The Marxist Theory Of Art PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Marxist Theory Of Art PDF full book. Access full book title The Marxist Theory Of Art by Dave Laing. Download full books in PDF and EPUB format.
Author: Dave Laing
Publisher: Routledge
ISBN: 1000303233
Category : Philosophy
Languages : en
Pages : 180
Get Book Here
Book Description
This book is intended as a structured presentation of the major ideas of the most important trends of thought in the Marxist theory of art and is constructed as a map of the field of Marxist aesthetics.
Author: Dave Laing
Publisher: Routledge
ISBN: 1000303233
Category : Philosophy
Languages : en
Pages : 180
Get Book Here
Book Description
This book is intended as a structured presentation of the major ideas of the most important trends of thought in the Marxist theory of art and is constructed as a map of the field of Marxist aesthetics.
Author: Dave Beech
Publisher: BRILL
ISBN: 9004288155
Category : Philosophy
Languages : en
Pages : 402
Get Book Here
Book Description
Art and Value is the first comprehensive analysis of art's political economy throughout classical, neoclassical and Marxist economics. It provides a critical-historical survey of the theories of art's economic exceptionalism, of art as a merit good, and of the theories of art's commodification, the culture industry and real subsumption. Key debates on the economics of art, from the high prices artworks fetch at auction, to the controversies over public subsidy of the arts, the 'cost disease' of artistic production, and neoliberal and post-Marxist theories of art's incorporation into capitalism, are examined in detail. Subjecting mainstream and Marxist theories of art's economics to an exacting critique, the book concludes with a new Marxist theory of art's economic exceptionalism.
Author: John Molyneux
Publisher: Haymarket Books
ISBN: 1642592137
Category : Art
Languages : en
Pages : 240
Get Book Here
Book Description
To the question of &lquo;what is art?&rquo;, it is often simply responded that art is whatever is produced by the artist. For John Molyneux, this clearly circular answer is deeply unsatisfying. In a tour de force spanning renaissance Italy and the Dutch Republic to contemporary leading figures, The Dialectics of Art instead approaches its subject matter as a distinct field of creative human labour that emerges alongside and in opposition to the alienation and commodification brought about by capitalism. The pieces and individuals Molyneux examines — from Michelangelo’s Slaves to Rembrandts Jewish Bride to the vast drip paintings of Jackson Pollock – are presented as embodying the social contradictions of their times, giving art an inherently political relevance. In its relationship of creative and dialectical tension to prevailing social relationships and norms, such art points beyond the existing order of things, hinting at a potential future society not based on alienated labour in which creative production becomes the property and practice of all.
Author: Ernst Fischer
Publisher: Verso Books
ISBN: 1789600995
Category : Art
Languages : en
Pages : 293
Get Book Here
Book Description
"Art is necessary in order that man should be able to recognize and change the world. But art is also necessary by virtue of the magic inherent in it."-Ernst Fischer Reissued with an introduction by John Berger, The Necessity of Art is a beautifully written meditation on art's importance in viewing the world in which we live. In this wide-ranging and erudite exploration of literary and fine art, Fischer looks at the relationship between the creative imagination and social reality, arguing that truthful art must both reflect existence in all its flaws and imperfections, and help show how change and improvement might be brought about. With his emphasis on the individual's need to engage with society, his rejection of rampant consumerism and hypertechnology, and his indomitable optimism, this radical, affirmative and humane vision of the artistic endeavor remains as timely today as when it was first published sixty years ago.
Author: Margaret A. Rose
Publisher: Cambridge University Press
ISBN: 9780521369794
Category : Art
Languages : en
Pages : 234
Get Book Here
Book Description
An original and challenging study of Marxist aesthetic theory from an art-historical perspective.
Author: Maynard Solomon
Publisher: Wayne State University Press
ISBN: 9780814316214
Category : Art
Languages : en
Pages : 724
Get Book Here
Book Description
Marxism and Art is a collection of basic readings in Marxist criticism and aesthetics.
Author: Jonathan R Fardy
Publisher: John Hunt Publishing
ISBN: 1789043085
Category : Philosophy
Languages : en
Pages : 91
Get Book Here
Book Description
Althusser and Art offers a reading of Althusserianism as a meta-mediation on the question concerning the aesthetics of theory. Fardy shows that Althusserian theory is part of a larger genealogy of thought, stretching from Korsch through Laruelle, that has been primarily concerned with the search for a form of theory, an aesthetic of theorizing, capable of transcending the theory-practice dialectic.
Author: Warren Carter
Publisher: Art / Books
ISBN: 9781908970121
Category : Communism and art
Languages : en
Pages : 0
Get Book Here
Book Description
From the early decades of the twentieth century until the 1980s, Marxist art history was at the forefront of radical approaches to the discipline. But in the last two decades of the century and into the next, Marxist art historians found themselves marginalized from the vanguard by the rise of postmodernism and identity politics. In the wake of the recent global crisis there has been a resurgence of interest in Marx. Now available in paperback, this collection of essays, a festschrift in honor of leading Marxist art historian Andrew Hemingway, brings together 30 academics who are reshaping art history along Marxist lines. The essayists include Matthew Beaumont, Warren Carter, Michael Corris, Gail Day, Paul Jaskot, Stewart Martin, Frederic J. Schwartz, Caroline Arscott, Steve Edwards, Charles Ford, Brian Foss, Tom Gretton, Alan Wallach, Michael Bird, Martin I. Gaughan, Barnaby Haran and Fred Orton, among others.
Author: Ali Alizadeh
Publisher: Rowman & Littlefield
ISBN: 1786610132
Category : Philosophy
Languages : en
Pages : 161
Get Book Here
Book Description
This book argues that a renewed consideration of artistic value should both critique contemporary bureaucratic misunderstandings of what art is and address the complexities and questions of contemporary philosophers in new and provocative ways. Writer and poet Ali Alizadeh focusses on the artistic theories of the key Western philosopher of value, Karl Marx. He explores Marx’s thoughts on art and literature and provides a new account of his revolutionary view of why we make art and how we understand art’s value. By returning to Marx’s writings, from his juvenile poetry and earliest journalism to his final publications, Alizadeh proposes a theory which not only challenges many tenets of contemporary Marxist literary or cultural theory, but one which also presents us with a profound, coherent and stimulating theory of art that defines, values and demonstrates artistic practice. By mapping Marx’s intellectual development from the ideals of a young Hegelian to the polemics of a seasoned internationalist communist he shows that Marx never lost sight of art as a key aspect of human activity.
Author: Samir Gandesha
Publisher: Bloomsbury Publishing
ISBN: 1350024236
Category : Art
Languages : en
Pages : 353
Get Book Here
Book Description
The whole of Marx's project confronts the narrow concerns of political philosophy by embedding it in social philosophy and a certain understanding of the aesthetic. From those of aesthetic production to the "poetry of the future" (as Marx writes in the Eighteenth Brumaire), from the radical modernism of bourgeois development to the very idea of association (which defined one of the main lines of tradition in the history of aesthetics), steady references to Dante, Shakespeare and Goethe, and the idea that bourgeois politics is nothing but a theatrical stage: the aesthetic has a prominent place in the constellation of Marx's thought. This book offers an original and challenging study of both Marx in the aesthetic, and the aesthetic in Marx. It differs from previous discussions of Marxist aesthetic theory as it understands the works of Marx themselves as contributions to thinking the aesthetic. This is an engagement with Marx's aesthetic that takes into account Marx's broader sense of the aesthetic, as identified by Eagleton and Buck-Morss – as a question of sense perception and the body. It explores this through questions of style and substance in Marx and extends it into contemporary questions of how this legacy can be perceived or directed analytically in the present. By situating Marx in contemporary art debates this volume speaks directly to lively interest today in the function of the aesthetic in accounts of emancipatory politics and is essential reading for researchers and academics across the fields of political philosophy, art theory, and Marxist scholarship.
