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Author: Rebecca Lindenberg
Publisher: University Press of Colorado
ISBN: 1492012467
Category : Poetry
Languages : en
Pages : 95
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Book Description
Clouds, mountains, flowering trees. Difficult things. Things lost by being photographed. Things that have lost their power. Things found in a rural grocery store. These are some of the lists, poems, prose poems, and lyric anecdotes compiled in The Logan Notebooks, a remix and a reimagining of The Pillow Book of Sei Shonagon, a collection of intimate and imaginative observations about place—a real place, an interior landscape—and identity, at the intersection of the human with the world, and the language we have (and do not yet have) for perceiving it.
Author: Rebecca Lindenberg
Publisher: University Press of Colorado
ISBN: 1492012467
Category : Poetry
Languages : en
Pages : 95
Get Book Here
Book Description
Clouds, mountains, flowering trees. Difficult things. Things lost by being photographed. Things that have lost their power. Things found in a rural grocery store. These are some of the lists, poems, prose poems, and lyric anecdotes compiled in The Logan Notebooks, a remix and a reimagining of The Pillow Book of Sei Shonagon, a collection of intimate and imaginative observations about place—a real place, an interior landscape—and identity, at the intersection of the human with the world, and the language we have (and do not yet have) for perceiving it.
Author: Rebecca Lindenberg
Publisher: McSweeney's
ISBN: 1944211144
Category : Poetry
Languages : en
Pages : 110
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Book Description
A man disappears. The woman who loves him is left scarred and haunted. In her fierce, one-of-a-kind debut, Rebecca Lindenberg tells the story—in verse—of her passionate relationship with Craig Arnold, a much-respected poet who disappeared in 2009 while hiking a volcano in Japan. Lindenberg’s billowing, I-contain-multitudes style lays bare the poet’s sadnesses, joys, and longings in poems that are lyric and narrative, at once plainspoken and musically elaborate. Regarding her role in Arnold’s story, Lindenberg writes with clear-eyed humility and endearing dignity: “The girl with the ink-stained teeth / knows she’s famous / in a tiny, tragic way. / She’s not / daft, after all.” And then later, playfully, of her travels in Italy with the poet, her lover: “The carabinieri / wanted to know if there were bears / in our part of America. Yes, we said, / many bears. Man-eating bears? Yes, of course, / many man-eating bears.” Every poem in this collection bursts with humor, pathos, verve—and an utterly unique, soulful voice. This widely anticipated debut, already selected as a finalist for several prominent book awards, marks the first collection in the newly minted McSweeney’s Poetry Series. MPS is an imprint which seeks to publish a broad range of excellent new poetry collections in exquisitely designed hardcovers—poetry that’s useful and meaningful to anyone in any walk of life.
Author: Rebecca Lindenberg
Publisher: University Press of Colorado
ISBN: 1885635389
Category : Poetry
Languages : en
Pages : 95
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Book Description
Published by the Center for Literary Publishing at Colorado State University Mountain West Poetry Series “These poems are intent on calling out the migratory beauty of this world, in a neighbor-voice: friendly, from the yard nearby, pointing out stuff we might not have noticed. They frequently employ that most ancient of forms, the list, to show us what we shine a light on, what we look past, what we reflect, what we miss. In that way, they speak like the meadowlark who says, See you! See you! These poems are for when we shall no longer fear the ecstatic, because we’ll know that ecstasy too is quotidian, as daily as a meadowlark’s shopping list.” —Eleni Sikelianos “In her second collection, Rebecca Lindenberg turns her scrutiny to the American West without forgetting the many layers of sediment and memory there and in other elsewheres. From grocery stores in Utah to a synagogue in Rome to cloud-gazing everywhere, in poems at turns laconic and lush, wistful and wry, Lindenberg shows how beauty and absurdity can and will persist—even, or especially—in the loss of our multiple loves and multiple selves.” —Tarfia Faizullah “Recursive and elliptical, the poems in Rebecca Lindenberg’s The Logan Notebooks are as difficult to depict as they are to forget. Like clouds (themselves, so omnipresent and imperative that Lindenberg confronts them on the first page), these poems shift, then settle into shape, then shift once again. More usual iterations of poetry give way to paragraphs of unimpeachable prose, itemized narratives in which whole, epic plots are cached. Lists run left to right as if they actually listed, like boats off-ballast or stand-alone willows in windstorms. Catalogues are first climactic then cathartic. What she does not write, she has somehow written. Aphorisms become offerings. Almost every line is a sutra. If ‘anyone who feels they have to lie’ is a thing that has lost its power, then Rebecca Lindenberg need not worry. Neither these poems nor the poet who conceives them flinches at gut-punch truth.” —Jill Alexander Essbaum “The American West, in its mythical and real-time complexity, is ‘itched out of reverie’ and ‘brought into the deep groove of the present’ in Rebecca Lindenberg’s The Logan Notebooks. The grotesquerie of capitalism hangs in the background, sometimes the foreground, but her lines don’t flinch as they ‘attend to these/details that might later/divert you.’ Above all this is a book about relationships—to a beloved, a family, a landscape, a country, and language itself. ‘Somewhere between the sayable and the unsayable,’ Lindenberg’s poems startle life from a fractured world. The Logan Notebooks is a balm and an anomaly.” —Joseph Massey Clouds, mountains, flowering trees. Difficult things. Things lost by being photographed. Things that have lost their power. Things found in a rural grocery store. These are some of the lists, poems, prose poems, and lyric anecdotes compiled in The Logan Notebooks, a remix and a reimagining of The Pillow Book of Sei Shonagon, a collection of intimate and imaginative observations about place—a real place, an interior landscape—and identity, at the intersection of the human with the world, and the language we have (and do not yet have) for perceiving it.
Author: Robert Frost
Publisher: Harvard University Press
ISBN: 9780674023116
Category : Literary Criticism
Languages : en
Pages : 856
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Book Description
Robert Frost is one of the most widely read, well loved, and misunderstood of modern writers. In his day, he was also an inveterate note-taker, penning thousands of intense aphoristic thoughts, observations, and meditations in small pocket pads and school theme books throughout his life. These notebooks, transcribed and presented here in their entirety for the first time, offer unprecedented insight into Frost's complex and often highly contradictory thinking about poetics, politics, education, psychology, science, and religion--his attitude toward Marxism, the New Deal, World War--as well as Yeats, Pound, Santayana, and William James. Covering a period from the late 1890s to early 1960s, the notebooks reveal the full range of the mind of one of America's greatest poets. Their depth and complexity convey the restless and probing quality of his thought, and show how the unruliness of chaotic modernity was always just beneath his appearance of supreme poetic control. Edited and annotated by Robert Faggen, the notebooks are cross-referenced to mark thematic connections within these and Frost's other writings, including his poetry, letters, and other prose. This is a major new addition to the canon of Robert Frost's writings.
Author: William Logan
Publisher: Columbia University Press
ISBN: 0231166869
Category : Literary Criticism
Languages : en
Pages : 344
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Book Description
William Logan has been a thorn in the side of American poetry for more than three decades. Though he has been called the Òmost hated man in American poetry,Ó his witty and articulate reviews have reminded us how muscular good reviewing can be. These new essays and reviews take poetry at its word, often finding in its hardest cases the greatest reasons for hope. Logan begins with a witty polemic against the wish to have critics announce their aesthetics every time they begin a review. ÒThe Unbearable Rightness of CriticismÓ is a plea to read those critics who got it wrong when they reviewed Lyrical Ballads or Leaves of Grass or The Waste Land. Sometimes, he argues, such critics saw exactly what these books wereÑthey saw the poems plain, yet often did not see that they were poems. In such wrongheaded criticism, readers can recover the ground broken by such groundbreaking books. Logan looks again at the poetry of Wallace Stevens, Frank OÕHara, and Philip Larkin; at the letters of T. S. Eliot, Elizabeth Bishop, and Robert Lowell; and at new books by Louise Glck and Seamus Heaney. Always eager to overturn settled judgments, Logan argues that World War II poets were in the end better than the much-lauded poets of World War I. He revisits the secretly revised edition of Robert FrostÕs notebooks, showing that the terrible errors ruining the first edition still exist. The most remarkable essay is ÒElizabeth Bishop at Summer Camp,Ó which prints for the first time her early adolescent verse, along with the intimate letters written to the first girl she loved.
Author: Meg Cabot
Publisher: Feiwel & Friends
ISBN: 1250066034
Category : Juvenile Fiction
Languages : en
Pages : 192
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Book Description
Return to the world of Meg Cabot's bestselling and beloved Princess Diaries series in From the Notebooks of a Middle School Princess—this time through the illustrated diary of a spunky new heroine: Princess Mia's long lost half-sister, Olivia! Olivia Grace Clarisse Mignonette Harrison is a completely average twelve-year-old: average height, average weight, average brown hair of average length, average brown skin and average hazel eyes. The only things about her that aren't average are her name (too long and princess themed), her ability to draw animals (useful for her future career as a wildlife illustrator), and the fact that she is a half-orphan who has never met her father and is forced to live with her aunt and uncle (who treat her almost like their own kids, so she doesn't want to complain). Then one completely average day, everything goes wrong: the most popular girl in school, Annabelle Jenkins, threatens to beat her up, the principal gives her a demerit, and she's knocked down at the bus stop . . . Until a limo containing Princess Mia Thermopolis of Genovia pulls up to invite her to New York to finally meet her father, who promptly invites her to come live with him, Mia, Grandmère and her two fabulous poodles . . . . Maybe Olivia Grace Clarisse Mignonette Harrison isn't so average after all!
Author: Robert Frost
Publisher: Harvard University Press
ISBN: 9780674024632
Category : Biography & Autobiography
Languages : en
Pages : 422
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Book Description
Presents a collection of both published and unpublished prose pieces, including correspondence, articles, talks, readings, and stories.
Author: Christopher J Johnson
Publisher: University Press of Colorado
ISBN: 1885635524
Category : Poetry
Languages : en
Pages : 75
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Book Description
Published by the Center for Literary Publishing at Colorado State University Mountain West Poetry Series In his first collection of poems, &luckier, Christopher J Johnson explores the depths to which we can know our most intimate friends, habits, and—even more so—selves. From a mosaic of coffee cups, dinner engagements, razors, walks around his city, and the wider realm of nature, the poet continually asks to what degree our lives can be understood, our joys engaged with, and our sorrows mitigated. In a voice that is at once contemporary and yet almost primal, these poems seek an affinity with the natural world, the passing of history, and the deepness and breadth of ancestry; they do not question the mystery of life but ask rather how we have become separated from and might return to a more aware place within the frame of it. These are poems rich with metaphor and music but also direct in their voice. Johnson exhibits a poetic tradition that—rather than employing academic allusions and direct personal statements—remains elusive in its use of the poetic “I.” The reader is never certain if they are reading about the poet, their friends, or themselves.
Author: Skidmore, Owings & Merrill
Publisher:
ISBN:
Category : Airports
Languages : en
Pages : 152
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Book Description
Author: Skidmore, Owings & Merrill
Publisher:
ISBN:
Category : Airports
Languages : en
Pages : 484
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Book Description
