Author: John Lowden
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 346
Book Description
The Making of the Bibles Moralisées: The Book of Ruth
Author: John Lowden
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 346
Book Description
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 346
Book Description
Visual Resources Association Bulletin
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 294
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 294
Book Description
American Book Publishing Record
Author:
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 1758
Book Description
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 1758
Book Description
Book Review Index
Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 1520
Book Description
Vols. 8-10 of the 1965-1984 master cumulation constitute a title index.
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 1520
Book Description
Vols. 8-10 of the 1965-1984 master cumulation constitute a title index.
Forthcoming Books
Author: Rose Arny
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1546
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1546
Book Description
Arts & Humanities Citation Index
Author:
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 1354
Book Description
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 1354
Book Description
The Art of Illumination
Author: Timothy Husband
Publisher: Metropolitan Museum of Art
ISBN: 1588392945
Category : Belles heures of Jean of France, Duke of Berry
Languages : en
Pages : 390
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 1588392945
Category : Belles heures of Jean of France, Duke of Berry
Languages : en
Pages : 390
Book Description
The Use of Models in Medieval Book Painting
Author: Monika E. Müller
Publisher: Cambridge Scholars Publishing
ISBN: 1443861030
Category : Crafts & Hobbies
Languages : en
Pages : 235
Book Description
Until recently, the phenomenon of copying in medieval book painting has been considered mainly in terms of the reconstruction of pictorial sources used for the composition or iconography of miniatures, initials, or decorative elements. Although historic sources only rarely mention the circumstances of manuscripts’ production, one particular widely-accepted hypothesis has prevailed until now, according to which artists used model drawings or sketch books with the aim of facilitating the production of copies and the creation of new picture cycles. However, it is no longer sufficient to regard medieval book painting in its diachronic dimension only through these lenses. Rather, one should consider Robert W. Scheller’s critique that “When using the model hypothesis one must always be mindful of other factors which are known to have played a part in the transmission of art in the Middle Ages”. The contributions of this volume deal with these issues by focusing on book painting between the 10th and 16th centuries.
Publisher: Cambridge Scholars Publishing
ISBN: 1443861030
Category : Crafts & Hobbies
Languages : en
Pages : 235
Book Description
Until recently, the phenomenon of copying in medieval book painting has been considered mainly in terms of the reconstruction of pictorial sources used for the composition or iconography of miniatures, initials, or decorative elements. Although historic sources only rarely mention the circumstances of manuscripts’ production, one particular widely-accepted hypothesis has prevailed until now, according to which artists used model drawings or sketch books with the aim of facilitating the production of copies and the creation of new picture cycles. However, it is no longer sufficient to regard medieval book painting in its diachronic dimension only through these lenses. Rather, one should consider Robert W. Scheller’s critique that “When using the model hypothesis one must always be mindful of other factors which are known to have played a part in the transmission of art in the Middle Ages”. The contributions of this volume deal with these issues by focusing on book painting between the 10th and 16th centuries.
The Westminster Retable
Author: Paul Binski
Publisher: Harvey Miller
ISBN:
Category : Architecture
Languages : en
Pages : 472
Book Description
The Westminster Retable was conserved at the Hamilton Kerr Institute, University of Cambridge.
Publisher: Harvey Miller
ISBN:
Category : Architecture
Languages : en
Pages : 472
Book Description
The Westminster Retable was conserved at the Hamilton Kerr Institute, University of Cambridge.
Beyond Words
Author: Jeffrey F. Hamburger
Publisher:
ISBN: 9781892850263
Category : Collectors and collecting
Languages : en
Pages : 0
Book Description
Featuring illuminated manuscripts from nineteen Boston-area institutions, Beyond Words provides a sweeping overview of the history of the book in the Middle Ages and Renaissance, as well as a guide to its production, illumination, functions, and readership. With over 150 manuscripts on display, Manuscripts for Pleasure & Piety at the McMullen Museum focuses on lay readership and the place of books in medieval society. The High Middle Ages witnessed an affirmation of the visual and, with it, empirical experience. There was an explosion of illumination. Various types of images, whether in prayer or professional books, attest to the newfound importance of visual demonstration in matters of faith and science alike."--
Publisher:
ISBN: 9781892850263
Category : Collectors and collecting
Languages : en
Pages : 0
Book Description
Featuring illuminated manuscripts from nineteen Boston-area institutions, Beyond Words provides a sweeping overview of the history of the book in the Middle Ages and Renaissance, as well as a guide to its production, illumination, functions, and readership. With over 150 manuscripts on display, Manuscripts for Pleasure & Piety at the McMullen Museum focuses on lay readership and the place of books in medieval society. The High Middle Ages witnessed an affirmation of the visual and, with it, empirical experience. There was an explosion of illumination. Various types of images, whether in prayer or professional books, attest to the newfound importance of visual demonstration in matters of faith and science alike."--