The Love-Tiff; Le Dépit Amoureux, Comédie En Cinq Actes PDF Download
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Author: Molière
Publisher: BoD – Books on Demand
ISBN: 3387054408
Category : Fiction
Languages : en
Pages : 110
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Book Description
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Author: Molière
Publisher: BoD – Books on Demand
ISBN: 3387054408
Category : Fiction
Languages : en
Pages : 110
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Book Description
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 534
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Book Description
Author: British museum. Dept. of printed books
Publisher:
ISBN:
Category :
Languages : en
Pages : 448
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Book Description
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1210
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Book Description
Author: Jane Urquhart
Publisher: McClelland & Stewart
ISBN: 1551994291
Category : Fiction
Languages : en
Pages : 354
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Book Description
The Underpainter is a novel of interwoven lives in which the world of art collides with the realm of human emotion. It is the story of Austin Fraser, an American painter now in his later years, who is haunted by memories of those whose lives most deeply touched his own, including a young Canadian soldier and china painter and the beautiful model who becomes Austin’s mistress. Spanning decades, the setting moves from upstate New York to the northern shores of two Great Lakes; from France in World War One to New York City in the ’20s and ’30s. Brilliantly depicting landscape and the geography of the imagination, The Underpainter is Jane Urquhart’s most accomplished novel to date.
Author: Steven Moore Whiting
Publisher: Clarendon Press
ISBN: 0191584525
Category : Music
Languages : en
Pages : 610
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Book Description
Erik Satie (1866-1925) came of age in the bohemian subculture of Montmartre, with its artists' cabarets and cafés-concerts. Yet apologists have all too often downplayed this background as potentially harmful to the reputation of a composer whom they regarded as the progenitor of modern French music. Whiting argues, on the contrary, that Satie's two decades in and around Montmartre decisively shaped his aesthetic priorities and compositional strategies. He gives the fullest account to date of Satie's professional activities as a popular musician, and of how he transferred the parodic techniques and musical idioms of cabaret entertainment to works for concert hall. From the esoteric Gymnopédies to the bizarre suites of the 1910s and avant-garde ballets of the 1920s (not to mention music journalism and playwriting), Satie's output may be daunting in its sheer diversity and heterodoxy; but his radical transvaluation of received artistic values makes far better sense once placed in the fascinating context of bohemian Montmartre.
Author: Donald Haase
Publisher: Wayne State University Press
ISBN: 9780814322086
Category : Literary Criticism
Languages : en
Pages : 358
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Book Description
"The essays address the reception of the Grimms' texts by their readers; the dynamics between Grimms' collection and its earliest audiences; and aspects of the literary, philosophical, creative, and oral reception of the tales, illuminating how writers, philosophers, artists, and storytellers have responded to, reacted to, and revised the stories, thus shedding light on the ways in which past and contemporary transmitters of culture have understood and passed on the Grimms' tales."--BOOK JACKET.
Author: Glyn Tegai Hughes
Publisher: Hodder Education
ISBN:
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
Author: Heide Göttner-Abendroth
Publisher:
ISBN: 9780960383276
Category : Religion
Languages : en
Pages : 262
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Book Description
Author: James M. McGlathery
Publisher:
ISBN: 9781879751903
Category : Literary Criticism
Languages : en
Pages : 135
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Book Description
This study surveys scholarly criticism of Grimm's Fairy Tales from its publication to the present. It sets out to reveal the changing perception of fairy tales, from the initial assumption that they were derived from ancient sources, and the consequent interest in the origin of the genre and evidence for ancient ritualistic practice, to the study of the fairy tale as a literary genre, distinct from other types of popular narrative. Ideological critics are seen to pursue the meaning of the tales, and folklorists to examine cultural sources and story-telling as performance art.
