Author: Max Doerner
Publisher: Houghton Mifflin Harcourt
ISBN: 9780156577168
Category : Art
Languages : en
Pages : 484
Book Description
A classic book on the craft of painting including technique and materials.
The Materials of the Artist and Their Use in Painting, with Notes on the Techniques of the Old Masters
Author: Max Doerner
Publisher: Houghton Mifflin Harcourt
ISBN: 9780156577168
Category : Art
Languages : en
Pages : 484
Book Description
A classic book on the craft of painting including technique and materials.
Publisher: Houghton Mifflin Harcourt
ISBN: 9780156577168
Category : Art
Languages : en
Pages : 484
Book Description
A classic book on the craft of painting including technique and materials.
The Painter's Methods and Materials
Author: A. P. Laurie
Publisher: Courier Corporation
ISBN: 0486146928
Category : Art
Languages : en
Pages : 324
Book Description
Many of the valuable techniques and materials formerly used in painting have been lost or forgotten. With the convenience of the art supply store, the artist is no longer forced to acquaint himself with many of the operations performed by the great craftsmen-painters of the past. The result is that the modern painter often does not understand the chemical and physical reasons for the steps he follows. This book bridges the gap between artist and craftsman, and gives the reader insights into the classical techniques of the great masters as well as the procedures followed today. Professor Laurie has based his book on an intensive study of great master paintings and manuscripts as well as on actual experiment. He covers techniques for painting on wood panels, paper, walls, and canvas, and for dealing with watercolors, tempera, fresco, pigments and colors, balsams, resins, turpentines, varnishes, waxes, sizings, and various oils such as walnuts, linseed, and poppy. The reader will also find much information on the behavior of light through various refractions, prism effect in layers of paint, and the cleaning and preservation of pictures. The discussion is illustrated by 48 full-page plates. These reproductions of actual paintings by major and minor masters — Rembrandt, Lippi, Michelangelo, Botticelli, Rubens, Hals, and others — were selected to show specific points of painting condition or technical procedures. Microphotographs are used to show cross-sections of painting, age cracks, flaking, pigment particles, and similar material.
Publisher: Courier Corporation
ISBN: 0486146928
Category : Art
Languages : en
Pages : 324
Book Description
Many of the valuable techniques and materials formerly used in painting have been lost or forgotten. With the convenience of the art supply store, the artist is no longer forced to acquaint himself with many of the operations performed by the great craftsmen-painters of the past. The result is that the modern painter often does not understand the chemical and physical reasons for the steps he follows. This book bridges the gap between artist and craftsman, and gives the reader insights into the classical techniques of the great masters as well as the procedures followed today. Professor Laurie has based his book on an intensive study of great master paintings and manuscripts as well as on actual experiment. He covers techniques for painting on wood panels, paper, walls, and canvas, and for dealing with watercolors, tempera, fresco, pigments and colors, balsams, resins, turpentines, varnishes, waxes, sizings, and various oils such as walnuts, linseed, and poppy. The reader will also find much information on the behavior of light through various refractions, prism effect in layers of paint, and the cleaning and preservation of pictures. The discussion is illustrated by 48 full-page plates. These reproductions of actual paintings by major and minor masters — Rembrandt, Lippi, Michelangelo, Botticelli, Rubens, Hals, and others — were selected to show specific points of painting condition or technical procedures. Microphotographs are used to show cross-sections of painting, age cracks, flaking, pigment particles, and similar material.
Artist's Color Manual
Author: Simon Jennings
Publisher: Chronicle Books
ISBN: 9780811841436
Category : Art
Languages : en
Pages : 200
Book Description
Developed by the same team that created "Artist's Manual"and "Art Class," both top-selling art reference books, "Artist's Color Manual" is the ultimate guide to color for visual artists.
Publisher: Chronicle Books
ISBN: 9780811841436
Category : Art
Languages : en
Pages : 200
Book Description
Developed by the same team that created "Artist's Manual"and "Art Class," both top-selling art reference books, "Artist's Color Manual" is the ultimate guide to color for visual artists.
James McNeill Whistler an Evolution of Painting from the Old Masters: Identified By Two Missing Masterpieces
Author: Angelle M Vinet
Publisher: Lulu.com
ISBN: 1483471233
Category : Art
Languages : en
Pages : 260
Book Description
The discovery of this masterpiece Whistler's "Portrait of William Merritt Chase," along with another important Whistler painting, "Harmony in Black, No10," reveals exciting new discoveries on Whistler's artistic methods, from the Old Masters and the artistic truisms of the Renaissance. Documented analysis including x-ray examination, forensics and recognized paintings by Whistler's followers will confirm this portrait and "Harmony in Black, No10," with x-ray revealing two lost paintings. These Whistler paintings connect scholarship and identify paintings worthy of merit and what makes a masterpiece a masterpiece.
Publisher: Lulu.com
ISBN: 1483471233
Category : Art
Languages : en
Pages : 260
Book Description
The discovery of this masterpiece Whistler's "Portrait of William Merritt Chase," along with another important Whistler painting, "Harmony in Black, No10," reveals exciting new discoveries on Whistler's artistic methods, from the Old Masters and the artistic truisms of the Renaissance. Documented analysis including x-ray examination, forensics and recognized paintings by Whistler's followers will confirm this portrait and "Harmony in Black, No10," with x-ray revealing two lost paintings. These Whistler paintings connect scholarship and identify paintings worthy of merit and what makes a masterpiece a masterpiece.
Historic Avant-Garde Work on Paper
Author: Sascha Bru
Publisher: Taylor & Francis
ISBN: 1003856667
Category : Art
Languages : en
Pages : 370
Book Description
This book examines the many functions of paper in the fine art and aesthetics of the early twentieth-century modernist or historic avant-garde (Expressionism, Cubism, Futurism, Dadaism, Surrealism, Constructivism and many more). With its many collages and photomontages, the historic avant-garde is generally considered to have transformed paper from a mere support into an artistic medium and to have assisted in art on paper gaining a firm autonomy. Bringing together an international team of scholars, this book shows that the story of paper in the avant-garde has thereby hardly been told. The first section looks at a selection of canonized individual avant-gardists’ work on paper to demonstrate that the material and formal analysis of paper in the avant-garde’s artistic production still holds much in store. In the second section, chapters zoom in on forms and formats of collective artistic production that deployed paper to move around reproductions of fine art works, to facilitate the dialogue between avant-gardists, to better promote their work among patrons, and to make their work available to a wider audience. Chapters in the third section lay bare how certain groups within the avant-garde began to massively create monochrome works, because these could be easily reproduced when transferred to, or reproduced as, linocuts. In the last section of the book, chapters explore how the avant-garde’s attentiveness to paper almost always also implied a critique of the ways in which paper, and all that it stood for, was treated and labored in European culture and society more broadly. The book will be of interest to scholars working in art history, modernism, and design.
Publisher: Taylor & Francis
ISBN: 1003856667
Category : Art
Languages : en
Pages : 370
Book Description
This book examines the many functions of paper in the fine art and aesthetics of the early twentieth-century modernist or historic avant-garde (Expressionism, Cubism, Futurism, Dadaism, Surrealism, Constructivism and many more). With its many collages and photomontages, the historic avant-garde is generally considered to have transformed paper from a mere support into an artistic medium and to have assisted in art on paper gaining a firm autonomy. Bringing together an international team of scholars, this book shows that the story of paper in the avant-garde has thereby hardly been told. The first section looks at a selection of canonized individual avant-gardists’ work on paper to demonstrate that the material and formal analysis of paper in the avant-garde’s artistic production still holds much in store. In the second section, chapters zoom in on forms and formats of collective artistic production that deployed paper to move around reproductions of fine art works, to facilitate the dialogue between avant-gardists, to better promote their work among patrons, and to make their work available to a wider audience. Chapters in the third section lay bare how certain groups within the avant-garde began to massively create monochrome works, because these could be easily reproduced when transferred to, or reproduced as, linocuts. In the last section of the book, chapters explore how the avant-garde’s attentiveness to paper almost always also implied a critique of the ways in which paper, and all that it stood for, was treated and labored in European culture and society more broadly. The book will be of interest to scholars working in art history, modernism, and design.
Hints and Guesses
Author: Christopher J. Knight
Publisher: Univ of Wisconsin Press
ISBN: 9780299153045
Category : Literary Criticism
Languages : en
Pages : 324
Book Description
The author of four truly important novels - The Recognitions in 1955, J R in 1975, Carpenter's Gothic in 1985, and A Frolic of His Own in 1995 - William Gaddis is considered by many literary scholars to be one of the outstanding novelists of the twentieth century, to be spoken of in the same breath as James Joyce, Robert Musil, and Thomas Pynchon.
Publisher: Univ of Wisconsin Press
ISBN: 9780299153045
Category : Literary Criticism
Languages : en
Pages : 324
Book Description
The author of four truly important novels - The Recognitions in 1955, J R in 1975, Carpenter's Gothic in 1985, and A Frolic of His Own in 1995 - William Gaddis is considered by many literary scholars to be one of the outstanding novelists of the twentieth century, to be spoken of in the same breath as James Joyce, Robert Musil, and Thomas Pynchon.
Methods and Materials of Painting of the Great Schools and Masters
Author: Sir Charles Lock Eastlake
Publisher: Courier Corporation
ISBN: 9780486140834
Category : Art
Languages : en
Pages : 1044
Book Description
Greek and Roman art methods, medieval techniques, tempera painting, van Eyck's revolutionary use of oil paints, Flemish methods of preparing colors, methods of 18th-century British artists, technical secrets of Italian schools, including such masters as Leonardo, Raphael, Correggio, Andrea del Sarto, and more.
Publisher: Courier Corporation
ISBN: 9780486140834
Category : Art
Languages : en
Pages : 1044
Book Description
Greek and Roman art methods, medieval techniques, tempera painting, van Eyck's revolutionary use of oil paints, Flemish methods of preparing colors, methods of 18th-century British artists, technical secrets of Italian schools, including such masters as Leonardo, Raphael, Correggio, Andrea del Sarto, and more.
Geography of Time, Place, Movement and Networks, Volume 1
Author: Stanley D. Brunn
Publisher: Springer Nature
ISBN: 3031580214
Category :
Languages : en
Pages : 296
Book Description
Publisher: Springer Nature
ISBN: 3031580214
Category :
Languages : en
Pages : 296
Book Description
Economic Engagements with Art
Author: Neil De Marchi
Publisher: Duke University Press
ISBN: 9780822324898
Category : Art
Languages : en
Pages : 526
Book Description
Economists historically have had very little to say about art. In the latter part of the twentieth century, however, difficult issues such as pricing and art valuation, the influence of the fashionable on pricing, and the nature of auction all began to be explored. Economic Engagements with Art suggests that taste and fashion in art need not be mysterious or outside rational discourse and that these matters can be studied by economists to the benefit of the discipline.
Publisher: Duke University Press
ISBN: 9780822324898
Category : Art
Languages : en
Pages : 526
Book Description
Economists historically have had very little to say about art. In the latter part of the twentieth century, however, difficult issues such as pricing and art valuation, the influence of the fashionable on pricing, and the nature of auction all began to be explored. Economic Engagements with Art suggests that taste and fashion in art need not be mysterious or outside rational discourse and that these matters can be studied by economists to the benefit of the discipline.
The Science of Clays
Author: Swapna Mukherjee
Publisher: Springer Science & Business Media
ISBN: 9400766831
Category : Science
Languages : en
Pages : 351
Book Description
This book is an attempt to provide a comprehensive and coherent description of three widely separated aspects of clays: the science of clays; the industrial uses of clays; and the role of clays in the environment. Most of the existing literature lacks such an integrated study and this work endeavours to fill that gap. An exhaustive account of the science of clays is presented in Part I of the book, which includes the classification, origin and evolution, composition and internal structure, chemical and physical properties of clays; soil mechanics; and analytical techniques for determining clay constituents. Part II provides a comprehensive description of the applications of clays and their derivatives in various industries, while Part III describes the role of clays in the environment; the pollution caused by clay minerals; and the application of clays in order to prevent environmental hazards. A principal feature of the book is its explanation of how the structure and composition of particular clay types facilitate their specific industrial or environmental applications, thus describing the interrelationship between three widely varying aspects of clay. A number of thought-provoking questions are raised at the end of the work in order to leave readers with a better insight in this regard.
Publisher: Springer Science & Business Media
ISBN: 9400766831
Category : Science
Languages : en
Pages : 351
Book Description
This book is an attempt to provide a comprehensive and coherent description of three widely separated aspects of clays: the science of clays; the industrial uses of clays; and the role of clays in the environment. Most of the existing literature lacks such an integrated study and this work endeavours to fill that gap. An exhaustive account of the science of clays is presented in Part I of the book, which includes the classification, origin and evolution, composition and internal structure, chemical and physical properties of clays; soil mechanics; and analytical techniques for determining clay constituents. Part II provides a comprehensive description of the applications of clays and their derivatives in various industries, while Part III describes the role of clays in the environment; the pollution caused by clay minerals; and the application of clays in order to prevent environmental hazards. A principal feature of the book is its explanation of how the structure and composition of particular clay types facilitate their specific industrial or environmental applications, thus describing the interrelationship between three widely varying aspects of clay. A number of thought-provoking questions are raised at the end of the work in order to leave readers with a better insight in this regard.