Author: Kari Sajavaara
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 652
Book Description
The Middle English Translations of Robert Grosseteste's 'Chateau D'Amour'.
Author: Kari Sajavaara
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 652
Book Description
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 652
Book Description
The Idea of the Castle in Medieval England
Author: Abigail Wheatley
Publisher: Boydell & Brewer
ISBN: 1903153611
Category : Architecture
Languages : en
Pages : 192
Book Description
Medieval castles have traditionally been examined as feats of military engineering & tools of feudal control. This book presents a different perspective, by exploring the castle as a cultural reflection of the society that produced it, seen through art & literature.
Publisher: Boydell & Brewer
ISBN: 1903153611
Category : Architecture
Languages : en
Pages : 192
Book Description
Medieval castles have traditionally been examined as feats of military engineering & tools of feudal control. This book presents a different perspective, by exploring the castle as a cultural reflection of the society that produced it, seen through art & literature.
The Cambridge Companion to Medieval English Mysticism
Author: Samuel Fanous
Publisher: Cambridge University Press
ISBN: 1139827669
Category : Literary Criticism
Languages : en
Pages : 343
Book Description
The widespread view that 'mystical' activity in the Middle Ages was a rarefied enterprise of a privileged spiritual elite has led to isolation of the medieval 'mystics' into a separate, narrowly defined category. Taking the opposite view, this book shows how individual mystical experience, such as those recorded by Julian of Norwich and Margery Kempe, is rooted in, nourished and framed by the richly distinctive spiritual contexts of the period. Arranged by sections corresponding to historical developments, it explores the primary vernacular texts, their authors, and the contexts that formed the expression and exploration of mystical experiences in medieval England. This is an excellent, insightful introduction to medieval English mystical texts, their authors, readers and communities. Featuring a guide to further reading and a chronology, the Companion offers an accessible overview for students of literature, history and theology.
Publisher: Cambridge University Press
ISBN: 1139827669
Category : Literary Criticism
Languages : en
Pages : 343
Book Description
The widespread view that 'mystical' activity in the Middle Ages was a rarefied enterprise of a privileged spiritual elite has led to isolation of the medieval 'mystics' into a separate, narrowly defined category. Taking the opposite view, this book shows how individual mystical experience, such as those recorded by Julian of Norwich and Margery Kempe, is rooted in, nourished and framed by the richly distinctive spiritual contexts of the period. Arranged by sections corresponding to historical developments, it explores the primary vernacular texts, their authors, and the contexts that formed the expression and exploration of mystical experiences in medieval England. This is an excellent, insightful introduction to medieval English mystical texts, their authors, readers and communities. Featuring a guide to further reading and a chronology, the Companion offers an accessible overview for students of literature, history and theology.
The Devil's Rights and the Redemption in the Literature of Medieval England
Author: C. William Marx
Publisher: Boydell & Brewer
ISBN: 9780859914550
Category : Literary Collections
Languages : en
Pages : 208
Book Description
A study of the theory of the devil's rights in relation to medieval theology of the redemption, as this is treated in the popular literature of medieval England.
Publisher: Boydell & Brewer
ISBN: 9780859914550
Category : Literary Collections
Languages : en
Pages : 208
Book Description
A study of the theory of the devil's rights in relation to medieval theology of the redemption, as this is treated in the popular literature of medieval England.
Medieval Latin and Middle English Literature
Author: Jill Mann
Publisher: DS Brewer
ISBN: 1843842637
Category : Foreign Language Study
Languages : en
Pages : 281
Book Description
Fresh and provocative approaches to the literature of the middle ages, offering close readings of texts from Chaucer to Henryson, and beast fable to devotional works. Jill Mann's writing, teaching, and scholarship have transformed our understanding of two distinct fields, medieval Latin and Middle English literature, as well as their intersection. Essays in this volume seek to honour this achievement by looking at entirely new aspects of these fields (the relationship of song to affect, the political valence of classical allusion, the Latin background of Middle English devotional texts). Others look again at the literary kinds and ideas most important in Mann's own work (beast fable, the nature of allegory, the nature of "nature", the relationship of economic thought and literature, satire, language as a subject for poetry) in the poets she hasbeen most drawn to (Chaucer, Langland, Henryson). All of the essays involve close readings of the most careful kind, taking as their primary method Professor Mann's repeated injunction to attend, above all, to the"words on the page". Christopher Cannon is Professor of English, New York University; Maura Nolan is Associate Professor of English, University of California, Berkeley. Contributors: Siobhain Bly Calkin, Christopher Cannon, Rebecca Davis, Peter Dronke, A.S.G. Edwards, Elizabeth B. Edwards, Maura Nolan, Paul J. Patterson, Derek Pearsall, Ad Putter, Paul Gerhard Schmidt, James Simpson, Barry Windeatt, Nicolette Zeeman
Publisher: DS Brewer
ISBN: 1843842637
Category : Foreign Language Study
Languages : en
Pages : 281
Book Description
Fresh and provocative approaches to the literature of the middle ages, offering close readings of texts from Chaucer to Henryson, and beast fable to devotional works. Jill Mann's writing, teaching, and scholarship have transformed our understanding of two distinct fields, medieval Latin and Middle English literature, as well as their intersection. Essays in this volume seek to honour this achievement by looking at entirely new aspects of these fields (the relationship of song to affect, the political valence of classical allusion, the Latin background of Middle English devotional texts). Others look again at the literary kinds and ideas most important in Mann's own work (beast fable, the nature of allegory, the nature of "nature", the relationship of economic thought and literature, satire, language as a subject for poetry) in the poets she hasbeen most drawn to (Chaucer, Langland, Henryson). All of the essays involve close readings of the most careful kind, taking as their primary method Professor Mann's repeated injunction to attend, above all, to the"words on the page". Christopher Cannon is Professor of English, New York University; Maura Nolan is Associate Professor of English, University of California, Berkeley. Contributors: Siobhain Bly Calkin, Christopher Cannon, Rebecca Davis, Peter Dronke, A.S.G. Edwards, Elizabeth B. Edwards, Maura Nolan, Paul J. Patterson, Derek Pearsall, Ad Putter, Paul Gerhard Schmidt, James Simpson, Barry Windeatt, Nicolette Zeeman
Middle English Biblical Poetry
Author: Cathy Hume
Publisher: Boydell & Brewer
ISBN: 1843846055
Category : Literary Criticism
Languages : en
Pages : 240
Book Description
A new analysis of the neglected genre of medieval Biblical poetry.Medieval England had a thriving culture of rewriting the Bible in art, drama, and literature in Latin, French and English. Middle English biblical poetry was central to this culture, and although these poems have suffered from critical neglect, sometimes dismissed as mere "paraphrase", they are rich, innovative and politically engaged. Read in the same gentry and noble households as secular romance, biblical poems borrow and adapt romance plots and motifs, present romance-inflected exotic settings, and share similar concerns: reputation, order, family and marriage. This book explores six poems from the thirteenth and fourteenth centuries that retell episodes from the Old Testament: the ballad-like Iacob and Iosep, two lives of Adam and Eve; an alliterative version of the Susanna story, the Pistel of Susan; and the Gawain-poet's Patience and Cleanness. Each chapter identifies new sources and influences for the poems, including from biblical glosses and manuscript illustration. The book also investigates the poems' relationships with contemporary cultures of literature and religion, including with secular romance, and offers new readings of each poem and its cultural functions, showing how they bridge the chasm between medieval Christian England and the Jews and pagans of the pre-Christian Mediterranean world. It also considers reading contexts, arguing that the poems and their manuscripts offer hints about the social class and gender of their household audiences.sses and manuscript illustration. The book also investigates the poems' relationships with contemporary cultures of literature and religion, including with secular romance, and offers new readings of each poem and its cultural functions, showing how they bridge the chasm between medieval Christian England and the Jews and pagans of the pre-Christian Mediterranean world. It also considers reading contexts, arguing that the poems and their manuscripts offer hints about the social class and gender of their household audiences.sses and manuscript illustration. The book also investigates the poems' relationships with contemporary cultures of literature and religion, including with secular romance, and offers new readings of each poem and its cultural functions, showing how they bridge the chasm between medieval Christian England and the Jews and pagans of the pre-Christian Mediterranean world. It also considers reading contexts, arguing that the poems and their manuscripts offer hints about the social class and gender of their household audiences.sses and manuscript illustration. The book also investigates the poems' relationships with contemporary cultures of literature and religion, including with secular romance, and offers new readings of each poem and its cultural functions, showing how they bridge the chasm between medieval Christian England and the Jews and pagans of the pre-Christian Mediterranean world. It also considers reading contexts, arguing that the poems and their manuscripts offer hints about the social class and gender of their household audiences.nder of their household audiences.
Publisher: Boydell & Brewer
ISBN: 1843846055
Category : Literary Criticism
Languages : en
Pages : 240
Book Description
A new analysis of the neglected genre of medieval Biblical poetry.Medieval England had a thriving culture of rewriting the Bible in art, drama, and literature in Latin, French and English. Middle English biblical poetry was central to this culture, and although these poems have suffered from critical neglect, sometimes dismissed as mere "paraphrase", they are rich, innovative and politically engaged. Read in the same gentry and noble households as secular romance, biblical poems borrow and adapt romance plots and motifs, present romance-inflected exotic settings, and share similar concerns: reputation, order, family and marriage. This book explores six poems from the thirteenth and fourteenth centuries that retell episodes from the Old Testament: the ballad-like Iacob and Iosep, two lives of Adam and Eve; an alliterative version of the Susanna story, the Pistel of Susan; and the Gawain-poet's Patience and Cleanness. Each chapter identifies new sources and influences for the poems, including from biblical glosses and manuscript illustration. The book also investigates the poems' relationships with contemporary cultures of literature and religion, including with secular romance, and offers new readings of each poem and its cultural functions, showing how they bridge the chasm between medieval Christian England and the Jews and pagans of the pre-Christian Mediterranean world. It also considers reading contexts, arguing that the poems and their manuscripts offer hints about the social class and gender of their household audiences.sses and manuscript illustration. The book also investigates the poems' relationships with contemporary cultures of literature and religion, including with secular romance, and offers new readings of each poem and its cultural functions, showing how they bridge the chasm between medieval Christian England and the Jews and pagans of the pre-Christian Mediterranean world. It also considers reading contexts, arguing that the poems and their manuscripts offer hints about the social class and gender of their household audiences.sses and manuscript illustration. The book also investigates the poems' relationships with contemporary cultures of literature and religion, including with secular romance, and offers new readings of each poem and its cultural functions, showing how they bridge the chasm between medieval Christian England and the Jews and pagans of the pre-Christian Mediterranean world. It also considers reading contexts, arguing that the poems and their manuscripts offer hints about the social class and gender of their household audiences.sses and manuscript illustration. The book also investigates the poems' relationships with contemporary cultures of literature and religion, including with secular romance, and offers new readings of each poem and its cultural functions, showing how they bridge the chasm between medieval Christian England and the Jews and pagans of the pre-Christian Mediterranean world. It also considers reading contexts, arguing that the poems and their manuscripts offer hints about the social class and gender of their household audiences.nder of their household audiences.
The Literal Sense and the Gospel of John in Late Medieval Commentary and Literature
Author: Mark Hazard
Publisher: Routledge
ISBN: 1136719458
Category : Literary Criticism
Languages : en
Pages : 228
Book Description
Focusing on the famous Medieval commentator Nicolas of Lyra and the anonymous Middle English biblical adaptation of the Gospel of John, the Cursor Mundi, this book examines the development of the analytical tools of biblical literary criticism showing how late Medieval commentators negotiated the paradoxical interdependence of the literal and spiritual senses, as transmitted by traditional and inherited vocabularies, through a focus on narrative structure. Mark Hazard combines an enlightening account of the actual practice of professional commentators, the history of Gospel interpretation and cultural history to reveal that remarkable shift in the treatment of the Bible that modern scholars would regard as having laid the groundwork for the historical-critical methods in biblical research. As such this book sheds light not only on the 14th century practice of biblical interpretation, but will also be of value to those currenlty engaged in reading and writing about the bible.
Publisher: Routledge
ISBN: 1136719458
Category : Literary Criticism
Languages : en
Pages : 228
Book Description
Focusing on the famous Medieval commentator Nicolas of Lyra and the anonymous Middle English biblical adaptation of the Gospel of John, the Cursor Mundi, this book examines the development of the analytical tools of biblical literary criticism showing how late Medieval commentators negotiated the paradoxical interdependence of the literal and spiritual senses, as transmitted by traditional and inherited vocabularies, through a focus on narrative structure. Mark Hazard combines an enlightening account of the actual practice of professional commentators, the history of Gospel interpretation and cultural history to reveal that remarkable shift in the treatment of the Bible that modern scholars would regard as having laid the groundwork for the historical-critical methods in biblical research. As such this book sheds light not only on the 14th century practice of biblical interpretation, but will also be of value to those currenlty engaged in reading and writing about the bible.
A Concise Companion to Middle English Literature
Author: Marilyn Corrie
Publisher: John Wiley & Sons
ISBN: 1118835972
Category : Literary Criticism
Languages : en
Pages : 287
Book Description
This concise companion examines contexts that are essential to understanding and interpreting writing in English produced in the period between approximately 1100 and 1500. The essays in the book explore ways in which Middle English literature is 'different' from the literature of other periods. The book includes discussion of such issues as the religious and historical background to Middle English literature, the circumstances and milieux in which it was produced, its linguistic features, and the manuscripts in which it has been preserved. Amongst the great range of writers and writings discussed, the book considers the works of the most widely read Middle English author, Chaucer, against the background of the period that he both typifies and subverts. An accessible resource that examines contexts essential to understanding and interpreting writing of the Middle English period Chapters explore the distinctiveness of Middle English literature Brings together discussion and analysis by an international team of Middle English specialists, incorporating fresh material and new insights Includes analysis of Chaucer's writings, and considers them in relation to the work of his Middle English predecessors, contemporaries and successors Incorporates discussion of issues steering the perception of Middle English literature in the present day
Publisher: John Wiley & Sons
ISBN: 1118835972
Category : Literary Criticism
Languages : en
Pages : 287
Book Description
This concise companion examines contexts that are essential to understanding and interpreting writing in English produced in the period between approximately 1100 and 1500. The essays in the book explore ways in which Middle English literature is 'different' from the literature of other periods. The book includes discussion of such issues as the religious and historical background to Middle English literature, the circumstances and milieux in which it was produced, its linguistic features, and the manuscripts in which it has been preserved. Amongst the great range of writers and writings discussed, the book considers the works of the most widely read Middle English author, Chaucer, against the background of the period that he both typifies and subverts. An accessible resource that examines contexts essential to understanding and interpreting writing of the Middle English period Chapters explore the distinctiveness of Middle English literature Brings together discussion and analysis by an international team of Middle English specialists, incorporating fresh material and new insights Includes analysis of Chaucer's writings, and considers them in relation to the work of his Middle English predecessors, contemporaries and successors Incorporates discussion of issues steering the perception of Middle English literature in the present day
Chaucer and Middle English Studies
Author: Beryl Rowland
Publisher: Routledge
ISBN: 1000680843
Category : Literary Criticism
Languages : en
Pages : 425
Book Description
Originally published in 1974. The thirty-six essays of this book were written and assembled in hour of an internationally recognised scholar of medieval literature. Written by a diverse range of contributors, the chapters cover not only various studies of aspects of Chaucer’s poetry, but also some other medieval authors and investigations about the period, particularly referencing carols and hymns.
Publisher: Routledge
ISBN: 1000680843
Category : Literary Criticism
Languages : en
Pages : 425
Book Description
Originally published in 1974. The thirty-six essays of this book were written and assembled in hour of an internationally recognised scholar of medieval literature. Written by a diverse range of contributors, the chapters cover not only various studies of aspects of Chaucer’s poetry, but also some other medieval authors and investigations about the period, particularly referencing carols and hymns.
Piers Plowman and the Books of Nature
Author: Rebecca Davis
Publisher: Oxford University Press
ISBN: 019108428X
Category : Literary Criticism
Languages : en
Pages : 341
Book Description
Piers Plowman and the Books of Nature explores the relationship of divine creativity, poetry, and ethics in William Langland's fourteenth-century dream vision. These concerns converge in the poem's rich vocabulary of kynde, the familiar Middle English word for nature, broadly construed. But in a remarkable coinage, Langland also uses kynde to name nature's creator, who appears as a character in Piers Plowman. The stakes of this representation could not be greater: by depicting God as Kynde, that is, under the guise of creation itself, Langland explores the capacity of nature and of language to bear the plenitude of the divine. In doing so, he advances a daring claim for the spiritual value of literary art, including his own searching form of theological poetry. This claim challenges recent critical attention to the poem's discourses of disability and failure and reveals the poem's place in a long and diverse tradition of medieval humanism that originates in the twelfth century and, indeed, points forward to celebrations of nature and natural capacity in later periods. By contextualizing Langland's poetics of kynde within contemporary literary, philosophical, legal, and theological discourses, Rebecca Davis offers a new literary history for Piers Plowman that opens up many of the poem's most perplexing interpretative problems.
Publisher: Oxford University Press
ISBN: 019108428X
Category : Literary Criticism
Languages : en
Pages : 341
Book Description
Piers Plowman and the Books of Nature explores the relationship of divine creativity, poetry, and ethics in William Langland's fourteenth-century dream vision. These concerns converge in the poem's rich vocabulary of kynde, the familiar Middle English word for nature, broadly construed. But in a remarkable coinage, Langland also uses kynde to name nature's creator, who appears as a character in Piers Plowman. The stakes of this representation could not be greater: by depicting God as Kynde, that is, under the guise of creation itself, Langland explores the capacity of nature and of language to bear the plenitude of the divine. In doing so, he advances a daring claim for the spiritual value of literary art, including his own searching form of theological poetry. This claim challenges recent critical attention to the poem's discourses of disability and failure and reveals the poem's place in a long and diverse tradition of medieval humanism that originates in the twelfth century and, indeed, points forward to celebrations of nature and natural capacity in later periods. By contextualizing Langland's poetics of kynde within contemporary literary, philosophical, legal, and theological discourses, Rebecca Davis offers a new literary history for Piers Plowman that opens up many of the poem's most perplexing interpretative problems.