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Author: Menella Bute Smedley
Publisher:
ISBN:
Category :
Languages : en
Pages : 256
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Author: Menella Bute Smedley
Publisher:
ISBN:
Category :
Languages : en
Pages : 256
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Book Description
Author: Clara Tuite
Publisher: Cambridge University Press
ISBN: 9780521808590
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
A full-length scholarly monograph examining Jane Austen's writings within the traditions of Romanticism.
Author: Devoney Looser
Publisher: JHU Press
ISBN: 1421422832
Category : Literary Criticism
Languages : en
Pages : 309
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Book Description
An engaging account of how Jane Austen became a household name. Just how did Jane Austen become the celebrity author and the inspiration for generations of loyal fans she is today? Devoney Looser's The Making of Jane Austen turns to the people, performances, activism, and images that fostered Austen's early fame, laying the groundwork for the beloved author we think we know. Here are the Austen influencers, including her first English illustrator, the eccentric Ferdinand Pickering, whose sensational gothic images may be better understood through his brushes with bullying, bigamy, and an attempted matricide. The daring director-actress Rosina Filippi shaped Austen's reputation with her pioneering dramatizations, leading thousands of young women to ventriloquize Elizabeth Bennet's audacious lines before drawing room audiences. Even the supposedly staid history of Austen scholarship has its bizarre stories. The author of the first Jane Austen dissertation, student George Pellew, tragically died young, but he was believed by many, including his professor-mentor, to have come back from the dead. Looser shows how these figures and their Austen-inspired work transformed Austen's reputation, just as she profoundly shaped theirs. Through them, Looser describes the factors and influences that radically altered Austen's evolving image. Drawing from unexplored material, Looser examines how echoes of that work reverberate in our explanations of Austen's literary and cultural power. Whether you're a devoted Janeite or simply Jane-curious, The Making of Jane Austen will have you thinking about how a literary icon is made, transformed, and handed down from generation to generation.
Author: Charles Reagan Wilson
Publisher: UNC Press Books
ISBN: 146961670X
Category : Reference
Languages : en
Pages : 318
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Book Description
This volume of The New Encyclopedia of Southern Culture addresses the cultural, social, and intellectual terrain of myth, manners, and historical memory in the American South. Evaluating how a distinct southern identity has been created, recreated, and performed through memories that blur the line between fact and fiction, this volume paints a broad, multihued picture of the region seen through the lenses of belief and cultural practice. The 95 entries here represent a substantial revision and expansion of the material on historical memory and manners in the original edition. They address such matters as myths and memories surrounding the Old South and the Civil War; stereotypes and traditions related to the body, sexuality, gender, and family (such as debutante balls and beauty pageants); institutions and places associated with historical memory (such as cemeteries, monuments, and museums); and specific subjects and objects of myths, including the Confederate flag and Graceland. Together, they offer a compelling portrait of the "southern way of life" as it has been imagined, lived, and contested.
Author: Andrew Lang
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 153
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Book Description
This book is a collection of short stories written by Andrew Lang. These are tales of adventures, laid out in nine different titles, including 'The End of Phæacia', 'In the Wrong Paradise', 'The Romance of the First Radical', and 'A Duchess's Secret'.
Author: Andrew Lang
Publisher: Library of Alexandria
ISBN: 1465527419
Category : Fiction
Languages : en
Pages : 18996
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Book Description
When the learned first gave serious attention to popular ballads, from the time of Percy to that of Scott, they laboured under certain disabilities. The Comparative Method was scarcely understood, and was little practised. Editors were content to study the ballads of their own countryside, or, at most, of Great Britain. Teutonic and Northern parallels to our ballads were then adduced, as by Scott and Jamieson. It was later that the ballads of Europe, from the Faroes to Modern Greece, were compared with our own, with EuropeanMärchen, or children’s tales, and with the popular songs, dances, and traditions of classical and savage peoples. The results of this more recent comparison may be briefly stated. Poetry begins, as Aristotle says, in improvisation. Every man is his own poet, and, in moments of stronge motion, expresses himself in song. A typical example is the Song of Lamech in Genesis—“I have slain a man to my wounding, And a young man to my hurt.” Instances perpetually occur in the Sagas: Grettir, Egil, Skarphedin, are always singing. In Kidnapped, Mr. Stevenson introduces “The Song of the Sword of Alan,” a fine example of Celtic practice: words and air are beaten out together, in the heat of victory. In the same way, the women sang improvised dirges, like Helen; lullabies, like the lullaby of Danae in Simonides, and flower songs, as in modern Italy. Every function of life, war, agriculture, the chase, had its appropriate magical and mimetic dance and song, as in Finland, among Red Indians, and among Australian blacks. “The deeds of men” were chanted by heroes, as by Achilles; stories were told in alternate verse and prose; girls, like Homer’s Nausicaa, accompanied dance and ball play, priests and medicine-men accompanied rites and magical ceremonies by songs. These practices are world-wide, and world-old. The thoroughly popular songs, thus evolved, became the rude material of a professional class of minstrels, when these arose, as in the heroic age of Greece. A minstrel might be attached to a Court, or a noble; or he might go wandering with song and harp among the people. In either case, this class of men developed more regular and ample measures. They evolved the hexameter; the laisse of the Chansons de Geste; the strange technicalities of Scandinavian poetry; the metres of Vedic hymns; the choral odes of Greece. The narrative popular chant became in their hands the Epic, or the mediaeval rhymed romance. The metre of improvised verse changed into the artistic lyric. These lyric forms were fixed, in many cases, by the art of writing. But poetry did not remain solely in professional and literary hands. The mediaeval minstrels and jongleurs (who may best be studied in Léon Gautier’s Introduction to his Epopées Françaises) sang in Court and Camp. The poorer, less regular brethren of the art, harped and played conjuring tricks, in farm and grange, or at street corners. The foreign newer metres took the place of the old alliterative English verse. But unprofessional men and women did not cease to make and sing.
Author: Debra Teachman
Publisher: Bloomsbury Publishing USA
ISBN: 0313008116
Category : Literary Criticism
Languages : en
Pages : 182
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Book Description
This is the only book about Pride and Prejudice to combine both analysis of the novel and excerpts from significant primary documents of Austen's own time. These materials will help the reader to understand the complexities of both the novel and English society at the beginning of the 19th century, and to compare those issues to contemporary society. Teachman provides commentary and primary materials on inheritance, marriage, and women's roles in society at the time of Austen's life. Excerpts from 18th- and 19th-century etiquette books, moral treatises, histories of women, legal documents and commentary, newspapers, magazines, and collections of letters provide evidence of the social and legal differences between Austen's time and our own—enabling the reader to understand the legal, historical, social, and cultural context of the novel. Each section of this casebook contains study questions, topics for research papers and class discussions, and lists of further reading for examining the issues raised by the novel. The plot of Pride and Prejudice turns on three aspects of early 19th-century English society: marriage as a social institution, inheritance laws and customs, and acceptable roles for women. Following a literary analysis of the novel, the casebook contains documents and commentary on the following topics: inheritance and marriage laws and customs, 18th-century views on marriage, the status of unmarried women, women's education and moral training, and issues in the 1980s and 1990s that can be contrasted with those in the novel. These documents illustrate the social and legal differences between Austen's time and our own that enable the reader to fully understand the archaic details of the novel. They also indicate the continuities between Austen's time and ours in their emphases on love, marriage, the importance of property, and arguments about the role of women. Among the documents are excerpts from Samuel Johnson, Daniel Defoe, William Godwin, Mary Wollstonecraft, advice from a mother to her absent daughters, and a number of letters on the proper role of women, their education, and moral training. The final chapter of this book brings into focus the relevancies of Austen's fiction to present day readers and provides discussion of many of the issues of the novel as they are handled by law and the media at the end of the 20th century. This is an ideal companion for teacher use and student research in interdisciplinary, English history, and English literature courses.
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 642
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 640
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Author:
Publisher:
ISBN:
Category : Children's literature
Languages : en
Pages : 606
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