Author: Thomas McFarland
Publisher: OUP Oxford
ISBN: 9780198186458
Category : Language Arts & Disciplines
Languages : en
Pages : 268
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Book Description
This book surveys the poetic endeavour of John Keats and urges that his true poetry is uniquely constituted by being uttered through three artificial masks, rather than through the natural voice of his quotidian self. The first mask is formed by the attitudes and reality that ensue from aconscious commitment to the identity of poet as such. The second, called here the Mask of Camelot, takes shape from Keats's acceptance and compelling use of the vogue for medieval imaginings that was sweeping across Europe in his time. The third, the Mask of Hellas, eventuated from Keats'senthusiastic immersion in the rising tide of Romantic Hellenism. Keats's great achievement, the book argues, can only be ascertained by means of a resuscitation of the defunct critical category of 'genius', as that informs his use of the masks. To validate this category, the volume is concernedthroughout with the necessity of discriminating the truly poetic from the meretricious in Keats's endeavour. The Masks of Keats thus constitutes a criticism of and a rebuke to the deconstructive approach, which must treat all texts as equal and must entirely forego the conception of quality.
Author: Luisa Camaiora
Publisher: EDUCatt - Ente per il diritto allo studio universitario dell'Università Cattolica
ISBN: 8867801015
Category : Literary Criticism
Languages : en
Pages : 156
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Book Description
Author: Stanley Plumly
Publisher: W. W. Norton & Company
ISBN: 9780393065732
Category : Biography & Autobiography
Languages : en
Pages : 410
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Book Description
"Posthumous Keats" is the result of Plumly's 20 years of reflection on the enduring poetry of one of England's greatest Romanticists. Incisive in its observations and beautifully written, this work is an ode to the man who saw his mortality as fatal to his poetry.
Author: Karen Swann
Publisher: Fordham Univ Press
ISBN: 0823284190
Category : Literary Criticism
Languages : en
Pages : 196
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Book Description
Any reader engaging the work of Keats, Shelley, or Coleridge must confront the role biography has played in the canonization of each. Each archive is saturated with stories of the life prematurely cut off or, in Coleridge’s case, of promise wasted in indolence. One confronts reminiscences of contemporaries who describe subjects singularly unsuited to this world, as well as still stranger materials—death masks, bits of bone, locks of hair, a heart—initially preserved by circles and then circulating more widely, often in tandem with bits of the literary corpus. Especially when it centers on the early deaths of Keats and Shelley, biographical interest tends to be dismissed as a largely Victorian and sentimental phenomenon that we should by now have put behind us. And yet a line of verse by these poets can still trigger associations with biographical detail in ways that spark pathos or produce intimations of prolepsis or fatality, even for readers suspicious of such effects. Biographical fascination—the untoward and involuntary clinging of attention to the biographical subject—is thus “posthumous” in Keats’s evocative sense of the term, its life equivocally sustained beyond its period. Lives of the Dead Poets takes seriously the biographical fascination that has dogged the prematurely arrested figures of three romantic poets. Arising in tandem with a sense of the threatened end of poetry’s allotted period, biographical fascination personalizes the precariousness of poetry, binding poetry, the poet-function, and readers to an irrecuperable singularity. Reading romantic poets together with the modernity of Benjamin and Baudelaire, Swann shows how poets’ afterlives offer an opening for poetry’s survival, from its first nineteenth-century death sentences into our present.
Author: Adrian Poole
Publisher: A&C Black
ISBN: 1472539133
Category : Literary Criticism
Languages : en
Pages : 311
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Book Description
Great Shakespeareans offers a systematic account of those figures who have had the greatest influence on the interpretation, understanding and cultural reception of Shakespeare, both nationally and internationally. In this volume, leading scholars assess the contribution of William Hazlitt, John Keats and Charles Lamb to the afterlife and reception of Shakespeare and his plays. Each substantial contribution assesses the double impact of Shakespeare on the figure covered and of the figure on the understanding, interpretation and appreciation of Shakespeare, provide a sketch of their subject's intellectual and professional biography and an account of the wider cultural context, including comparison with other figures or works within the same field.
Author: DR. ANUP KUMAR
Publisher: Blue Rose Publishers
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 240
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Book Description
“Here lies one whose name was writ in water”. This is the phrase the English Romantic poet Keats desired to be inscribed on his tombstone. Just this phrase; he did not even want his name to appear on his tombstone; merely this line. Keats wanted simply the above phrase on his tombstone for by the time his death was near, he was embittered with life and believed he would soon be forgotten. But, contrary to it, more than two hundred years after his death, he is still remembered as one of the greatest English Romantic poets ever. This book, the second in the “Last Words Series”, deals with the fascinating account of the ‘Life, Death, and Last Words’ of the English Romantic poet John Keats (31 October 1795 -- 23 February 1821). Keats came to this world on a short visit. He was just over 25 when he died. EBook: G
Author: Luisa Conti Camaiora
Publisher: EDUCatt - Ente per il diritto allo studio universitario dell'Università Cattolica
ISBN: 8867807382
Category :
Languages : en
Pages : 134
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Book Description
Of the sixty-seven sonnets composed by John Keats fifty are commented here. The number sixty-seven is inclusive of ‘Nature withheld Cassandra in the skies’, Keats’s unfinished translation of Ronsard’s sonnet ‘Nature ornant Cassandre qui devoyt’, and of The Poet, that is not universally acknowledged as composed by Keats. The sonnets proposed thus present an ample spectrum of Keats’s sonnet writing and cover the span of his writing career, from 1814 to 1819. The sonnets are commented in chronological order: two belong to the year 1814, three to 1815, seventeen to 1816, six to 1817, thirteen to 1818 and nine to 1819. For each sonnet, the text is presented, followed by the date of composition and of the first publication. An indication of the typology to which the sonnet belongs and of its rhyme scheme is also furnished. The text is based on the editions of Miriam Allott, The Poems of John Keats, Longman, London, 1972 [1970], Jack Stillinger, John Keats: Complete Poems, Harvard University Press, Cambridge, Mass., and London, 1982 [1978], John Barnard, John Keats: The Complete Poems, Penguin Books, London, 1988 [1973], Nicholas Roe, John Keats: Selected Poems, Dent, London, 2000 [1995], and Paul Wright, The Poems of John Keats, Wordsworth Poetry Library, Ware, 2001. For the dating, that proposed by Miriam Allott has been followed. For each sonnet the circumstances of its composition, when known, are referred. The letters of Keats are cited to provide information on the date and on the events surrounding the writing of the poems, to furnish the poet’s own comments concerning the sonnets, and to document parallels in wording, images and thoughts, useful for the analysis on hand, as well as other more general observations and reflections of the poet retained to be pertinent for a better understanding of the poems. The edition from which the citations of the letters are taken is that of Grant F. Scott, Selected Letters of John Keats, Harvard University Press, Cambridge, Mass. and London, 2002, integrated, when necessary, by that of Hyder Edward Rollins, The Letters of John Keats 1814-1821, 2 vols., Harvard University Press, Cambridge, Mass., 1958. Other important sources of information regarding the sonnets that have here been used are Richard Monckton Milnes’s edition of the life of Keats, Life, Letters and Literary Remains of John Keats, 2 vols., London, 1848, the recollections of Charles Cowden Clarke, Recollections of Writers (1878), Centaur Press, Fontwell, 1969, and the literary remains of the Keats Circle, collected by Hyder Edward Rollins, The Keats Circle: Letters and Papers 1816-1879, 2 vols., Harvard University Press, Cambridge, Mass., 1965 [1948]. For the meanings and significations of specific words, reference has been made to the Oxford English Dictionary, 2nd ed. on CD-ROM (v. 4.0), Oxford University Press, Oxford, 2009. Some of the sonnets have been commented in previous articles and books of the author, in particular in her Il primo Keats: lettura della poesia 1814-1818, Milella, Lecce, 1978, The Letters and Poems of John Keats’s Northern Tour, Europrint Publications, Milan, 1997 and John Keats and the Creative Process, Europrint Publications, Milan, 2001, but here the analyses are re-visited, integrated and modified. Tratto dall'Introduzione dell'Autrice
Author: R. White
Publisher: Springer
ISBN: 0230281443
Category : Literary Criticism
Languages : en
Pages : 271
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Book Description
At the heart of this 'Literary Life' are fresh interpretations of Keats's most loved poems, alongside other neglected but rich poems. The readings are placed in the context of his letters to family and friends, his medical training, radical politics of the time, his love for Fanny Brawne, his coterie of literary figures and his tragic early death.
Author: Nicholas Roe
Publisher: Yale University Press
ISBN: 0300190158
Category : Biography & Autobiography
Languages : en
Pages : 471
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Book Description
This landmark biography of celebrated Romantic poet John Keats explodes entrenched conceptions of him as a delicate, overly sensitive, tragic figure. Instead, Nicholas Roe reveals the real flesh-and-blood poet: a passionate man driven by ambition but prey to doubt, suspicion, and jealousy; sure of his vocation while bitterly resentful of the obstacles that blighted his career; devoured by sexual desire and frustration; and in thrall to alcohol and opium. Through unparalleled original research, Roe arrives at a fascinating reassessment of Keats's entire life, from his early years at Keats's Livery Stables through his harrowing battle with tuberculosis and death at age 25. Zeroing in on crucial turning points, Roe finds in the locations of Keats's poems new keys to the nature of his imaginative quest. Roe is the first biographer to provide a full and fresh account of Keats's childhood in the City of London and how it shaped the would-be poet. The mysterious early death of Keats's father, his mother's too-swift remarriage, living in the shadow of the notorious madhouse Bedlam—all these affected Keats far more than has been previously understood. The author also sheds light on Keats's doomed passion for Fanny Brawne, his circle of brilliant friends, hitherto unknown City relatives, and much more. Filled with revelations and daring to ask new questions, this book now stands as the definitive volume on one of the most beloved poets of the English language.
Author: J. Najarian
Publisher: Springer
ISBN: 0230596851
Category : Literary Criticism
Languages : en
Pages : 252
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Book Description
This book explores the sexual implications of reading Keats. Keats was lambasted by critics throughout the nineteenth century for his sensuousness and his 'effeminacy'. The Victorians simultaneously identified with, imitated, and distrusted the 'unmanly' poet. Writers, among them Alfred Lord Tennyson, Matthew Arnold, Gerard Manley Hopkins, John Addington Symonds, Walter Pater, and Wilfred Owen came to terms with Keats's work by creating out of the 'effeminate' poet a sexual and literary ally.
