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Author: Michael Lackey
Publisher: Bloomsbury Publishing USA
ISBN: 1441197591
Category : Religion
Languages : en
Pages : 369
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Book Description
The Modernist God State seeks to overturn the traditional secularization approach to intellectual and political history and to replace it with a fuller understanding of the religious basis of modernist political movements. Lackey demonstrates that Christianity, instead of fading after the Enlightenment, actually increased its power by becoming embedded within the concept of what was considered the legitimate nation state, thus determining the political agendas of prominent political leaders from King Leopold II to Hitler. Lackey first argues that novelists can represent intellectual and political history in a way that no other intellectual can. Specifically, they can picture a subconscious ideology, which often conflicts with consciously held systems of belief, short-circuiting straight into political action, an idea articulated by E.M. Forster. Second, in contrast to many literary scholars who discuss Hitler and the Nazis without studying and quoting their texts, Lackey draws his conclusions from close readings of their writings. In doing so, he shows that one cannot understand the Nazis without taking into account the specific version of Christianity underwriting their political agenda.
Author: Michael Lackey
Publisher: Bloomsbury Publishing USA
ISBN: 1441197591
Category : Religion
Languages : en
Pages : 369
Get Book Here
Book Description
The Modernist God State seeks to overturn the traditional secularization approach to intellectual and political history and to replace it with a fuller understanding of the religious basis of modernist political movements. Lackey demonstrates that Christianity, instead of fading after the Enlightenment, actually increased its power by becoming embedded within the concept of what was considered the legitimate nation state, thus determining the political agendas of prominent political leaders from King Leopold II to Hitler. Lackey first argues that novelists can represent intellectual and political history in a way that no other intellectual can. Specifically, they can picture a subconscious ideology, which often conflicts with consciously held systems of belief, short-circuiting straight into political action, an idea articulated by E.M. Forster. Second, in contrast to many literary scholars who discuss Hitler and the Nazis without studying and quoting their texts, Lackey draws his conclusions from close readings of their writings. In doing so, he shows that one cannot understand the Nazis without taking into account the specific version of Christianity underwriting their political agenda.
Author: Stephen Kern
Publisher: Routledge
ISBN: 1351603175
Category : Literary Criticism
Languages : en
Pages : 444
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Book Description
Modernism After the Death of God explores the work of seven influential modernists. Friedrich Nietzsche, James Joyce, D. H. Lawrence, André Gide, and Martin Heidegger criticized the destructive impact that they believed Christian sexual morality had had or threatened to have on their love life. Although not a Christian, Freud criticized the negative effect that Christian sexual morality had on his clinical subjects and on Western civilization, while Virginia Woolf condemned how her society was sanctioned by a patriarchal Christian authority. All seven worked to replace the loss or absence of Christian unity with non-Christian unifying projects in their respective fields of philosophy, psychiatry, or literature. The basic structure of their main contributions to modernist culture was a dynamic interaction of radical fragmentation necessitating radical unification that was always in process and never complete.
Author: James C. Scott
Publisher: Yale University Press
ISBN: 0300252986
Category : Political Science
Languages : en
Pages : 462
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Book Description
“One of the most profound and illuminating studies of this century to have been published in recent decades.”—John Gray, New York Times Book Review Hailed as “a magisterial critique of top-down social planning” by the New York Times, this essential work analyzes disasters from Russia to Tanzania to uncover why states so often fail—sometimes catastrophically—in grand efforts to engineer their society or their environment, and uncovers the conditions common to all such planning disasters. “Beautifully written, this book calls into sharp relief the nature of the world we now inhabit.”—New Yorker “A tour de force.”— Charles Tilly, Columbia University
Author: Jonas Kurlberg
Publisher: Bloomsbury Publishing
ISBN: 1350090522
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
With fascism on the march in Europe and a second World War looming, a group of Britain's leading intellectuals – including T.S. Eliot, Karl Mannheim, John Middleton Murry, J. H. Oldham and Michael Polanyi – gathered together to explore ways of revitalising a culture that seemed to have lost its way. The group called themselves 'the Moot'. Drawing on previously unpublished archival documents, this is the first in-depth study of the group's work, writings and ideas in the decade of its existence from 1938-1947. Christian Modernism in an Age of Totalitarianism explores the ways in which an important and influential strand of Modernist thought in the interwar years turned back to Christian ideas to offer a blueprint for the revitalisation of European culture. In this way the book challenges conceptions of Modernism as a secular movement and sheds new light on the culture of the late Modernist period.
Author: Michael Lackey
Publisher: Routledge
ISBN: 1000399729
Category : Fiction
Languages : en
Pages : 256
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Book Description
Biofiction: An Introduction provides readers with the history, origins, evolution, and legitimization of biofiction, suggesting potential lines of inquiry, exploring criticisms of the literary form, and modeling the process of analyzing and interpreting individual texts. Written for undergraduate and graduate students, this volume combines comprehensive coverage of the core foundations of biofiction with contemporary and lively debates within the subject. The volume aims to confront and illuminate the following questions: • When did biofiction come into being? • What forces gave birth to it? • How does it uniquely function and signify? • Why has it become such a dominant aesthetic form in recent years? This introduction will give readers a framework for evaluating specific biofictions from writers as varied as Friedrich Nietzsche, George Moore, Zora Neale Hurston, William Styron, Angela Carter, Joyce Carol Oates, and Colm Tóibín, thus enabling readers to assess the value and impact of individual works on the culture at large. Spanning nineteenth-century origins to contemporary debates and adaptations, this book not only equips the reader with a firm grounding in the fundamentals of biofiction but also provides a valuable guide to the uncanny power of the biographical novel to transform cultural attitudes, perspectives, and beliefs.
Author: K. Ludwig Pfeiffer
Publisher: Stanford University Press
ISBN: 150363485X
Category : Literary Criticism
Languages : en
Pages : 412
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Book Description
Today, churches, political parties, trade unions, and even national sports teams are no guarantee of social solidarity. At a time when these traditional institutions of social cohesion seem increasingly ill-equipped to defend against the disintegration of sociability, K. Ludwig Pfeiffer encourages us to reflect on the cultural and literary history of social gatherings—from the ancient Athenian symposium to its successor forms throughout Western history. From medieval troubadours to Parisian salons and beyond, Pfeiffer conceptualizes the symposium as an institution of sociability with a central societal function. As such he reinforces a programmatic theoretical move in the sociology of Georg Simmel and builds on theories of social interaction and communication characterized by Max Weber, George Herbert Mead, Jürgen Habermas, Niklas Luhmann, and others. To make his argument, Pfeiffer draws on the work of a range of writers, including Dr. Samuel Johnson and Diderot, Virginia Woolf and Marcel Proust, Dorothy Sayers, Joseph Conrad, and Stieg Larsson. Ultimately, Pfeiffer concludes that if modern societies do not find ways of reinstating elements of the Athenian symposium, especially those relating to its ritualized ease, decency and style of interaction, they will have to cope with increasing violence and decreasing social cohesion.
Author: Michael Lackey
Publisher: Bloomsbury Publishing USA
ISBN: 1628926368
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
Before the 1970s, there were only a few acclaimed biographical novels. But starting in the 1980s, there was a veritable explosion of this genre of fiction, leading to the publication of spectacular biographical novels about figures as varied as Abraham Lincoln, Ludwig Wittgenstein, Friedrich Nietzsche, Emily Dickinson, Virginia Woolf, Henry James, and Marilyn Monroe, just to mention a notable few. This publication frenzy culminated in 1999 when two biographical novels (Michael Cunningham's The Hours and Russell Banks' Cloudsplitter) were nominated for the Pulitzer Prize, and Cunningham's novel won the award. In The American Biographical Novel, Michael Lackey charts the shifts in intellectual history that made the biographical novel acceptable to the literary establishment and popular with the general reading public. More specifically, Lackey clarifies the origin and evolution of this genre of fiction, specifies the kind of 'truth' it communicates, provides a framework for identifying how this genre uniquely engages the political, and demonstrates how it gives readers new access to history.
Author: Michael Lackey
Publisher: Bloomsbury Publishing USA
ISBN: 1501378481
Category : History
Languages : en
Pages : 404
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Book Description
Biofiction is literature that names its protagonist after an actual historical figure, and it has become a dominant literary form over the last 35 years. What has not yet been scholarly acknowledged or documented is that the Irish played a crucial role in the origins, evolution, rise, and now dominance of biofiction. Michael Lackey first examines the groundbreaking biofictions that Oscar Wilde and George Moore authored in the late 19th and early 20th centuries as well as the best biographical novels about Wilde (by Peter Ackroyd and Colm Tóibín). He then focuses on contemporary authors of biofiction (Sabina Murray, Graham Shelby, Anne Enright, and Mario Vargas Llosa, who Lackey has interviewed for this work) who use the lives of prominent Irish figures (Roger Casement and Eliza Lynch) to explore the challenges of seizing and securing a life-promoting form of agency within a colonial and patriarchal context. In conclusion, Lackey briefly analyzes biographical novels by Peter Carey and Mary Morrissy to illustrate why agency is of central importance for the Irish, and why that focus mandated the rise of the biographical novel, a literary form that mirrors the constructed Irish interior.
Author: Michael Lackey
Publisher: Bloomsbury Publishing USA
ISBN: 1623566150
Category : Literary Criticism
Languages : en
Pages : 386
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Book Description
In this new collection of interviews, some of America's most prominent novelists identify the key intellectual developments that led to the rise of the contemporary biographical novel, discuss the kind of historical 'truth' this novel communicates, indicate why this narrative form is superior to the traditional historical novel, and reflect on the ideas and characters central to their individual works. These interviews do more than just define an innovative genre of contemporary fiction. They provide a precise way of understanding the complicated relationship and pregnant tensions between contextualized thinking and historical representation, interdisciplinary studies and 'truth' production, and fictional reality and factual constructions. By focusing on classical and contemporary debates regarding the nature of the historical novel, this volume charts the forces that gave birth to a new incarnation of this genre.
Author:
Publisher: Oxford University Press
ISBN: 019887703X
Category : Historical fiction
Languages : en
Pages : 241
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Book Description
Historical Fiction Now brings together prominent authors, scholars, and critics of historical fiction to explore the genre's character, fortunes, and potential in the twenty-first century. Gathering together the voices of novelists, critics, academics, and several authors writing across these categories, the volume explores the nature of reading, writing, and writing about historical fiction in the present moment while meditating on some of the myriad contexts of the genre. What inspires writers to choose particular moments, events, and personalities as the subjects of their fictional imaginings, and with what implications for their readers' understanding of the present? How do contemporary scholars approach the making and reception of historical fiction, and how do these approaches resonate with writers' own preoccupations in the process of invention? What might scholars of a genre with a long and complex history learn from its contemporary practitioners? Conversely, how do novelists understand their own historical fictions (if at all) in relation to the theoretical and critical traditions shaping the work of their academic colleagues? The collection features an original essay by Hilary Mantel on the making of the Wolf Hall trilogy as well as contributions from internationally known novelists such as George Saunders, Namwali Serpell, Maaza Mengiste, and Téa Obreht, among others.
