Author: Shirin Fozi
Publisher: Penn State Press
ISBN: 0271089172
Category : Art
Languages : en
Pages : 245
Book Description
Framed by evocative inscriptions, tumultuous historical events, and the ambiguities of Christian death, Romanesque tomb effigies were the first large-scale figural monuments for the departed in European art. In this book, Shirin Fozi explores these provocative markers of life and death, establishing early tomb figures as a coherent genre that hinged upon histories of failure and frustrated ambition. In sharp contrast to later recumbent funerary figures, none of the known European tomb effigies made before circa 1180 were commissioned by the people they represented, and all of the identifiable examples of these tombs were dedicated to individuals whose legacies were fraught rather than triumphant. Fozi draws on this evidence to argue that Romanesque effigies were created to address social rather than individual anxieties: they compensated for defeat by converting local losses into an expectation of eternal victory, comforting the embarrassed heirs of those whose histories were marked by misfortune and offering compensation for the disappointments of the world. Featuring numerous examples and engaging the visual, historical, and theological contexts that inform them, this groundbreaking work adds a fresh dimension to the study of monumental sculpture and the idea of the individual in the northern European Middle Ages. It will appeal to scholars of art history and medieval studies.
Romanesque Tomb Effigies
Author: Shirin Fozi
Publisher: Penn State Press
ISBN: 0271089172
Category : Art
Languages : en
Pages : 245
Book Description
Framed by evocative inscriptions, tumultuous historical events, and the ambiguities of Christian death, Romanesque tomb effigies were the first large-scale figural monuments for the departed in European art. In this book, Shirin Fozi explores these provocative markers of life and death, establishing early tomb figures as a coherent genre that hinged upon histories of failure and frustrated ambition. In sharp contrast to later recumbent funerary figures, none of the known European tomb effigies made before circa 1180 were commissioned by the people they represented, and all of the identifiable examples of these tombs were dedicated to individuals whose legacies were fraught rather than triumphant. Fozi draws on this evidence to argue that Romanesque effigies were created to address social rather than individual anxieties: they compensated for defeat by converting local losses into an expectation of eternal victory, comforting the embarrassed heirs of those whose histories were marked by misfortune and offering compensation for the disappointments of the world. Featuring numerous examples and engaging the visual, historical, and theological contexts that inform them, this groundbreaking work adds a fresh dimension to the study of monumental sculpture and the idea of the individual in the northern European Middle Ages. It will appeal to scholars of art history and medieval studies.
Publisher: Penn State Press
ISBN: 0271089172
Category : Art
Languages : en
Pages : 245
Book Description
Framed by evocative inscriptions, tumultuous historical events, and the ambiguities of Christian death, Romanesque tomb effigies were the first large-scale figural monuments for the departed in European art. In this book, Shirin Fozi explores these provocative markers of life and death, establishing early tomb figures as a coherent genre that hinged upon histories of failure and frustrated ambition. In sharp contrast to later recumbent funerary figures, none of the known European tomb effigies made before circa 1180 were commissioned by the people they represented, and all of the identifiable examples of these tombs were dedicated to individuals whose legacies were fraught rather than triumphant. Fozi draws on this evidence to argue that Romanesque effigies were created to address social rather than individual anxieties: they compensated for defeat by converting local losses into an expectation of eternal victory, comforting the embarrassed heirs of those whose histories were marked by misfortune and offering compensation for the disappointments of the world. Featuring numerous examples and engaging the visual, historical, and theological contexts that inform them, this groundbreaking work adds a fresh dimension to the study of monumental sculpture and the idea of the individual in the northern European Middle Ages. It will appeal to scholars of art history and medieval studies.
The Disciplinary Frame
Author: John Tagg
Publisher: U of Minnesota Press
ISBN: 0816642877
Category : Photography
Languages : en
Pages : 433
Book Description
How do photographs gain their meaning and power? John Tagg claims that, to answer this question, we must look at the ways in which everything that frames photography - the discourse that surrounds it and the institutions that circulate it - determines what counts as truth.
Publisher: U of Minnesota Press
ISBN: 0816642877
Category : Photography
Languages : en
Pages : 433
Book Description
How do photographs gain their meaning and power? John Tagg claims that, to answer this question, we must look at the ways in which everything that frames photography - the discourse that surrounds it and the institutions that circulate it - determines what counts as truth.
THI=OMAS THORPE'S CATALOGUE OF BOOKS
Author: thomas thorpe
Publisher:
ISBN:
Category :
Languages : en
Pages : 1352
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1352
Book Description
Catalogue of the Collection of Books, Manuscripts, and Works of Art
Author: Henry Probasco
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 434
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 434
Book Description
Sale Catalogues
Author: American Art Association, Anderson Galleries (Firm)
Publisher:
ISBN:
Category :
Languages : en
Pages : 1210
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1210
Book Description
Catalogue of the Collection of Books
Author: Anonymous
Publisher: BoD – Books on Demand
ISBN: 3382813629
Category : Fiction
Languages : en
Pages : 414
Book Description
Reprint of the original, first published in 1873. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Publisher: BoD – Books on Demand
ISBN: 3382813629
Category : Fiction
Languages : en
Pages : 414
Book Description
Reprint of the original, first published in 1873. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
The Quarterly Review (London)
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 936
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 936
Book Description
“The” Athenaeum
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 972
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 972
Book Description
A Catalogue of Books, Arranged in Classes
Author: Bernard Quaritch
Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 598
Book Description
Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 598
Book Description
The Art-union
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 422
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 422
Book Description