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Author: Charles Hartman
Publisher: Cambridge University Press
ISBN: 1108834833
Category : History
Languages : en
Pages : 395
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Book Description
A revisionist analysis of the major sources for Song history, explaining their master narrative as the product of political tension.
Author: Charles Hartman
Publisher: Cambridge University Press
ISBN: 1108834833
Category : History
Languages : en
Pages : 395
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Book Description
A revisionist analysis of the major sources for Song history, explaining their master narrative as the product of political tension.
Author: Charles Hartman
Publisher: Cambridge University Press
ISBN: 100923563X
Category : History
Languages : en
Pages : 467
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Book Description
Charles Hartman presents an ambitious analysis of the workings of governance in Imperial China centered on the Song Dynasty (960–1279). Here he develops a new model for thinking about the deeper structures of governance in Song and pre-imperial China – the 'technocratic–Confucian continuum' – which challenges the prevailing perception of Confucian political dominance and offers a vehicle for expanding the definition and scope of Song political culture to embrace all its actors. Building on his acclaimed work The Making of Song Dynasty History: Sources and Narratives, 960–1279 CE (2021), this richly detailed exploration of the Song court is of significance beyond the immediate period of study both in rethinking the nature of monarchy in China and in examining the constructive possibility of political dissent.
Author: Charles Hartman
Publisher:
ISBN: 9781009235594
Category : China
Languages : en
Pages : 0
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Book Description
Charles Hartman presents a groundbreaking revisionist history of the political culture of Imperial China as dominated by a struggle between 'technocratic' and 'Confucian' views of governance. His analysis of the workings of Song governance both complements and extends his acclaimed previous work 'The Making of Song Dynasty History'.
Author: Hung Hing Ming
Publisher: Algora Publishing
ISBN: 1628940727
Category : History
Languages : en
Pages : 220
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Book Description
Drawn from Chinese classics of history, Hung Hing Ming's biographies introduce China's most emblematic historical figures and the cultural attributes fostered by China's ancient chronicles. This book is about one of the greatest emperors in Chinese history, Zhao Kuang Yin, founder of the Song Dynasty (960–1279). He is honored for having unified China in the extremely chaotic period of 'Five Dynasties and Ten States'. This enjoyable book introduces more of China's heroes and villains, highlighting a modest man yet a great emperor who brought peace and stability to the realm and saved the people from great suffering. Interwoven into the narrative of battles fought and alliances forged or flouted, we find examples of good leadership and bad, hot-headed fighters and disciplined warriors, and lessons on how to assess — and win — people's loyalty.
Author:
Publisher: PediaPress
ISBN:
Category :
Languages : en
Pages : 325
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Book Description
Author: Li Shi
Publisher: DeepLogic
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Charles Hartman
Publisher: Cambridge University Press
ISBN: 1009235648
Category : History
Languages : en
Pages : 467
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Book Description
A groundbreaking revisionist history of the workings of governance in Imperial China centered on the Song Dynasty (960-1279 BCE).
Author: Narayan Changder
Publisher: CHANGDER OUTLINE
ISBN:
Category : History
Languages : en
Pages : 59
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Book Description
Embark on a captivating journey through the flourishing tapestry of ancient China with our MCQ guide - "Song Dynasty Chronicles: MCQ Expedition through Flourishing Chinese Culture." Tailored for history enthusiasts, students, and admirers of classical Chinese civilization, this comprehensive resource offers a curated collection of multiple-choice questions that unveil the grandeur and complexities of the Song Dynasty. Explore the cultural renaissance, technological innovations, and the societal brilliance that defined this influential era. Delve into the achievements of Song emperors, the development of arts and sciences, and the enduring legacy that left an indelible mark on Chinese history. Perfect your understanding of the Song Dynasty and prepare confidently for exams. Elevate your historical acumen and immerse yourself in the majesty of ancient China with "Song Dynasty Chronicles: MCQ Expedition through Flourishing Chinese Culture." Uncover the secrets of the Song Dynasty with precision and depth.
Author: Tan Koon San
Publisher: The Other Press
ISBN: 9839541889
Category : History
Languages : en
Pages : 535
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Book Description
Dynastic China: An Elementary History surveys four millennia of China’s history. It traced commentaries from the mythological period of Pangu, creator of the Chinese universe, and the Goddess Nuwa, creator of the Chinese people, through to the legendary periods of the Xia, Shang and Zhou dynasties to subsequent succeeding dynasties from the Qin Dynasty (221 BC) to the end of the Qing Dynasty (1912 AD). It weaved through brutal political intrigues and conspiracies of China’s imperial existence. The persistent enthronement of child emperors for the benefits of power-hungry eunuchs, dowagers, members of the imperial clans, generals and warlords formed a large part of the narrative. Encrypted within are salient elements of Chinese philosophical precepts, civilisation values, and political ideals. The core concepts that mould the idea of tian xia 天 下 (all under heaven) and tian ming 天 命 (Mandate of Heaven), and how these guided Chinese perception of their world are painstakingly explained. The profound influence of Confucianism and the functional adoption of the Legalist framework in statecraft are imparted in the context of practicality and idealism. So too is the complementary notion of natural dualities, the Yin-Yang (阴 阳) harmony of contradictions. How these filtered through from philosophy to cultural values are deftly introduced. Imperial obsessions with frontier threats are also incisively presented. So are the diplomatic statecraft of matrimonial kinship, tributary exchanges and military engagements adopted to conduct relations. China’s perception of people in the frontier region are insightfully described. The application of the Chinese character yi 夷 to refer to them, it seems, carries a more gracious nuance to mean “of a distinct or different nature” and not the offensive attribution of ‘barbarian’ as made out in western notion. This and many more distinctions in discernment of the Chinese mindset are perceptively elucidated in the book.
Author: Shiu-Lan (Jully) Huang
Publisher: 天行書苑
ISBN: 9869212573
Category : Calligraphy
Languages : en
Pages : 358
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Book Description
The Along the River During the Qingming Festival was painted by Chang Ze-Duan of North Song Dynasty on silk. Painted in light colors, it is 528cm wide and 24.8cm tall. Qingming implies Qingming Festival or Tomb Sweeping Festival. “Shang He” (above the river) was a norm at that time. After worshipping the ancestors and sweeping their tombs, people would get on the bridge to enjoy the view of Bianjing and River Bian. Or they may wander along the bridge and buy snacks from the vendors there and visit the riverside towns. This is what “Qingming Shang He” means. In the painting, we can see many of the norms of Qingming Festival, such as the pasted paper building miniatures in front of the “Wang’s Paper Horse Shop,” the tomb sweeping team with sedan chairs decorated with willow branches and flowers outside the city, the vendors selling mud figurines at the entrances of the bridge, the people gathering and drinking after tomb sweeping, and more. These scenes are similar to the descriptions of The Eastern Capital: A Dream of Splendor. In short, it is a masterpiece of social norms painting completed in the Song Dynasty. Cosmos Classics hopes to delineate and demonstrate the connotations and beauty of Along the River During the Qingming Festival in a candid attitude to allow readers to feel the beauty of this portrayal of the Bianjing in North Song Dynasty nine hundred years ago through textual guides of this book and the appreciation of this painting. In addition, it is hoped that readers can feel the Chang Ze-Duan’s dedication in the layout and thinking of this painting. We write in a comprehensive manner to provide readers guides to the entire painting in detail with this book to render the interpretations of the North Song Dynasty as faithfully as possible to its original look and feel. We would like to apologize for any imperfection in researches and proofreading of this book. Regarding the arrangements of the contents in this book, it begins with three chapters “The Historic Values of Along the River During the Qingming Festival,” “Imperial Painting Academy (Hanlin Tuhua Yuan) during the North Song Society and the Painter Chang Ze-Duan,” and “Bianjing and Transportations on the River Bian at the North Song Dynasty” to present an overall view of the contents, painter, and historical background of this painting. In the “Conclusion” at the end of this book, the painting techniques and contents of this work are analyzed in detail to allow readers to understand the intentions of Chang Ze-Duan better. The reference section is attached to communicate the careful attitude of and the references cited by Cosmos Classics to show our respect for the writers and researchers. The major task of this book is to introduce this lengthy scroll. From right to left, it is divided into three parts in accordance with their themes “Leisure Atmosphere in the Suburb Greens,” “The Busy Water Transportation on River Bian,” and “The Prosperous Bianjing City.” According to their features, Along the River During the Qingming Festival is divided into forty zones. In the beginning of the essay, a lighted and focused thumbnail is provided to allow readers to understand the location of the discussions. In the essays, magnified graphics of the small zones are attached as illustrations to allow readers to observe every person and every corner carefully in detail. The major reference of this book The Eastern Capital: A Dream of Splendor, which records the events happening between 1102 and 1125, during the time of prosperity of Bianjing from the year of Chongning to the year of Xuanhe of Hui Zhong of North Song Dynasty, during the years of the completion of this painting. In addition, history,journals and poetry written on Song Dynasty are also referenced to explain the characters, events and things portrayed in the painting, hoping to remain faithful to the theme. As to the professional parts, the Treatise on Architectural Methods or State Building Standards is consulted to compare with the structure of the architecture in the painting. The Exploitation of the Works of Nature is consulted to find out the structure of the boats. “On the Carts and Costumes” in Song History is consulted to pinpoint the making of the carts, sedan chairs and costumes of that period. The Eastern Capital: A Dream of Splendor is consulted to examine the social norms and the geographical location of the capital. Of course, reference books and articles on Along the River During the Qingming Festival are read to present a complete interpretation on the painting. The great Jiehua(Margin Painting) painter Chang Ze-Duan left us with the first hand materials of the image of capital city in the North Song Dynasty, including trade and commercial activities, costumes and social norms architectural style, furniture and vessels, transportation, and more. All of them are of high historical value. Moreover, its humanistic connotations and sensations allow us to read and re-read this painting. The closer we read it, the more we can find the painter’s intentions. It always impresses us with its infinite charms that echo in our hearts. Therefore, it is regarded as a classic in Chinese and world history of art. Ranked as one of the top ten Chinese paintings, it is also renowned as the “first and heavenly work in Chinese painting.” Viewing this picture Along the River During the Qingming Festival in the 21st century, it still wins our exclamations. This masterpiece has been passed down from generation to generation, having gone through wars and dynasties, and shifts in times, with unchanging values. Great paintings can always prevail over the limits of time and space to become immortal, demonstrating the beauty of aesthetics and universal human values. Although Along the River During the Qingming Festival is not the only painting that portrays the capital in Chinese history, it is the most complete painting that captures the social norms and characters of Bianjing in art history. From the illustrations, deconstructive interpretations, and plain and simple introduction of this book, readers can have a glimpse of the authentic picture of Bianjing during the North Song Dynasty. Reminiscing the past, Cosmos Classics has edited and released Along the River During the Qingming Festival by Chang Ze-Duan, a North Song Dynasty painter, in electronic book format. It is hoped that Chinese of this generation can converse with tradition to fuse the ancient with the modern. Reading the classics, we may be inspired to lay down milestones for modern arts. In addition, we are enthusiastic to share them globally to allow international people to immerse themselves in the beauty of Chinese arts.
