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Author: Joshua Berrett
Publisher: Schirmer Trade Books
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 338
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Book Description
Drawing on the rich resources of the Louis Armstrong Archives, jazz historian Joshua Berrett has compiled a wonderful tribute to the multitalented trumpeter, vocalist, and "Ambassador of Jazz". 20 photos.
Author: Joshua Berrett
Publisher: Schirmer Trade Books
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 338
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Book Description
Drawing on the rich resources of the Louis Armstrong Archives, jazz historian Joshua Berrett has compiled a wonderful tribute to the multitalented trumpeter, vocalist, and "Ambassador of Jazz". 20 photos.
Author: Bernett
Publisher: Macmillan Reference USA
ISBN: 9780028647180
Category :
Languages : en
Pages :
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Book Description
Author: Joshua Berrett
Publisher: Yale University Press
ISBN: 0300127472
Category : Biography & Autobiography
Languages : en
Pages : 256
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Book Description
In Louis Armstrong and Paul Whiteman the jazz scholar Joshua Berrett offers a provocative revision of the history of early jazz by focusing on two of its most notable practitioners—Whiteman, legendary in his day, and Armstrong, a legend ever since. Paul Whiteman’s fame was unmatched throughout the twenties. Bix Beiderbecke, Bing Crosby, and Jimmy and Tommy Dorsey honed their craft on his bandstand. Celebrated as the “King of Jazz” in 1930 in a Universal Studios feature film, Whiteman’s imperium has declined considerably since. The legend of Louis Armstrong, in contrast, grows ever more lustrous: for decades it has been Armstrong, not Whiteman, who has worn the king’s crown. This dual biography explores these diverging legacies in the context of race, commerce, and the history of early jazz. Early jazz, Berrett argues, was not a story of black innovators and white usurpers. In this book, a much richer, more complicated story emerges—a story of cross-influences, sidemen, sundry movers and shakers who were all part of a collective experience that transcended the category of race. In the world of early jazz, Berrett contends, kingdoms had no borders.
Author: Louis Armstrong
Publisher: Oxford University Press, USA
ISBN: 9780195140460
Category : Art
Languages : en
Pages : 318
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Book Description
Louis Armstrong has been the subject of countless biographies and music histories. Yet scant attention has been paid to the remarkable array of writings he left behind. Louis Armstrong: In His Own Words introduces readers to a little-known facet of this master trumpeter, bandleader, and entertainer. Based on extensive research through the Armstrong archives, this important volume includes some of his earliest letters, personal correspondence, autobiographical writings, magazine articles, and essays.
Author: Michael A. Schuman
Publisher: Enslow Publishers, Inc.
ISBN: 9780766027008
Category : Juvenile Nonfiction
Languages : en
Pages : 132
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Book Description
Depicts the life and career of the popular jazz musician and describes his contributions to American music.
Author: Muriel Harris Weinstein
Publisher: Bloomsbury Publishing USA
ISBN: 159990375X
Category : Juvenile Nonfiction
Languages : en
Pages : 110
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Book Description
Presents the early life of the famous African American cornet player, describing his humble beginnings on the streets of New Orleans to his emergence as a legend among the biggest jazz clubs of the city.
Author: Brenda Woods
Publisher: Penguin
ISBN: 0142421863
Category : Juvenile Fiction
Languages : en
Pages : 162
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Book Description
A boy, a dog, and New Orleans' most famous storm—Hurricane Katrina. Saint is a boy with confidence as big as his name is long. A budding musician, he earns money playing clarinet for the New Orleans tourists, and his best friend is a stray dog named Shadow. At first Saint is sure that Hurricane Katrina will be just like the last one--no big deal. But then the city is ordered to evacuate and Saint refuses to leave without Shadow. Saint and Shadow flee to his neighbor's attic--and soon enough it's up to Saint to save them all. "Woods takes us right into New Orleans, right into the eye of the storm and the heart of New Orleans' people." — Jacqueline Woodson, National Book Award-winnng author of Brown Girl Dreaming "Provides a vivid description of what life was like in pre-Katrina New Orleans, and how quickly peoples' lives were shattered. The characters are well-developed, and readers truly will care about their fates." — Library Media Connection, starred review "A small gem that sparkles with hope, resilience and the Crescent City's unique, jazz-infused spirit." — Kirkus Reviews, starred review
Author: Thomas David Brothers
Publisher: W. W. Norton & Company
ISBN: 0393065820
Category : Biography & Autobiography
Languages : en
Pages : 608
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Book Description
The definitive account of Louis Armstrong—his life and legacy—during the most creative period of his career. Nearly 100 years after bursting onto Chicago’s music scene under the tutelage of Joe "King" Oliver, Louis Armstrong is recognized as one of the most influential artists of the twentieth century. A trumpet virtuoso, seductive crooner, and consummate entertainer, Armstrong laid the foundation for the future of jazz with his stylistic innovations, but his story would be incomplete without examining how he struggled in a society seething with brutally racist ideologies, laws, and practices. Thomas Brothers picks up where he left off with the acclaimed Louis Armstrong's New Orleans, following the story of the great jazz musician into his most creatively fertile years in the 1920s and early 1930s, when Armstrong created not one but two modern musical styles. Brothers wields his own tremendous skill in making the connections between history and music accessible to everyone as Armstrong shucks and jives across the page. Through Brothers's expert ears and eyes we meet an Armstrong whose quickness and sureness, so evident in his performances, served him well in his encounters with racism while his music soared across the airwaves into homes all over America. Louis Armstrong, Master of Modernism blends cultural history, musical scholarship, and personal accounts from Armstrong's contemporaries to reveal his enduring contributions to jazz and popular music at a time when he and his bandmates couldn’t count on food or even a friendly face on their travels across the country. Thomas Brothers combines an intimate knowledge of Armstrong's life with the boldness to examine his place in such a racially charged landscape. In vivid prose and with vibrant photographs, Brothers illuminates the life and work of the man many consider to be the greatest American musician of the twentieth century.
Author: Scott Allen Nollen
Publisher: McFarland
ISBN: 9780786418572
Category : Biography & Autobiography
Languages : en
Pages : 244
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Book Description
Louis Armstrong was not only a virtuoso musician, singer, composer and actor, but also a dedicated writer who typed hundreds of letters and reminiscences, carrying a typewriter with him on his constant travels around the globe. The man never stopped creating, and constantly communicated with friends and acquaintances. His unique verbal, musical and visual content and style permeated everything he touched. Included in this extensive career biography are the major events of his life, his artistic innovations and cultural achievements, a detailed survey of his recordings and live performances, and in-depth discussions of his screen performances--not only his Hollywood feature film appearances, but his performances in short films, European concert films, and dozens of television shows broadcast from Hollywood, New York and Europe.
Author: Terry Teachout
Publisher: Dramatists Play Service, Inc.
ISBN: 0822231573
Category : Drama
Languages : en
Pages : 40
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Book Description
THE STORY: SATCHMO AT THE WALDORF is a one-man, three-character play in which the same actor portrays Louis Armstrong, the greatest of all jazz trumpeters; Joe Glaser, his white manager; and Miles Davis, who admired Armstrong's playing but disliked his onstage manner. It takes place in 1971 in a dressing room backstage at the Empire Room of New York's Waldorf-Astoria Hotel, where Armstrong performed in public for the last time four months before his death. Reminiscing into a tape recorder about his life and work, Armstrong seeks to come to terms with his longstanding relationship with Glaser, whom he once loved like a father but now believes to have betrayed him. In alternating scenes, Glaser defends his controversial decision to promote Armstrong's career (with the help of the Chicago mob) by encouraging him to simplify his musical style, while Davis attacks Armstrong for pandering to white audiences.
