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Author: Michael Camille
Publisher: Harry N Abrams Incorporated
ISBN: 9780810915442
Category : Art
Languages : en
Pages : 176
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Book Description
Romantic love as we know it today -- symbolized by hearts, roses, courting, chivalry, and more -- was invented in Europe in the Middle Ages. This thoroughly entertaining, sumptuously illustrated book explores the development of these ideas and shows how their depiction in paintings, tapestries, illuminations, and on luxurious objects taught Medieval men and women the art of love.Michael Camille explores the symbolic and social settings of love, the myths and paradoxes of love as an elite social code, and the erotic feelings sometimes aroused even by religious objects of desire. The textiles, ivories, chests, jewels, and girdles, given as gifts and love-tokens, demonstrate that there was nothing chaste or sublimated about Medieval love, every aspect of which was depicted by artists and described by poets without inhibition.Spanning such well-known works as the Unicorn Tapestries to images of lute-playing troubadors and maidens in walled castles, this is a truly original look at the age-old subject of human desire.
Author: Michael Camille
Publisher: Harry N Abrams Incorporated
ISBN: 9780810915442
Category : Art
Languages : en
Pages : 176
Get Book Here
Book Description
Romantic love as we know it today -- symbolized by hearts, roses, courting, chivalry, and more -- was invented in Europe in the Middle Ages. This thoroughly entertaining, sumptuously illustrated book explores the development of these ideas and shows how their depiction in paintings, tapestries, illuminations, and on luxurious objects taught Medieval men and women the art of love.Michael Camille explores the symbolic and social settings of love, the myths and paradoxes of love as an elite social code, and the erotic feelings sometimes aroused even by religious objects of desire. The textiles, ivories, chests, jewels, and girdles, given as gifts and love-tokens, demonstrate that there was nothing chaste or sublimated about Medieval love, every aspect of which was depicted by artists and described by poets without inhibition.Spanning such well-known works as the Unicorn Tapestries to images of lute-playing troubadors and maidens in walled castles, this is a truly original look at the age-old subject of human desire.
Author: Andreas (Capellanus.)
Publisher: Columbia University Press
ISBN: 9780231073059
Category : Family & Relationships
Languages : en
Pages : 232
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Book Description
The social system of 'courtly love' soon spread after becoming popularized by the troubadours of southern France in the twelfth century. This book codifies life at Queen Eleanor's court at Poitiers between 1170 and 1174 into "one of those capital works which reflect the thought of a great epoch, which explain the secret of a civilization."
Author: Veronica Sekules
Publisher: Oxford University Press
ISBN: 9780192842411
Category : Art
Languages : en
Pages : 246
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Book Description
This refreshing new look at Medieval art conveys a very real sense of the impact of art on everyday life in Europe from 1000 to 1500. It examines the importance of art in the expression and spread of knowledge and ideas, including notions of the heroism and justice of war, and the dominant view of Christianity. Taking its starting point from issues of contemporary relevance, such as the environment, the identity of the artist, and the position of women, the book also highlights the attitudes and events specific to the sophisticated visual culture of the Middle Ages, and goes on to link this period to the Renaissance. The fascinating question of whether commercial and social activities between countries encouraged similar artistic taste and patronage, or contributed to the defining of cultural difference in Europe, is fully explored.
Author: Jack Hartnell
Publisher: Profile Books
ISBN: 178283270X
Category : History
Languages : en
Pages :
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Book Description
A SUNDAY TIMES HISTORY BOOK OF THE YEAR 'A triumph' Guardian 'Glorious ... makes the past at once familiar, exotic and thrilling.' Dominic Sandbrook 'A brilliant book' Mail on Sunday Just like us, medieval men and women worried about growing old, got blisters and indigestion, fell in love and had children. And yet their lives were full of miraculous and richly metaphorical experiences radically different to our own, unfolding in a world where deadly wounds might be healed overnight by divine intervention, or the heart of a king, plucked from his corpse, could be held aloft as a powerful symbol of political rule. In this richly-illustrated and unusual history, Jack Hartnell uncovers the fascinating ways in which people thought about, explored and experienced their physical selves in the Middle Ages, from Constantinople to Cairo and Canterbury. Unfolding like a medieval pageant, and filled with saints, soldiers, caliphs, queens, monks and monstrous beasts, it throws light on the medieval body from head to toe - revealing the surprisingly sophisticated medical knowledge of the time in the process. Bringing together medicine, art, music, politics, philosophy and social history, there is no better guide to what life was really like for the men and women who lived and died in the Middle Ages. Medieval Bodies is published in association with Wellcome Collection.
Author: Michael Camille
Publisher: Reaktion Books
ISBN: 1780232500
Category : Art
Languages : en
Pages : 178
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Book Description
What do they all mean – the lascivious ape, autophagic dragons, pot-bellied heads, harp-playing asses, arse-kissing priests and somersaulting jongleurs to be found protruding from the edges of medieval buildings and in the margins of illuminated manuscripts? Michael Camille explores that riotous realm of marginal art, so often explained away as mere decoration or zany doodles, where resistance to social constraints flourished. Medieval image-makers focused attention on the underside of society, the excluded and the ejected. Peasants, servants, prostitutes and beggars all found their place, along with knights and clerics, engaged in impudent antics in the margins of prayer-books or, as gargoyles, on the outsides of churches. Camille brings us to an understanding of how marginality functioned in medieval culture and shows us just how scandalous, subversive, and amazing the art of the time could be.
Author: Wendy A. Stein
Publisher: Metropolitan Museum of Art
ISBN: 1588395979
Category : Art
Languages : en
Pages : 138
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Book Description
The intensely expressive art of the Middle Ages was created to awe, educate and connect the viewer to heaven. Its power reverberates to this day, even among the secular. But experiencing the full meaning and purpose of medieval art requires an understanding of its narrative content. This volume introduces the subjects and stories most frequently depicted in medieval art, many of them drawn from the Bible and other religious literature. Included among the thirty-eight representative works are brilliant altarpieces, stained-glass windows, intricate tapestries, carved wood sculptures, delicate ivories, and captivating manuscript illuminations, all drawn from the holdings of the Metropolitan Museum, one of the world's most comprehensive collections of medieval art. Iconic masterworks such as the Merode Altarpiece, the Unicorn Tapestries, and the Belles Heures of the duc de Berry are featured along with less familiar work. Descriptions of the individual pieces highlight the context in which they were made, conveying their visual and technical nuances as well as their broader symbolic meaning. With its accessible informative discussions and superb full-color illustrations, How to Read Medieval Art explores the iconographic themes of the period, making them clearly recognizable and opening vistas onto history and literature, faith and devotion.
Author: Ken Mondschein
Publisher: McFarland
ISBN: 1476629269
Category : History
Languages : en
Pages : 234
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Book Description
George R.R. Martin's A Song of Ice and Fire novels and HBO's Game of Thrones series depict a medieval world at war. But how accurate are they? The author, an historian and medieval martial arts expert, examines in detail how authentically Martin's fictional world reflects the arms and armor, fighting techniques and siege warfare of the Middle Ages. Along the way, he explores the concept of "medievalism"--modern pop culture's idea of the Middle Ages.
Author: British Library
Publisher:
ISBN: 9780712357197
Category : Graphic arts
Languages : en
Pages : 0
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Book Description
According to Charles Dickens, real love is “blind devotion, unquestioning self-humiliation, utter submission, trust . . . giving up your whole soul to the smiter.” Oscar Wilde said of love: “You don’t love someone for their looks, or their clothes, or for their fancy car, but because they sing a song only you can hear.” And Rainer Maria Rilke advised: “Believe in a love that is being stored up for you like an inheritance, and have faith that in this love there is a strength and a blessing so large that you can travel as far as you wish without having to step outside it.” Like Dickens, Wilde, and Rilke, countless writers throughout history have attempted to encapsulate the essence of love through their words. But the theme of love is not restricted to the medium of the written word; love has also launched billions of images. The Look of Love is a celebration of love through the ages, gathering more than one hundred illustrations from the flirtatious to the kitsch, the charming to the ironic. The vintage imagery is drawn from a huge range of sources—fashion magazines, medieval illumination manuscripts, book covers, paintings, and cartoons—and it ranges from exquisite depictions of courtly love in the Middle Ages to the pulp novels of the twentieth century, from elves in fairyland to a honeymoon in space. Great lovers from literature—Romeo and Juliet, Tristan and Isolde, Jane Eyre and Mr. Rochester, Vishnu and Lakshmi, among others—are lavishly represented alongside a host of first kisses, assignations in the garden, moonlight serenades, and walks down the aisle. A gorgeous pictorial survey of how artists from around the world and throughout time have visually imagined love, The Look of Love will make the perfect gift for any beloved with an eye for art.
Author: Peter L. Allen
Publisher: University of Pennsylvania Press
ISBN: 1512800007
Category : Literary Criticism
Languages : en
Pages : 196
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Book Description
Two major French medieval literary works that claim to teach their readers the art of love are virtually torn apart by the contradictions and conflicts they contain. In Andreas Capellanus's late twelfth-century Latin De amore, the author instructs his friend Walter in the amatory art in the first two books, but then harshly repudiates his own teachings and love itself in a third and final book. In Jean de Meun's encyclopedic continuation of the Romance of the Rose, written in French in the 1270s, a succession of allegorical figures alternately promote and excoriate the lover's amatory pursuits. Jean's romance, moreover, virtually rewrites the dream vision of Guillaume de Lorris, which it claims simply to extend, and ends with the depiction of a sexual act that seems to throw the book's whole structure into confusion. The more closely one reads this works, Peter L. Allen contents, the harder it is to understand them: "Didactic, heavy-handed, and problematic, they teach would-be lovers how to behave in order to have others accomplish their desires, yet they also contain vociferous passages that dissuade their protagonists from the practice of this art, which, they claim, leads not only to earthly destruction but also to eternal damnation." Readers from the Middle Ages to the present have been troubled by the fact that these texts are both radically self-contradictory and fundamentally at odds with the accepted morality of medieval Christian Europe. And for decades, scholars have tried to determine how these two works are related to what is often referred to as "courtly love." In The Art of Love, Allen persuasive argues that the De amore and the Romance of the Rose are central to the courtly tradition. Allen contends that their conflicts and contradictions are not signs of confusion or artistic failure, but are instead essential clues which show that the medieval works follow the disruptive structural model of Ovid's first century elegiac Ars amatoria (Art of Love) and Remedia amoris (Cures for Love). Andreas's and Jean's works, no less than Ovid's, teach not the art of love for practicing lovers, but the literary art of love poetry and fiction. Based squarely on Ovid's poems, which were among the most widely read classical texts in medieval Europe, the De amore and the Romance of the Rose use the classical tradition in a particularly assertive fashion—and suggest a way for fantasies of love to exist even against a background of ecclesiastical prohibition.
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Languages : en
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