Author: David Mikics
Publisher: Library of America
ISBN: 1598537970
Category : Literary Criticism
Languages : en
Pages : 213
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Book Description
Celebrate America's zaniest and most subversive magazine in 26 essays and comix from all-star contributors, including Roz Chast, Jonathan Lethem, and Grady Hendrix. Before SNL and the wise-guy sarcasm of Letterman and Colbert, before The Simpsons and online memes, there was . . . MAD. A mainstay of countless American childhoods, MAD magazine exploded onto the scene in the 1950s and gleefully thumbed its nose at all the postwar pieties. MAD became the zaniest, most subversive satire magazine ever to be sold on America’s newsstands, anticipating the spirit of underground comix and ’zines and influencing humor writing in movies, television, and the internet to this day. Edited by David Mikics, The MAD Files celebrates the magazine’s impact and the legacy of the Usual Gang of Idiots who transformed puerile punchlines and merciless mockery into an art form. 26 essays and comics present a varied, perceptive, and often very funny account of MAD’s significance, ranging from the cultural to the aesthetic to the personal. Art Spiegelman reflects on how he “couldn’t learn much about America from my refugee immigrant parents—but I learned all about it from MAD” Roz Chast remembers how the magazine was “love at first sight. . . . It was one of my first inklings that there were other people out there who found the world as ridiculous as I did.” David Hajdu and Grady Hendrix zero in on MAD’s hilarious movie spoofs Liel Leibovitz delves into the Jewishness behind the magazine’s humor and Rachel Shteir amplifies the often unsung contributions of MAD’s women artists. Several essays are admiring profiles of the individual creators that made MAD what it was: Mort Drucker, Harvey Kurtzman, Al Jaffee, Antonio Prohias, and Will Elder. For longtime fans and new readers alike, The MAD Files is an indispensable guide to America’s greatest satire magazine.
Author: Maria Reidelbach
Publisher: M J F Books
ISBN: 9781567311273
Category : Art
Languages : en
Pages : 208
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Book Description
An illustrated history of the most influential and unique humor magazine in post-war America.
Author: Don Martin
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: The Editors Of Mad Magazine
Publisher: Liberty Street
ISBN: 9781618930897
Category : Comics & Graphic Novels
Languages : en
Pages : 0
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Book Description
Go Inside MAD! It has long been assumed that anyone who wasted their formative years reading MAD must have wound up as a complete failure in life. But as it turns out, some readers actually went on to be...successful! For the first time ever, MAD asked some of these successful readers to share what reading (and appearing in) MAD meant to them. What they have to say may surprise you! Featuring essays with nouns, verbs, and punctuation by: Roseanne Barr Ken Burns Dane Cook Paul Feig Whoopi Goldberg Harry Hamlin Tony Hawk Ice-T Penn Jillette George Lopez David Lynch Todd McFarlane Jeff Probst John Slattery John Stamos Pendleton Ward Matthew Weiner But wait-there's more! (Regrettably.) MAD asked some of the aforementioned "complete failures in life" (MAD's editors, writers and artists to share their all-time favorite MAD articles. What they have to say will definitely disappoint you! Featuring the moronic mumblings of: Sergio Aragones Tom Bunk Tim Carvell Paul Coker Jack Davis Dick DeBartolo Desmond Devlin Mort Drucker Mark Fredrickson Drew Friedman Frank Jacobs Al Jaffee Peter Kuper Tom Richmond And many more! Plus, inside: a never-before-reprinted Alfred E. Neuman pop art poster! And, an all new fold-out poster: a specially commissioned look at the legendary MAD offices by Sergio Aragones!
Author: David Hajdu
Publisher: Columbia University Press
ISBN: 0231549547
Category : Comics & Graphic Novels
Languages : en
Pages : 178
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Book Description
Winner - 2022 Deems Taylor / Virgil Thomson Book Awards in Pop from the American Society of Composers, Authors, and Publishers Bert Williams—a Black man forced to perform in blackface who challenged the stereotypes of minstrelsy. Eva Tanguay—an entertainer with the signature song “I Don’t Care” who flouted the rules of propriety to redefine womanhood for the modern age. Julian Eltinge—a female impersonator who entranced and unnerved audiences by embodying the feminine ideal Tanguay rejected. At the turn of the twentieth century, they became three of the most provocative and popular performers in vaudeville, the form in which American mass entertainment first took shape. A Revolution in Three Acts explores how these vaudeville stars defied the standards of their time to change how their audiences thought about what it meant to be American, to be Black, to be a woman or a man. The writer David Hajdu and the artist John Carey collaborate in this work of graphic nonfiction, crafting powerful portrayals of Williams, Tanguay, and Eltinge to show how they transformed American culture. Hand-drawn images give vivid visual form to the lives and work of the book’s subjects and their world. This book is at once a deft telling of three intricately entwined stories, a lush evocation of a performance milieu with unabashed entertainment value, and an eye-opening account of a key moment in American cultural history with striking parallels to present-day questions of race, gender, and sexual identity.
Author: Mark McGurl
Publisher: Verso Books
ISBN: 183976385X
Category : Literary Criticism
Languages : en
Pages : 337
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Book Description
National Book Critics Circle Award Finalist Best Book of Fall (Esquire) and a Most Anticipated Book of 2021 (Lit Hub) What Has Happened to Fiction in the Age of Platform Capitalism? Since it was first launched in 1994, Amazon has changed the world of literature. The “Everything Store” has not just transformed how we buy books; it has affected what we buy, and even what we read. In Everything and Less, acclaimed critic Mark McGurl explores this new world where writing is no longer categorized as high or lowbrow, literature or popular fiction. Charting a course spanning from Henry James to E. L. James, McGurl shows that contemporary writing has less to do with writing per se than with the manner of its distribution. This consumerist logic—if you like this, you might also like ...—has reorganized the fiction universe so that literary prize-winners sit alongside fantasy, romance, fan fiction, and the infinite list of hybrid genres and self-published works. This is an innovation to be cautiously celebrated. Amazon’s platform is not just a retail juggernaut but an aesthetic experiment driven by an unseen algorithm rivaling in the depths of its effects any major cultural shift in history. Here all fiction is genre fiction, and the niches range from the categories of crime and science fiction to the more refined interests of Adult Baby Diaper Lover erotica. Everything and Less is a hilarious and insightful map of both the commanding heights and sordid depths of fiction, past and present, that opens up an arresting conversation about why it is we read and write fiction in the first place.
Author: MAD Magazine
Publisher: Little Brown & Company
ISBN: 9780316334181
Category : Humor
Languages : en
Pages : 240
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Book Description
An illustrated compilation of humor published in the 1960s in the popular magazine includes movie parodies, political satire, memorable "MAD" covers, and classic features
Author: Antonio Prohias
Publisher: Spy vs. Spy
ISBN: 9780823050505
Category : Humor
Languages : en
Pages : 0
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Book Description
Join us as we take you behind closed doors. . . and expose the idiotic antics of the agent in black and the agent in white! "Spy vs. Spy" was the brainchild of Cuban-born political cartoonist Antonio Prohias, who fled his country after receiving death threats from Fidel Castro. Prohias settled in America, and in 1960 he began a 26-year run of Spy misadventures in MAD Magazine. This book by Prohias, long out of print, showcases his genius as an artist, storyteller, and graphic designer.
Author: Judith Yaross Lee
Publisher: University of Missouri Press
ISBN: 082627448X
Category : Literary Criticism
Languages : en
Pages : 621
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Book Description
“Seeing Mad” is an illustrated volume of scholarly essays about the popular and influential humor magazine Mad, with topics ranging across its 65-year history—up to last summer’s downsizing announcement that Mad will publish less new material and will be sold only in comic book shops. Mad magazine stands near the heart of post-WWII American humor, but at the periphery in scholarly recognition from American cultural historians, including humor specialists. This book fills that gap, with perceptive, informed, engaging, but also funny essays by a variety of scholars. The chapters, written by experts on humor, comics, and popular culture, cover the genesis of Mad; its editors and prominent contributors; its regular features and departments and standout examples of their contents; perspectives on its cultural and political significance; and its enduring legacy in American culture.
Author: David Hajdu
Publisher: Macmillan
ISBN: 9780312428235
Category : Art
Languages : en
Pages : 462
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Book Description
In the years between the end of World War II and the mid-1950s, the popular culture of today was invented in the pulpy, boldly illustrated pages of comic books. But no sooner had comics emerged than they were beaten down by mass bonfires, congressional hearings, and a McCarthyish panic over their unmonitored and uncensored content. Esteemed critic David Hajdu vividly evokes the rise, fall, and rise again of comics in this engrossing history. "Marvelous . . . a staggeringly well-reported account of the men and women who created the comic book, and the backlash of the 1950s that nearly destroyed it....Hajdu’s important book dramatizes an early, long-forgotten skirmish in the culture wars that, half a century later, continues to roil."--Jennifer Reese,Entertainment Weekly(Grade: A-) "Incisive and entertaining . . . This book tells an amazing story, with thrills and chills more extreme than the workings of a comic book’s imagination."--Janet Maslin,The New York Times "A well-written, detailed book . . . Hajdu’s research is impressive."--Bob Minzesheimer,USA Today "Crammed with interviews and original research, Hajdu’s book is a sprawling cultural history of comic books."--Matthew Price,Newsday "To those who think rock 'n' roll created the postwar generation gap, David Hajdu says: Think again. Every page ofThe Ten-Cent Plagueevinces [Hajdu’s] zest for the 'aesthetic lawlessness' of comic books and his sympathetic respect for the people who made them. Comic books have grown up, but Hajdu’s affectionate portrait of their rowdy adolescence will make readers hope they never lose their impudent edge."--Wendy Smith, Chicago Tribune "A vivid and engaging book."--Louis Menand,The New Yorker "David Hajdu, who perfectly detailed the Dylan-era Greenwhich Village scene in Positively 4th Street, does the same for the birth and near death (McCarthyism!) of comic books inThe Ten-Cent Plague." --GQ "Sharp . . . lively . . . entertaining and erudite . . . David Hajdu offers captivating insights into America’s early bluestocking-versus-blue-collar culture wars, and the later tensions between wary parents and the first generation of kids with buying power to mold mass entertainment."--R. C. Baker,The Village Voice "Hajdu doggedly documents a long national saga of comic creators testing the limits of content while facing down an ever-changing bonfire brigade. That brigade was made up, at varying times, of politicians, lawmen, preachers, medical minds, and academics. Sometimes, their regulatory bids recalled the Hays Code; at others, it was a bottled-up version of McCarthyism. Most of all, the hysteria over comics foreshadowed the looming rock 'n' roll era."--Geoff Boucher, Los Angeles Times "A compelling story of the pride, prejudice, and paranoia that marred the reception of mass entertainment in the first half of the century."--Michael Saler,The Times Literary Supplement(London) David Hajdu is the author ofLush Life: A Biography of Billy StrayhornandPositively 4th Street: The Lives and Times of Joan Baez, Bob Dylan, Mimi Baez Fariña and Richard Fariña.
