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Author: Boudewijn Bakker
Publisher: Routledge
ISBN: 1351561138
Category : Art
Languages : en
Pages : 394
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Book Description
Offering a corrective to the common scholarly characterization of seventeenth-century Dutch landscape painting as modern, realistic and secularized, Boudewijn Bakker here explores the long history and purpose of landscape in Netherlandish painting. In Bakker's view, early Netherlandish as well as seventeenth-century Dutch painting can be understood only in the context of the intellectual climate of the day. Concentrating on landscape painting as the careful depiction of the visible world, Bakker's analysis takes in the thought of figures seldom consulted by traditional art historians, such as the fifteenth-century philosopher Dionysius the Carthusian, the sixteenth-century religious reformer John Calvin, the geographer Abraham Ortelius and the seventeenth-century poet Constantijn Huygens. Probing their conception of nature as 'the first Book of God' and art as its representation, Bakker identifies a world view that has its roots in the traditional Christian perceptions of God and creation. Landscape and Religion from Van Eyck to Rembrandt imposes a new layer of interpretation on the richly varied landscapes of the great masters. In so doing it adds a new dimension to the insights offered by modern art-historical research. Further, Bakker's explorations of early modern art and literature provide essential background for any student of European intellectual history.
Author: Boudewijn Bakker
Publisher: Routledge
ISBN: 1351561138
Category : Art
Languages : en
Pages : 394
Get Book Here
Book Description
Offering a corrective to the common scholarly characterization of seventeenth-century Dutch landscape painting as modern, realistic and secularized, Boudewijn Bakker here explores the long history and purpose of landscape in Netherlandish painting. In Bakker's view, early Netherlandish as well as seventeenth-century Dutch painting can be understood only in the context of the intellectual climate of the day. Concentrating on landscape painting as the careful depiction of the visible world, Bakker's analysis takes in the thought of figures seldom consulted by traditional art historians, such as the fifteenth-century philosopher Dionysius the Carthusian, the sixteenth-century religious reformer John Calvin, the geographer Abraham Ortelius and the seventeenth-century poet Constantijn Huygens. Probing their conception of nature as 'the first Book of God' and art as its representation, Bakker identifies a world view that has its roots in the traditional Christian perceptions of God and creation. Landscape and Religion from Van Eyck to Rembrandt imposes a new layer of interpretation on the richly varied landscapes of the great masters. In so doing it adds a new dimension to the insights offered by modern art-historical research. Further, Bakker's explorations of early modern art and literature provide essential background for any student of European intellectual history.
Author: Peter C. Sutton
Publisher: University of Pennsylvania Press
ISBN:
Category : Art
Languages : en
Pages : 588
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Book Description
Author: Audrey M. Lambert
Publisher:
ISBN:
Category : Nature
Languages : en
Pages : 400
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Book Description
De landschapsvorming sinds de pleistocene-periode tot heden
Author: Steffen Nijhuis
Publisher: TU Delft
ISBN: 160750832X
Category : Architecture
Languages : en
Pages : 336
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Book Description
It offers clues for visual landscape assessment of spaces in cities, parks and rural areas.
Author: William John Thomas Mitchell
Publisher: University of Chicago Press
ISBN: 9780226532059
Category : Art
Languages : en
Pages : 396
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Book Description
This text considers landscape not simply as an object to be seen or a text to be read, but as an instrument of cultural force, a central tool in the creation of national and social identities. This edition adds a new preface and five new essays.
Author:
Publisher:
ISBN: 9789188829085
Category :
Languages : en
Pages :
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Book Description
Lytle Shaw New Grounds for Dutch Landscape.
Author: Frits Gierstberg
Publisher:
ISBN: 9789056628468
Category : Photobooks
Languages : en
Pages : 240
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Book Description
The Dutch photobook is internationally celebrated for its particularly close collaboration between photographer, printer and designer. The current photobook publishing boom in the Netherlands stems from a tradition of excellence that precedes World War II, but the postwar years inaugurated a period of particularly close collaboration between photographers and designers, producing such unique photography books as Ed van der Elsken's "Love on the Left Bank" (1956) and Koen Wessing's "Chili, September 1973" (1973). Innovations such as the photo novel and the company photobook blossomed in the 1950s and 60s; later, other genres emerged to characterize the publishing landscape in Holland, including conceptual and documentary photobooks, books on youth culture, urbanism photobooks and landscape photobooks and travelogues. Examining each of these genres across six themed chapters, "The Dutch Photobook" features selections from more than 100 historical, contemporary and self-published photobook projects. It includes landmark publications such as "Hollandse taferelen" by Hans Aarsman (1989), "The Table of Power" by Jacqueline Hassink (1996), "Why Mister Why" by Geert van Kesteren (2006) and "Empty Bottles" by Wassink Lundgren (2007). Dutch photo historians Frits Gierstberg and Rik Suermondt contribute several essays on the history of the genre, the collaborative efforts between photographers and designers and their inspiration and influences, complementing the high-quality reproductions of photobooks throughout. Award-winning designer Joost Grootens contributes unique charts and diagrams that consolidate all of these elements, in a visually unique map of the Dutch photobook.
Author: Tom Bloemers
Publisher: Amsterdam University Press
ISBN: 9089641556
Category : Social Science
Languages : en
Pages : 753
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Book Description
The basic problem is to what extent we can know past and mainly invisible landscapes, and how we can use this still hidden knowledge for actual sustainable management of landscape's cultural and historical values. It has also been acknowledged that heritage management is increasingly about 'the management of future change rather than simply protection'. This presents us with a paradox: to preserve our historic environment, we have to collaborate with those who wish to transform it and, in order to apply our expert knowledge, we have to make it suitable for policy and society. The answer presented by the Protection and Development of the Dutch Archaeological-Historical Landscape programme (pdl/bbo) is an integrative landscape approach which applies inter- and transdisciplinarity, establishing links between archaeological-historical heritage and planning, and between research and policy.
Author: Michiel van Groesen
Publisher: University of Pennsylvania Press
ISBN: 081224866X
Category : History
Languages : en
Pages : 272
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Book Description
In 1624 the Dutch West India Company established the colony of Brazil. Only thirty years later, the Dutch Republic handed over the colony to Portugal, never to return to the South Atlantic. Because Dutch Brazil was the first sustained Protestant colony in Iberian America, the events there became major news in early modern Europe and shaped a lively print culture. In Amsterdam's Atlantic, historian Michiel van Groesen shows how the rise and tumultuous fall of Dutch Brazil marked the emergence of a "public Atlantic" centered around Holland's capital city. Amsterdam served as Europe's main hub for news from the Atlantic world, and breaking reports out of Brazil generated great excitement in the city, which reverberated throughout the continent. Initially, the flow of information was successfully managed by the directors of the West India Company. However, when Portuguese sugar planters revolted against the Dutch regime, and tales of corruption among leading administrators in Brazil emerged, they lost their hold on the media landscape, and reports traveled more freely. Fueled by the powerful local print media, popular discussions about Brazil became so bitter that the Amsterdam authorities ultimately withdrew their support for the colony. The self-inflicted demise of Dutch Brazil has been regarded as an anomaly during an otherwise remarkably liberal period in Dutch history, and consequently generations of historians have neglected its significance. Amsterdam's Atlantic puts Dutch Brazil back on the front pages and argues that the way the Amsterdam media constructed Atlantic events was a key element in the transformation of public opinion in Europe.
Author: National Gallery of Art (U.S.)
Publisher: Oxford University Press, USA
ISBN: 9780894682117
Category : Painting
Languages : en
Pages : 0
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Book Description
Heda's Banquet Piece, Frans Hals' Willem Coymans, and Rembrandt's Lucretia. Paintings by these and other masters attracted the American collectors P. A. B. Widener, his son Joseph, and Andrew W. Mellon, whose bequests form the heart of the National Gallery's distinguished and remarkably cohesive collection of ninety-one Dutch paintings.
