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Author: William Shakespeare
Publisher:
ISBN: 9780517535066
Category : English drama
Languages : en
Pages : 0
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Book Description
"In this authoritative three-volume annotated edition, A. L. Rowse, the noted Elizabethan scholar, sets forth his extraordinary knowledge of William Shakespeare and his time. All Shakespeare's plays and poems are included. His comedies (Volume I), histories, sonnets and other poems (Volume II), and tragedies and romances (Volume III) are photographically reproduced from the highly praised Globe edition of 1904. Dr. Rowse has written a biography of Shakespeare, introductionsto each volume and each play, as well as supervised the annotations and the selection of the 4,200 illustrations. The introductions to the volumes describe the evolution of Shakespeare's art, his approach to comedy and tragedy, his themes and poetic impulse. The introductions to the plays place each in the perspective of the entire range of his work and his milieu. The annotations elucidate not only Shakespeare's language, but the biographical, historical, topical, literary, and symbolic aspects of the plays and poems themselves. The great merit of the annotations is that they help the reader, the actor, the producer, the student to understand and appreciate better the plays of Shakespeare, and to get new meaning and insight from them. The 4,200 illustrations make this also an incomparable visual edition of Shakespeare. They show actual scenes of the plays in photographs as well as in paintings by Delacroix, Gainsborough, Blake, and others, and pictures of historic figures such as Henry VI, Henry IV, and famous Shakespearean performers from the earliest days to the present. In addition, these volumes include set and costume designs, prints, facsimiles of title pages of first editions, and many other pertinent reproductions." -Publisher.
Author: William Shakespeare
Publisher:
ISBN: 9780517535066
Category : English drama
Languages : en
Pages : 0
Get Book Here
Book Description
"In this authoritative three-volume annotated edition, A. L. Rowse, the noted Elizabethan scholar, sets forth his extraordinary knowledge of William Shakespeare and his time. All Shakespeare's plays and poems are included. His comedies (Volume I), histories, sonnets and other poems (Volume II), and tragedies and romances (Volume III) are photographically reproduced from the highly praised Globe edition of 1904. Dr. Rowse has written a biography of Shakespeare, introductionsto each volume and each play, as well as supervised the annotations and the selection of the 4,200 illustrations. The introductions to the volumes describe the evolution of Shakespeare's art, his approach to comedy and tragedy, his themes and poetic impulse. The introductions to the plays place each in the perspective of the entire range of his work and his milieu. The annotations elucidate not only Shakespeare's language, but the biographical, historical, topical, literary, and symbolic aspects of the plays and poems themselves. The great merit of the annotations is that they help the reader, the actor, the producer, the student to understand and appreciate better the plays of Shakespeare, and to get new meaning and insight from them. The 4,200 illustrations make this also an incomparable visual edition of Shakespeare. They show actual scenes of the plays in photographs as well as in paintings by Delacroix, Gainsborough, Blake, and others, and pictures of historic figures such as Henry VI, Henry IV, and famous Shakespearean performers from the earliest days to the present. In addition, these volumes include set and costume designs, prints, facsimiles of title pages of first editions, and many other pertinent reproductions." -Publisher.
Author: William Shakespeare
Publisher:
ISBN:
Category : Jews
Languages : en
Pages : 328
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Book Description
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 174
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Book Description
The Merchant of Venice is a 16th-century play written by William Shakespeare in which a merchant in Venice named Antonio defaults on a large loan provided by a Jewish moneylender, Shylock. It is believed to have been written between 1596 and 1599.Though classified as a comedy in the First Folio and sharing certain aspects with Shakespeare's other romantic comedies, the play is perhaps most remembered for its dramatic scenes, and is best known for Shylock and the famous "Hath not a Jew eyes?" speech. Also notable is Portia's speech about "the quality of mercy". The title character is the merchant Antonio, not the Jewish moneylender Shylock, who is the play's most prominent and most famous character.
Author: William Shakespeare
Publisher:
ISBN:
Category : Jews
Languages : en
Pages : 108
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Book Description
Author: Sterling Professor of Humanities Harold Bloom
Publisher: Infobase Publishing
ISBN: 1438134355
Category : Criticism
Languages : en
Pages : 215
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Book Description
William Shakespeare's The Merchant of Venice is a richly complicated and, to some, a deeply;disturbing work.
Author: William Shakespeare
Publisher: Yale University Press
ISBN: 9780300115642
Category : Drama
Languages : en
Pages : 212
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Book Description
In this lively comedy of love and money in sixteenth-century Venice, Bassanio wants to impress the wealthy heiress Portia but lacks the necessary funds. He turns to his merchant friend, Antonio, who is forced to borrow from Shylock, a Jewish moneylender. When Antonio's business falters, repayment becomes impossible—and by the terms of the loan agreement, Shylock is able to demand a pound of Antonio’s flesh. Portia cleverly intervenes, and all ends well (except of course for Shylock).
Author: William Baker
Publisher: Bloomsbury Publishing
ISBN: 1847141870
Category : Drama
Languages : en
Pages : 480
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Book Description
The Merchant of Venice has always been regarded as one of Shakespeare's most interesting plays. Before the nineteenth century critical reaction is relatively fragmentary. However between then and the late twentieth century the critical tradition reveals the tremendous vitality of the play to evoke emotion in the theatre and in the study. Since the middle of the twentieth century reactions to the drama have been influenced by the Nazi destruction of European Jewry. The first volume to document the full tradition of criticism of The Merchant of Venice includes an extensive introduction which charts the reactions to the play up to the beginning of the twenty first century and reflects changing reactions to prejudice in this period. Material by a variety of critics appears here for the first time since initial publication. Reactions are included from: Malone, Hazlitt, Jameson, Heine, Knight, Lewes, Halliwell-Phillips, Furnivall, Irving, Ruskin, Swinburne, Masefield, Gollancz and Quiller-Couch.
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 136
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Book Description
Author: William Shakespeare
Publisher:
ISBN: 1406820873
Category : Drama
Languages : en
Pages : 124
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Book Description
This clear print title is set in Tiresias 13pt font for easy reading
Author: Donald J. Richardson
Publisher: Author House
ISBN: 1491806907
Category : Fiction
Languages : en
Pages : 267
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Book Description
The Merchant of Venice is problematic. Not only does it present the disparate and unrelated stories of the caskets and the trial for a pound of flesh, but it challenges contemporary audiences to evaluate the treatment of Jews and what constitutes justice. The character of Shylock, although presented as an object of ridicule and even comedy to Shakespeares patrons, might even be considered tragic to one sensitive to injustice. In fact the implied definition of justice is challenging: what justice is represented by a forced conversion from one belief to another? The definition of friendship between Antonio and Bassanio is itself quite satisfying; Bassanio at one point says he would sacrifice his wife for the friendship (IV.i.292-97) which naturally Portia bridles at. The character of Portia, herself, is also challenging. While intelligent, rich, and beautiful, she behaves questionably when she deliberately entraps Bassanioher affianced loverinto ostensibly betraying her by giving away her ring and then apparently treating the whole incident as a joke. Surely Bassanio is entitled to a modicum of resentment if not anger. Additionally, she entices Nerissa to do the same with Gratiano. While this scene (V.ii) would evoke great laughter from an audience who is in on the joke, to a modern-thinking person, it smacks of sexism: ridicule the male at his expense and make fun of him for his resentment. Of course, the groundlings would pay no attention to such an offense. It seems clear that The Merchant of Venice today demands re-interpretation and re-definition.
