Author: William Dana ORCUTT
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

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Author: William Dana Orcutt
Publisher:
ISBN:
Category : American fiction
Languages : en
Pages : 76

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Author: Robert A. Orsi
Publisher: Yale University Press
ISBN: 9780300091359
Category : Religion
Languages : en
Pages : 356

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In a masterful evocation of Italian Harlem and the men and women who lived there, Robert Orsi examines how the annual festa of the Madonna of 115th Street both influenced and reflected the lives of the celebrants. His prize-winning book offers a new perspective on lived religion, the place of religion in the everyday lives of men, women, and children, the experiences of immigration and community formation, and American Catholicism. This edition includes a new introduction by the author that outlines both the changes that Italian Harlem has undergone in recent years and significant shifts in the field of religious history.

Author: Sir James Marchant
Publisher:
ISBN:
Category :
Languages : en
Pages : 390

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Author: Jane Silverman Van Buren
Publisher:
ISBN: 9780946439737
Category : Art
Languages : en
Pages : 242

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Van Buren's analysis centres on the history of the evolving maternal signifiers presented in the artists' works. She peels away layer after layer of images to uncover the meanings contained in the artistic texts. The maternal metaphor is scrutinized through the lenses of semiological, psychological, psychoanalytic and historical insights.

Author: Robert A. Orsi
Publisher: Yale University Press
ISBN: 0300157525
Category : Religion
Languages : en
Pages : 358

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A twenty-fifth anniversary edition of Robert A. Orsi's classic study of popular religion in Italian Harlem. In a new preface, Orsi discusses significant shifts in the field of religious history and calls for new ways of empirically studying divine presences in human life. "The Madonna of 115th Street has over the last quarter century become a classic of American religious history. There are few books that I have enjoyed teaching more over the years and even fewer that have taught me as much about American Catholic history."—Leigh E. Schmidt, author of Hearing Things: Religion, Illusion, and the American Enlightenment

Author: Susan L. Mizruchi
Publisher: Princeton University Press
ISBN: 0691015066
Category : Literary Criticism
Languages : en
Pages : 444

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From ritual killings to subtle acts of self-denial, the practice and rhetoric of sacrifice has a special centrality in modern American literature. In a compelling interdisciplinary investigation, Susan Mizruchi portrays an episode in American cultural history when the literary movement of realism and the fledgling field of sociology both converged in the belief that sacrifice is basic to sociality. This is a book about the fascination that sacrifice held for writers--principally Herman Melville, Henry James, and W.E.B. Du Bois--and also for those who articulated the main tenets of modern social theory, an inquiry that eventually spans historical events such as public lynchings and the political scapegoating of immigrants a century ago. The execution in Billy Budd Sailor, the death of Du Bois's first-born son in The Souls of Black Folk, Henry James's preoccupation with renunciation and scapegoating, and the self-denying working classes of Norris and Stein all illustrate repeated stagings of sacrificial rituals from a Biblical past. For Mizruchi, the peculiar persistence of this aesthetic construct becomes a guide to a rich theological and social-scientific tradition distinctive to the late nineteenth and early twentieth centuries, and including such influential works as Smith's Lectures on the Religion of the Semites, Frazer's Golden Bough, and Ross's Sin and Society. The major features of sacrifice--its original association with spiritual doubt, its function as a form of spiritual economics that sustained divisions between the fortunate and the bereft, and its role in fixing boundaries between aliens and kin--held strong symbolic value for writers struggling to reconcile faith with rationalism, and communal coherence with capitalist expansion. Mizruchi eloquently demonstrates how the conceptual power of sacrifice made it a key mediator of cultural change, from the decline of sympathy and the significance of "race" in an emerging multicultural society to the revival of maternal self-sacrifice.

Author: Stendhal
Publisher: Lindhardt og Ringhof
ISBN: 8726667983
Category : Fiction
Languages : en
Pages : 121

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'The Abbess of Castro' is a novella by Stendhal which recounts the untimely tragic romance between the daughter of the wealthiest man in Lazio and a penniless gangster. It may be a tale of star-crossed lovers set in Italy, but this novella is so much more than an alternative Romeo and Juliet. Beneath the surface lies an eye-opening tale of political machinations that Machiavelli would be proud of, violent family feuds and swashbuckling adventures. Claimed to be translated from 16th Century manuscripts, 'The Abbess of Castro' packs an extra punch with its extremely unsympathetic view on warfare and an acute critique on ardent individuals undone by passion. Stendhal is widely regarded to be an eminent example of Romantic Realism throughout his work and directly influenced the world-famous Russian author Leo Tolstoy in his depictions of war, especially in Tolstoy's works 'Sevastopol Sketchers', 'The Invaders', 'The Cossacks' and 'Youth and Childhood'. Stendhal (1783-1842), the pseudonym of Marie-Henry Beyle, was a French writer. A pioneer of literary realism and master of the psychological portrayals of his characters, he is best known for his novels 'The Red and the Black' (1830) and 'The Charterhouse of Parma' (1839).

Author: Shelley Karen Perlove
Publisher: Penn State Press
ISBN: 0271040114
Category : Counter-Reformation in art
Languages : en
Pages : 157

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Author: Tom Payne
Publisher: Arrow
ISBN: 9780099516392
Category : Celebrities
Languages : en
Pages : 0

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WHAT DOES BIG BROTHER TELL US ABOUT ATHENIAN DEMOCRACY?WHAT DOES THE FATE OF ACHILLES SAY ABOUT THE DEATH OF AYRTON SENNA?DO POP STARS SELL THEIR SOULS TO THE DEVIL?WHY DOES ANYONE WANT TO BE FAMOUS?AND WHY DO WE WANT THEM TO BE?We're told that we're celebrity-obsessed. But are we? When we elevate mere mortals to the status of gods, is this a new disease, or a more ancient instinct?Throughout history we have defined ourselves with reference to famous people and allowed them to exercise a strange power over us. But we have power over them too. Whether they are renowned for their intelligence, beauty, valour, athletic prowess or artistic genius, or even nothing in particular, they have always been at our mercy- We can give them glory and take it away.Has fame changed? And is our fascination with it really such a bad thing? Tom Payne expertly surveys deities and divas through the ages to answer these puzzling questions and many more.