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Author: Sandy Kita
Publisher: Abrams
ISBN:
Category : Art
Languages : en
Pages : 232
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Book Description
Published to accompany an exhibition of the Library of Congress' collections of Ukiyo-e prints.
Author: Sandy Kita
Publisher: Abrams
ISBN:
Category : Art
Languages : en
Pages : 232
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Book Description
Published to accompany an exhibition of the Library of Congress' collections of Ukiyo-e prints.
Author: Roni Neuer
Publisher:
ISBN: 9780711200210
Category : Art, Japanese
Languages : en
Pages : 390
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Book Description
A collection of nearly four hundred Japanese woodcuts from the seventeenth through nineteenth centuries is accompanied by technical and biographical data on the artist.
Author: Ernest Fenollosa
Publisher:
ISBN:
Category : ART
Languages : en
Pages : 132
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Book Description
This art catalog was written for an exhibition of Japanese paintings and prints at The Fine Art Buildings in New York City, 1896.
Author: Allen Hockley
Publisher: University of Washington Press
ISBN: 9780295983011
Category : Art
Languages : en
Pages : 340
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Book Description
He may very well be the most productive artist of the eighteenth century. Refuting outmoded paradigms of connoisseurship and challenging the assumptions of conventional print scholarship, Allen Hockley elevates this important figure from the status of a minor Edo-period artist. He argues that Koryusai excelled by the most significant measure -- he was a highly successful creator of popular commodities. Employing an "active audience" model, Hockley reshapes the study of ukiyo-e as a.
Author: Gunhild Avitabile
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 144
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Book Description
Catalog of an extraordinary collection of primitive Ukiyo-e assembled by one of Germany's leading contemporary painters. This collection contains unique specimens from nearly all the early Ukiyo-e masters.
Author: Dora Amsden
Publisher: Parkstone International
ISBN: 1781609497
Category : Art
Languages : en
Pages : 251
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Book Description
Ukiyo-e (‘pictures of the floating world’) is a branch of Japanese art which originated during the period of prosperity in Edo (1615-1868). Characteristic of this period, the prints are the collective work of an artist, an engraver, and a printer. Created on account of their low cost thanks to the progression of the technique, they represent daily life, women, actors of kabuki theatre, or even sumo wrestlers. Landscape would also later establish itself as a favourite subject. Moronobu, the founder, Shunsho, Utamaro, Hokusai, and even Hiroshige are the most widely-celebrated artists of the movement. In 1868, Japan opened up to the West. The masterful technique, the delicacy of the works, and their graphic precision immediately seduced the West and influenced greats such as the Impressionists, Van Gogh, and Klimt. This is known as the period of ‘Japonisme’. Through a thematic analysis, Woldemar von Seidlitz and Dora Amsden implicitly underline the immense influence which this movement had on the entire artistic scene of the West. These magnificent prints represent the evolution of the feminine ideal, the place of the Gods, and the importance accorded to landscape, and are also an invaluable witness to a society now long gone.
Author: Muneshige Narazaki
Publisher:
ISBN:
Category :
Languages : en
Pages : 96
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Book Description
Author: Woldemar von Seidlitz
Publisher: Parkstone International
ISBN: 1785259369
Category : Art
Languages : en
Pages : 425
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Book Description
Ukiyo-e (‘pictures of the floating world’) is a branch of Japanese art which originated during the period of prosperity in Edo (1615-1868). Characteristic of this period, the prints are the collective work of an artist, an engraver, and a printer. Created on account of their low cost thanks to the progression of the technique, they represent daily life, women, actors of kabuki theatre, or even sumo wrestlers. Landscape would also later establish itself as a favourite subject. Moronobu, the founder, Shunsho, Utamaro, Hokusai, and even Hiroshige are the most widely-celebrated artists of the movement. In 1868, Japan opened up to the West. The masterful technique, the delicacy of the works, and their graphic precision immediately seduced the West and influenced greats such as the Impressionists, Van Gogh, and Klimt. This is known as the period of ‘Japonisme’. Through a thematic analysis, Woldemar von Seidlitz and Dora Amsden implicitly underline the immense influence which this movement had on the entire artistic scene of the West. These magnificent prints represent the evolution of the feminine ideal, the place of the Gods, and the importance accorded to landscape, and are also an invaluable witness to a society now long gone.
Author: Rupert Faulkner
Publisher: Kodansha
ISBN: 9784770023872
Category : Art, Japanese
Languages : en
Pages : 670
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Book Description
An illustrated survey of Japanese prints at London's Victoria and Albert Museum. Each colour plate is supported by notes together with standard specifications and provenance. The book also includes introductory chapters on the ukiyo-e genre, and the history and character of the Museum's collection. Ever since Japan opened its doors to the West in the latter half of the nineteenth century, Westerners have been fascinated by the exquisite art forms that flourished during the previous two hundred years of self-imposed isolation. Among the most
Author: Julie Nelson Davis
Publisher: University of Hawaii Press
ISBN: 0824889339
Category : Art
Languages : en
Pages : 225
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Book Description
Today we think of ukiyo-e—“the pictures of the floating world”—as masterpieces of Japanese art, highly prized throughout the world. Yet it is often said that ukiyo-e were little appreciated in their own time and were even used as packing material for ceramics. In Picturing the Floating World, Julie Nelson Davis debunks this myth and demonstrates that ukiyo-e was thoroughly appreciated as a field of artistic production, worthy of connoisseurship and canonization by its contemporaries. Putting these images back into their dynamic context, she shows how consumers, critics, and makers produced and sold, appraised and collected, and described and recorded ukiyo-e. She recovers this multilayered world of pictures in which some were made for a commercial market, backed by savvy entrepreneurs looking for new ways to make a profit, while others were produced for private coteries and high-ranking connoisseurs seeking to enrich their cultural capital. The book opens with an analysis of period documents to establish the terms of appraisal brought to ukiyo-e in late eighteenth-century Japan, mapping the evolution of the genre from a century earlier and the development of its typologies and the creation of a canon of makers—both of which have defined the field ever since. Organized around divisions of major technological and aesthetic developments, the book reveals how artistic practice and commercial enterprise were intertwined throughout ukiyo-e’s history, from its earliest imagery through the twentieth century. The depiction of particular subjects in and for the floating world of urban Edo and the process of negotiating this within the larger field of publishing are examined to further ground ukiyo-e as material culture, as commodities in a mercantile economy. Picturing the Floating World offers a new approach: a critical yet accessible analysis of the genre as it was developed in its social, cultural, and political milieu. The book introduces students, collectors, and enthusiasts to ukiyo-e as a genre under construction in its own time while contributing to our understanding of early modern visual production.
