exemplum of what this master collaborator taught him about tragicomedy. The City Madam. which obviously alludes to Volpone, serves as an example of the traditions of the estates morality play, satiric style, and metadrama, which Jonson transmitted to Massinger. The Duke of Milan and The Emperor of the East, with motifs borrowed from Othello, serve as exempla of how Massinger used traditional dramatic allusions to present social issues." ""Massinger's Political Plays in their Time" focuses on the sociopolitical inclinations that Massinger consistently presented through his collaborations and solo plays. Primarily the issues revolved around the relative value of court and country, monarchism and parliamentary balance, hereditary degree and social mobility, and conspicuous consumption and martial maintenance. "Massinger's Tragedies and Satiric Tragicomedies in their Social and Family Settings" focuses on the social, family, and personal preferences that Massinger presented in his work: a concerned patriarchy, a greater voice for women, and the rights of inheritance by younger sons. "Massinger's Tragicomedy" circles around to view all of Massinger's artistic and sociopolitical themes by way of readings of a collaborative tragicomedy and a solo tragicomedy: The Elder Brother (with Fletcher) and The Guardian."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Ira Clark
Publisher: Bucknell University Press
ISBN: 9780838752258
Category : Drama
Languages : en
Pages : 332
Get Book Here
Book Description
"The Moral Art of Philip Massinger views the successor of Shakespeare and Fletcher in a new sociopolitical position: one of accommodation based on a moderate reformation of the tradition of the old hierarchy of inherited degree, patriarchy, and patronage. In addition, author Ira Clark claims a superior aesthetic position for tragicomedy as a sophisticated, elaborate synthesis of dramatic conventions in complex multiple plots filled with reversals, recognitions, miraculous conversations, and reconciliations after clashes of absolutes. The genre's complex testing of characters, discovery of their failures, and reintegration of them into a reformed society focuses central sociopolitical and moral issues for an allegedly decadent but actually deeply troubled society. Finally, the study takes into its account Massinger's many collaborations with John Fletcher, which are generally ignored. In sum, this work attempts to revise obsolete views of the dominant playwright just before the closing of the theaters and the opening of the English Civil War." ""A Case for Massinger" presents a critical history of why Massinger is unappreciated, traces his life with an eye to his ideal of patronage and his emphasis on gratitude, and outlines the rest of the work. "Models for Massinger the Apprentice" focuses on the techniques of tragicomedy as Massinger learned them from his three masters. The Queen of Corinth, written with Fletcher, serves as an exemplum of what this master collaborator taught him about tragicomedy. The City Madam. which obviously alludes to Volpone, serves as an example of the traditions of the estates morality play, satiric style, and metadrama, which Jonson transmitted to Massinger. The Duke of Milan and The Emperor of the East, with motifs borrowed from Othello, serve as exempla of how Massinger used traditional dramatic allusions to present social issues." ""Massinger's Political Plays in their Time" focuses on the sociopolitical inclinations that Massinger consistently presented through his collaborations and solo plays. Primarily the issues revolved around the relative value of court and country, monarchism and parliamentary balance, hereditary degree and social mobility, and conspicuous consumption and martial maintenance. "Massinger's Tragedies and Satiric Tragicomedies in their Social and Family Settings" focuses on the social, family, and personal preferences that Massinger presented in his work: a concerned patriarchy, a greater voice for women, and the rights of inheritance by younger sons. "Massinger's Tragicomedy" circles around to view all of Massinger's artistic and sociopolitical themes by way of readings of a collaborative tragicomedy and a solo tragicomedy: The Elder Brother (with Fletcher) and The Guardian."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Joanne Rochester
Publisher: Routledge
ISBN: 1351898183
Category : Literary Criticism
Languages : en
Pages : 270
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Book Description
The playwrights composing for the London stage between 1580 and 1642 repeatedly staged plays-within and other metatheatrical inserts. Such works present fictionalized spectators as well as performers, providing images of the audience-stage interaction within the theatre. They are as much enactments of the interpretive work of a spectator as of acting, and as such they are a potential source of information about early modern conceptions of audiences, spectatorship and perception. This study examines on-stage spectatorship in three plays by Philip Massinger, head playwright for the King's Men from 1625 to 1640. Each play presents a different form of metatheatrical inset, from the plays-within of The Roman Actor (1626), to the masques-within of The City Madam (1632) to the titular miniature portrait of The Picture (1629), moving thematically from spectator interpretations of dramatic performance, the visual spectacle of the masque to staged 'readings' of static visual art. All three forms present a dramatization of the process of examination, and allow an analysis of Massinger's assumptions about interpretation, perception and spectator response.
Author: Holly Crawford Pickett
Publisher: University of Pennsylvania Press
ISBN: 1512825654
Category : Literary Criticism
Languages : en
Pages : 265
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Book Description
In The Drama of Serial Conversion in Early Modern England, Holly Crawford Pickett reconceptualizes early modern religious identity by exploring the astonishing stories of serial converts: historical figures such as William Alabaster, Kenelm Digby, William Chillingworth, and Marc Antonio De Dominis, along with fictional ones, who changed their religious affiliations between Catholicism and Protestantism multiple times. Pickett argues that serial converts both reveal and helped revise early modern understandings of the self. Through investigation of the techniques that serial converts used to stage and justify their conversions, Pickett demonstrates the performative nature of the act of conversion itself, offering a counternarrative to the paradigm of sincere, private conversion that was on the rise in the tumultuous years following the Reformation. Drawing from archival investigation into the lives and works of serial converts and performance studies theory, this book shows how the genres and conventions associated with conversion shaped not only forms of communication but also the very experience of conversion. By juxtaposing plays about serial conversion—by Thomas Dekker and Philip Massinger, Thomas Middleton, Elizabeth Cary, Ben Jonson, and William Shakespeare—with spiritual autobiographies, Pickett highlights the shared task of convert and playwright: performing conversion for an audience. Serial converts served as uncomfortable reminders to their contemporaries that religious identity is always unverifiable. The first study to explore serial conversion as a discrete phenomenon in this era, The Drama of Serial Conversion in Early Modern England challenges confessional divisions within much early modern historiography by analyzing the surprising convergence of Protestant and Catholic in the figure of the serial convert. It also reveals a neglected strain of religious discourse in early modern England that valued mutability and flexibility even in the midst of hardening and increasingly narrow understandings of conversion.
Author: Jessica Dyson
Publisher: Routledge
ISBN: 1317050894
Category : Literary Criticism
Languages : en
Pages : 235
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Book Description
Considering plays by Philip Massinger, Richard Brome, Ben Jonson, John Ford and James Shirley, this study addresses the political import of Caroline drama as it engages with contemporary struggles over authority between royal prerogative, common law and local custom in seventeenth-century England. How are these different aspects of law and government constructed and negotiated in plays of the period? What did these stagings mean in the increasingly unstable political context of Caroline England? Beginning each chapter with a summary of the legal and political debates relevant to the forms of authority contested in the plays of that chapter, Jessica Dyson responds to these kinds of questions, arguing that drama provides a medium whereby the political and legal debates of the period may be presented to, and debated by, a wider audience than the more technical contemporary discourses of law could permit. In so doing, this book transforms our understanding of the Caroline commercial theatre’s relationship with legal authority.
Author: Daniel Cadman
Publisher: Manchester University Press
ISBN: 1526138271
Category : Performing Arts
Languages : en
Pages : 255
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Book Description
These twelve new essays show the variety and versatility of Renaissance tragedy and highlight the issues it explores. Each chapter defines a particular kind of Renaissance tragedy and offers new research on a particularly striking example. Collectively the essays offer a critical overview of Renaissance tragedy as a genre.
Author: Thomas J. Schoenberg
Publisher: Literature Criticism from 1400
ISBN: 9780787646882
Category : Biography & Autobiography
Languages : en
Pages : 506
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Book Description
Annotation Comprehensive critical coverage of the works of the greatest writers and thinkers of the late Middle Ages, Renaissance and Restoration eras. A cumulative title index is published separately (included in subscription).
Author: Molly Smith
Publisher: Routledge
ISBN: 0429863845
Category : Literary Criticism
Languages : en
Pages : 302
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Book Description
First published in 1998, this volume explores the period 1585-1649, identifying it as rich in innovative drama which challenged the boundaries between social, political and cultural activities of various kinds. Molly Smith examines ways in which texts by Renaissance authors reflect, question and influence their society’s ideological concerns. In the drama of Kyd, Shakespeare, Beaumont and Fletcher, Webster, Middleton, Massinger and Ford, she identifies the simultaneously serious and playful appropriation of popular cultural practices, an appropriation which is expertly reversed by authorities in the political drama of Charles I’s public trial and execution in 1649. This compelling interpretation of Renaissance drama will prove of value to students of literature and social history.
Author: Ira Clark
Publisher: University of Delaware Press
ISBN: 9780874138283
Category : Drama
Languages : en
Pages : 178
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Book Description
The book reads Tudor-Stuart comedies in order to illuminate the problems and promises of achieving manhood because comedies permit public scrutiny of what might seem inhibitingly painful or irresoluble and of nuances that might go unregistered by the data and contemporary documents employed in social and gender histories.".
Author: Claire Jowitt
Publisher: Springer
ISBN: 0230627641
Category : History
Languages : en
Pages : 255
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Book Description
This book provides an insight to the cultural work involved in violence at sea in this period of maritime history. It is the first to consider how 'piracy' and representations of 'pirates' both shape and were shaped by political, social and religious debates, showing how attitudes to 'piracy' and violence at sea were debated between 1550 and 1650.
Author: J. Leeds Barroll
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838635704
Category : Literary Criticism
Languages : en
Pages : 460
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Book Description
Medieval and Renaissance Drama in England is an international volume published every year in hardcover, containing essays and studies as well as book reviews of the many significant books and essays dealing with the cultural history of medieval and early modern England as expressed by and realized in its drama exclusive of Shakespeare.
