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Author: Martin Marprelate
Publisher:
ISBN:
Category : Marprelate controversy
Languages : en
Pages : 476
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Book Description
Author: Martin Marprelate
Publisher:
ISBN:
Category : Marprelate controversy
Languages : en
Pages : 476
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Book Description
Author: Andrew Hadfield
Publisher: OUP Oxford
ISBN: 0191655066
Category : Literary Criticism
Languages : en
Pages : 767
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Book Description
The Oxford Handbook of English Prose 1500-1640 is the only current overview of early modern English prose writing. The aim of the volume is to make prose more visible as a subject and as a mode of writing. It covers a vast range of material vital for the understanding of the period: from jestbooks, newsbooks, and popular romance to the translation of the classics and the pioneering collections of scientific writing and travel writing; from diaries, tracts on witchcraft, and domestic conduct books to rhetorical treatises designed for a courtly audience; from little known works such as William Baldwin's Beware the Cat, probably the first novel in English, to The Bible, The Book of Common Prayer and Richard Hooker's eloquent statement of Anglican belief, The Laws of Ecclesiastical Polity. The work not only deals with the range and variety of the substance and types of English prose, but also analyses the forms and styles of writing adopted in the early modern period, ranging from the Euphuistic nature of prose fiction inaugurated by John Lyly's mannered novel, to the aggressive polemic of the Marprelate controversy; from the scatological humour of comic writing to the careful modulations of the most significant sermons of the age; and from the pithy and concise English essays of Francis Bacon to the ornate and meandering style of John Florio's translation of Montaigne's famous collection. Each essay provides an overview as well as comment on key passages, and a select guide to further reading.
Author: Martin Marprelate
Publisher: Cambridge University Press
ISBN: 052187579X
Category : History
Languages : en
Pages : 3
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Book Description
A fully annotated modern edition of the most famous satires of the English Renaissance.
Author: Elizabeth Appleton
Publisher: Lewiston, N.Y. : Edwin Mellen Press
ISBN:
Category : Drama
Languages : en
Pages : 554
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Book Description
This study provides a blueprint of the texts and intricacies of this battle of writings and of the protagonists involved. It recovers the poet and playwright Edward de Vere, 17th Earl of Oxford (under pseudonyms) as the leader of the writers defending the Church and Crown and the liberty of the stage against te Puritains and Martinists.
Author: Joad Raymond
Publisher: Cambridge University Press
ISBN: 0521028779
Category : History
Languages : en
Pages : 429
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Book Description
A history of the printed pamphlet in sixteenth- and seventeenth-century Britain.
Author: Evelyn B. Tribble
Publisher: University of Virginia Press
ISBN: 9780813914725
Category : Business & Economics
Languages : en
Pages : 216
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Book Description
Examines commentary written in the margins of the text to show how the pages of the first printed books became the arena for struggled among authors, readers, and cultural authorities. Focuses on four controversies: the printed English Bible, two rivals for court favor, Martin Marprelate's theological pamphlets, and the glossed works of Ben Jonson. Annotation copyright by Book News, Inc., Portland, OR
Author: Marcy L. North
Publisher: University of Chicago Press
ISBN: 0226594378
Category : Biography & Autobiography
Languages : en
Pages : 322
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Book Description
"The book trade, she argues, created many intriguing and paradoxical uses for anonymity, even as the authorial name became more marketable. Among ecclesiastical debates, for instance, anonymity worked to conceal identity, but it could also be used to identify the moral character of the author being concealed. In court and coterie circles, meanwhile, authors turned name suppression into a tool for the preservation of social boundaries. Finally, in both print and manuscript, anonymity promised to liberate an authentic female voice, and yet it made it impossible to authenticate the gender of an author. In sum, the writers and book producers who helped to create England's literary culture viewed anonymity as a meaningful and useful practice."--BOOK JACKET.
Author: Christopher B. Balme
Publisher: Cambridge University Press
ISBN: 1139991817
Category : Drama
Languages : en
Pages : 233
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Book Description
The concept of the public sphere, as first outlined by German philosopher Jürgen Habermas, refers to the right of all citizens to engage in debate on public issues on equal terms. In this book, Christopher B. Balme explores theatre's role in this crucial political and social function. He traces its origins and argues that the theatrical public sphere invariably focuses attention on theatre as an institution between the shifting borders of the private and public, reasoned debate and agonistic intervention. Chapters explore this concept in a variety of contexts, including the debates that led to the closure of British theatres in 1642, theatre's use of media, controversies surrounding race, religion and blasphemy, and theatre's place in a new age of globalised aesthetics. Balme concludes by addressing the relationship of theatre today with the public sphere and whether theatre's transformation into an art form has made it increasingly irrelevant for contemporary society.
Author: Book Builders LLC.
Publisher: Infobase Publishing
ISBN: 1438108699
Category : Authors, English
Languages : en
Pages : 817
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Book Description
Presents a two-volume A to Z reference on English authors from the sixteenth, seventeenth and eighteenth centuries, providing information about major figures, key schools and genres, biographical information, author publications and some critical analyses.
Author: Jill P. Ingram
Publisher: University of Notre Dame Pess
ISBN: 0268109109
Category : History
Languages : en
Pages : 337
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Book Description
Festive Enterprise reveals marketplace pressures at the heart of dramatic form in medieval and Renaissance drama. In Festive Enterprise, Jill P. Ingram merges the history of economic thought with studies of theatricality and spectatorship to examine how English Renaissance plays employed forms and practices from medieval and traditional entertainments to signal the expectation of giving from their audiences. Resisting the conventional divide between medieval and Renaissance, Festive Enterprise takes a trans-Reformation view of dramaturgical strategies, which reflected the need to generate both income and audience assent. By analyzing a wide range of genres (such as civic ceremonial, mummings, interludes, scripted plays, and university drama) and a diverse range of venues (including great halls, city streets, the Inns of Court, and public playhouses), Ingram demonstrates how early moderns borrowed medieval money-gatherers’ techniques to signal communal obligations and rewards for charitable support of theatrical endeavors. Ingram shows that economics and drama cannot be considered as separate enterprises in the medieval and Renaissance periods. Rather, marketplace pressures were at the heart of dramatic form in medieval and Renaissance drama alike. Festive Enterprise is an original study that traces how economic forces drove creativity in drama from medieval civic processions and guild cycle plays to the early Renaissance. It will appeal to scholars of medieval and early modern drama, theater historians, religious historians, scholars of Renaissance drama, and students in English literature, drama, and theater.
