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Author: Megan Holmes
Publisher:
ISBN: 9780300176605
Category : Christian art and symbolism
Languages : en
Pages : 0
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Book Description
In Renaissance Florence, certain paintings and sculptures of the Virgin Mary and Christ were believed to have extraordinary efficacy in activating potent sacred intercession. Cults sprung up around these "miraculous images" in the city and surrounding countryside beginning in the late 13th century. In The Miraculous Image in Renaissance Florence, Megan Holmes questions what distinguished these paintings and sculptures from other similar sacred images, looking closely at their material and formal properties, the process of enshrinement, and the foundation legends and miracles associated with specific images. Whereas some of the images presented in this fascinating book are well known, such as Bernardo Daddi's Madonna of Orsanmichele, many others have been little studied until now. Holmes's efforts center on the recovery and contextualization of these revered images, reintegrating them and their related cults into an art-historical account of the period. By challenging prevailing views and offering a reassessment of the Renaissance, this generously illustrated and comprehensive survey makes a significant contribution to the field.
Author: Megan Holmes
Publisher:
ISBN: 9780300176605
Category : Christian art and symbolism
Languages : en
Pages : 0
Get Book Here
Book Description
In Renaissance Florence, certain paintings and sculptures of the Virgin Mary and Christ were believed to have extraordinary efficacy in activating potent sacred intercession. Cults sprung up around these "miraculous images" in the city and surrounding countryside beginning in the late 13th century. In The Miraculous Image in Renaissance Florence, Megan Holmes questions what distinguished these paintings and sculptures from other similar sacred images, looking closely at their material and formal properties, the process of enshrinement, and the foundation legends and miracles associated with specific images. Whereas some of the images presented in this fascinating book are well known, such as Bernardo Daddi's Madonna of Orsanmichele, many others have been little studied until now. Holmes's efforts center on the recovery and contextualization of these revered images, reintegrating them and their related cults into an art-historical account of the period. By challenging prevailing views and offering a reassessment of the Renaissance, this generously illustrated and comprehensive survey makes a significant contribution to the field.
Author: Sandra Cardarelli
Publisher: Brepols Publishers
ISBN: 9782503568188
Category : Christian art and symbolism
Languages : en
Pages : 0
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Book Description
In recent years the study of miraculous images has experienced a substantial re-evaluation of their importance as powerful agents of divine intercession and assistance in Renaissance society. Nonetheless, aspects related to the genesis, devotional use and preferences of these images remain only broadly outlined and geographically constrained. In parallel with the great veneration for miracle-performing Marian and Christological imagery, other saintly figures became the objects of widespread devotion on account of their protective and curative powers, and the images of these saints became cult objects themselves.0This volume fills a void in current art historical research and examines how miraculous images and the imagery of healing saints were crucial to the creation of individual, corporate and collective identities in Florence, Siena, Rome, Naples and other lesser researched Italian centres. The essays in this collection address aspects related to the development of hagiographies, iconographies, cult of relics, and devotion of healing saints. Moreover, it considers imagery related to miraculous events also in terms of material culture in the private and public domains. The images will therefore be studied both as aesthetic objects and as cult objects, in order to interrogate the often tense relationship between mechanical?vision? and cultural?visuality?.0While dealing with specific curative, protective, and miraculous episodes related to the exposition of sacred images, this book unravels questions of patronage, authorship, agency, and tradition
Author: Fredrika H. Jacobs
Publisher: Cambridge University Press
ISBN: 1107023041
Category : Art
Languages : en
Pages : 265
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Book Description
This book traces the origins and development of the use of votive panel paintings in Italy in the fifteenth and sixteenth centuries.
Author: Deborah Howard
Publisher: Routledge
ISBN: 1351576046
Category : Art
Languages : en
Pages : 305
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Book Description
Although there is an obvious association between pilgrimage and place, relatively little research has centred directly on the role of architecture. Architecture and Pilgrimage, 1000-1500: Southern Europe and Beyond synthesizes the work of a distinguished international group of scholars. It takes a broad view of architecture, to include cities, routes, ritual topographies and human interaction with the natural environment, as well as specific buildings and shrines, and considers how these were perceived, represented and remembered. The essays explore both the ways in which the physical embodiment of pilgrimage cultures is shared, and what we can learn from the differences. The chosen period reflects the flowering of medieval and early modern pilgrimage. The perspective is that of the pilgrim journeying within - or embarking from - Southern Europe, with a particular emphasis on Italy. The book pursues the connections between pilgrimage and architecture through the investigation of such issues as theology, liturgy, patronage, miracles and healing, relics, and individual and communal memory. Moreover, it explores how pilgrimage may be regarded on various levels, from a physical journey towards a holy site to a more symbolic and internalized idea of pilgrimage of the soul.
Author: Bruce Edelstein
Publisher: Getty Publications
ISBN: 1606065890
Category : Art
Languages : en
Pages : 164
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Book Description
Jacopo Carucci, known as Pontormo (1494–1557), was the leading painter in mid sixteenth-century Florence and one of the most original and extraordinary Mannerist artists. His extremely personal style was much influenced by Michelangelo, though he also drew from northern art, especially the work of Albrecht Dürer. This catalogue brings together a small but important group of preparatory drawings and finished paintings that center on Pontormo’s great masterpiece, The Visitation, one of the most moving and mesmerizing works by the artist. The Visitation represents the intense moment of encounter between the Virgin Mary and her cousin Elizabeth, who reveal to each other that both are pregnant. The painting is presented—for the first time—along with its highly finished preparatory drawing, which is squared for transfer to the larger surface of the panel. The combination of rigorous research and gorgeous reproductions reveals the painter’s creative process as never before. Other acclaimed paintings, including Portrait of a Halberdier and Portrait of Carlo Neroni, will also be shown alongside their preparatory drawings. Readers will encounter Pontormo both as a religious painter and a painter of portraits, in this original and nuanced account of the celebrated artist.
Author: Niall Atkinson
Publisher: Penn State Press
ISBN: 0271077832
Category : Art
Languages : en
Pages : 280
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Book Description
From the strictly regimented church bells to the freewheeling chatter of civic life, Renaissance Florence was a city built not just of stone but of sound as well. An evocative alternative to the dominant visual understanding of urban spaces, The Noisy Renaissance examines the premodern city as an acoustic phenomenon in which citizens used sound to navigate space and society. Analyzing a range of documentary and literary evidence, art and architectural historian Niall Atkinson creates an “acoustic topography” of Florence. The dissemination of official messages, the rhythm of prayer, and the murmur of rumor and gossip combined to form a soundscape that became a foundation in the creation and maintenance of the urban community just as much as the city’s physical buildings. Sound in this space triggered a wide variety of social behaviors and spatial relations: hierarchical, personal, communal, political, domestic, sexual, spiritual, and religious. By exploring these rarely studied soundscapes, Atkinson shows Florence to be both an exceptional and an exemplary case study of urban conditions in the early modern period.
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
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Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Author: Julia Isabel Miller
Publisher: Penn State University Press
ISBN: 9780271065038
Category : Art patronage
Languages : en
Pages : 0
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Book Description
Investigatesthe major paintings and sculpture produced for the church of Ognissanti (All Saints) in Florence between about 1300 and 1500 under the artistic patronage of the religious order of the Humiliati.
Author: Rebekah Compton
Publisher: Cambridge University Press
ISBN: 1108916058
Category : Art
Languages : en
Pages : 637
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Book Description
In this volume, Rebekah Compton offers the first survey of Venus in the art, culture, and governance of Florence from 1300 to 1600. Organized chronologically, each of the six chapters investigates one of the goddess's alluring attributes – her golden splendor, rosy-hued complexion, enchanting fashions, green gardens, erotic anatomy, and gifts from the sea. By examining these attributes in the context of the visual arts, Compton uncovers an array of materials and techniques employed by artists, patrons, rulers, and lovers to manifest Venusian virtues. Her book explores technical art history in the context of love's protean iconography, showing how different discourses and disciplines can interact in the creation and reception of art. Venus and the Arts of Love in Renaissance Florence offers new insights on sight, seduction, and desire, as well as concepts of gender, sexuality, and viewership from both male and female perspectives in the early modern era.
Author: Christopher J. Nygren
Publisher: Penn State University Press
ISBN: 9780271085036
Category :
Languages : en
Pages : 304
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Book Description
Titian, one of the most successful painters of the Italian Renaissance, was credited by his contemporaries with painting a miracle-working image, the San Rocco Christ Carrying the Cross. Taking this unusual circumstance as a point of departure, Christopher J. Nygren revisits the scope and impact of Titian's life's work. Nygren shows how, motivated by his status as the creator of a miracle-working object, Titian played an active and essential role in reorienting the long tradition of Christian icons over the course of the sixteenth century. Drawing attention to Titian's unique status as a painter whose work was viewed as a conduit of divine grace, Nygren shows clearly how the artist appropriated, deployed, and reconfigured Christian icon painting. Specifically, he tracks how Titian continually readjusted his art to fit the shifting contours of religious and political reformations, and how these changes shaped Titian's conception of what made a devotionally efficacious image. The strategies that were successful in, say, 1516 were discarded by the 1540s, when his approach to icon painting underwent a radical revision. Therefore, this book not only tracks the career of one of the most important artists in the tradition of Western painting but also brings to light new information about how divergent agendas of religious, political, and artistic reform interacted over the long arc of the sixteenth century. Original and erudite, this book represents an important reassessment of Titan's approach to devotional subject matter. It will appeal to students and specialists, as well as art aficionados interested in Titian and in religious painting.
