The Location Sound Bible PDF Download
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Author: Ric Viers
Publisher:
ISBN: 9781615931200
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
Written by a seasoned professional, Viers explains how to achieve Hollywood-quality sound that will make productions stand out from the rest.
Author: Ric Viers
Publisher:
ISBN: 9781615931200
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
Written by a seasoned professional, Viers explains how to achieve Hollywood-quality sound that will make productions stand out from the rest.
Author: Ric Viers
Publisher:
ISBN: 9781615932047
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
Introduction - What is a sound effect? - The science of sound - The microphone - Mocrophone models and applications - Microphone accessories - Recorders - Building a field recording package - The ten recording commandments - Sound effects gathering - Building a Foley Stage for a home studio - The art of Foley - Digital audio - Studio equipment - Designing your own studio - The ten sound editing commandments - File naming and metadata - Sound design - The sound effects encyclopedia - The future of sound design - Resources.
Author: John Purcell
Publisher: Taylor & Francis
ISBN: 1135040605
Category : Performing Arts
Languages : en
Pages : 448
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Book Description
Produce professional level dialogue tracks with industry-proven techniques and insights from an Emmy Award winning sound editor. Gain innovative solutions to common dialogue editing challenges such as room tone balancing, noise removal, perspective control, finding and using alternative takes, and even time management and postproduction politics. In Dialogue Editing for Motion Pictures, Second Edition veteran film sound editor John Purcell arms you with classic as well as cutting-edge practices to effectively edit dialogue for film, TV, and video. This new edition offers: A fresh look at production workflows, from celluloid to Digital Cinema, to help you streamline your editing Expanded sections on new software tools, workstations, and dialogue mixing, including mixing "in the box" Fresh approaches to working with digital video and to moving projects from one workstation to another An insider’s analysis of what happens on the set, and how that affects the dialogue editor Discussions about the interweaving histories of film sound technology and film storytelling Eye-opening tips, tricks, and insights from film professionals around the globe A companion website (www.focalpress.com/cw/purcell) with project files and video examples demonstrating editing techniques discussed in the book Don’t allow your dialogue to become messy, distracting, and uncinematic! Do dialogue right with John Purcell’s all-inclusive guide to this essential yet invisible art.
Author: Tomlinson Holman
Publisher: Taylor & Francis US
ISBN: 9780240804538
Category : Music
Languages : en
Pages : 312
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Book Description
Holman covers the broad field of sound accompanying pictures, from the basics through recording, editing and mixing for theatrical films, documentaries and television shows. In each area, theory is followed by practical sections.
Author: David Sonnenschein
Publisher:
ISBN: 9781615932023
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
"The clash of light sabers in the electrifying duels of Star Wars. The chilling bass line signifying the lurking menace of the shark in Jaws. The otherworldly yet familiar pleas to "phone home" in the enchanting E.T." "These are examples of the different ways sound can contribute to the overall dramatic impact of a film. To craft a distinctive atmosphere, sound design is as important as art direction and cinematography - and it can also be an effective tool to express the personalities of your characters."--Jacket.
Author: Franklin L. Kirksey
Publisher: Booksurge Publishing
ISBN: 9781594577680
Category : Religion
Languages : en
Pages : 0
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Book Description
Sound Biblical Preaching: Giving the Bible a Voice is a comprehensive book on preaching that remarkably provides a survey of the whole subject in a short page span. Dr. Franklin L. Kirksey presents a compendium of information that is a veritable anthology of great preachers, past and present, to encourage, instruct and inspire the reader. This highly recommended book has a motivational message for the beginning preacher, the seasoned veteran of the pulpit and for one exploring God's call to preach the Word. As a result of careful reading and extensive research, Kirksey offers many practical "how to" insights, for example: How to accept the call of God; How to make sure you have been called and How to understand and undertake the call of God. The author insightfully weaves the sobering realities of the pastorate and the heavenly idealism of the pulpit ministry into this practical handbook that should be required reading for every preaching class. This "must read" book has been described as "very readable," and "a fast read with powerful punch." Dr. Stephen F. Olford, Founder and Senior Lecturer of the Stephen Olford Center for Biblical Preaching, Memphis, Tennessee writes, ". . . SOUND BIBLICAL PREACHING is a welcome contribution to the high and holy calling to 'rightly divide the word of truth'." WARNING: "Franklin Kirksey's passion for sound biblical preaching is contagious," according to Dr. Roger D. Willmore, Senior Pastor, Deerfoot Baptist Church, Trussville, Alabama. In the words of Dr. Robert G. Witty, Founder and President Emeritus, Luther Rice Seminary, "Buy the book, digest its content, apply its teaching. You will be rewarded in your ministry."
Author: Sarah Widdicombe
Publisher: David & Charles
ISBN: 9780715329993
Category : Horses
Languages : en
Pages : 0
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Book Description
Horse care.
Author: Amy DeLouise
Publisher: CRC Press
ISBN: 0429799829
Category : Art
Languages : en
Pages : 241
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Book Description
This book guides nonfiction storytellers in the art of creatively and strategically using sound to engage their audience and bring stories to life. Sound is half of film and video storytelling, and yet its importance is often overlooked until a post-production emergency arises. Written by two experienced creators—one a seasoned nonfiction producer/director with a background in music, and one a sound designer who owns a well-regarded mix studio—this book teaches nonfiction producers, filmmakers, and branded content creators how to reimagine their storytelling by improving sound workflow from field to post. In addition to real-world examples from the authors’ own experiences, interviews with and examples from industry professionals across many genres of nonfiction production are included throughout. Written in a conversational style, the book pinpoints practical topics and considerations like 360 video and viewer accessibility. As such, it is a vital point of reference for all nonfiction filmmakers, directors, and producers, or anyone wanting to learn how to improve their storytelling. An accompanying Companion Website offers listening exercises, production sound layout diagrams, templates, and other resources.
Author: Danny Draven
Publisher: CRC Press
ISBN: 1317439082
Category : Performing Arts
Languages : en
Pages : 831
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Book Description
Produce, direct, promote and sell your own chilling horror film with real-world advice from award-winning producer/director/writer Danny Draven! The second edition is completely updated with information on new technology, new exclusive interviews with industry pros, new photos and samples from the production of recent horror movies, new behind-the-scenes video, information on modern distribution methods and delivery and more! From the history of horror and the technique of the scare to pre-production and distribution, this complete, full-color guide to filmmaking uncovers all the insider secrets for creating your own spine-tingling horror film from start to finish. The 2nd Edition features all NEW interviews from industry professionals such as: Mick Garris (Sleepwalkers, Bag of Bones, Desperation, The Stand) John Ottman (Composer/Editor of X:Men: Days of Future Past, The Usual Suspects) Mark Ordesky & Jane Fleming (Producers of Lovely Molly, Exists) Kane Hodder (Jason from the Friday the 13th, part 7 to 10, Hatchet) Tibor Takacs (Director of The Gate, Spiders 3D, Megasnake) John Debney (Composer of Predators, Sin City, End of Days) Jojo Draven (Composer of Ghost Month, Reel Evil) Michael Berryman (The Hills Have Eyes, Weird Science) Mike Mendez (Director of The Gravedancers, Big Ass Spider!) Neal Marshall Stevens (Screenwriter of Thir13en Ghosts, Hellraiser: Deader) Chris Alexander (Editor in Chief of Fangoria Magazine) Jessica Cameron (Actress/Director of Truth or Dare) Denise Gossett (Founder of Shriekfest Film Festival) A newly updated companion website that features: *Behind the scenes videos for films films such as Puppet Master, Blood Dolls, Trancers, Subspecies, Reel Evil, Ghost Month and more! *A revised collection of horror movie trailers! * Sample scripts, schedules, storyboards, agreements and more! Other featured interviews include: James Wan (Saw, Insidious, The Conjuring) Robert Englund (Freddy from Nightmare on Elm Street) Robert Kurtzman (From Dusk Til Dawn) Stuart Gordon (Re-Animator, From Beyond, Dagon) Tom Savini (Night of the Living Dead) Lloyd Kaufman (Toxic Avenger) Charles Band (Parasite, Metalstorm, Ghoulies) John D. LeMay (Friday the 13th: The Series) David DeCoteau (Puppet Master 3, Sorority Babes in the Slimball Bowl-O-Rama) Debbie Rochon (Tromeo & Juliet) Reggie Bannister (Phantasm) Sam McCurdy (Director of Photography of Dog Soldiers, The Decent, The Hills Have Eyes 2) Nathan Barr (Composer of Hostel,True Blood, Hemlock Grove) Jim Dooley (Composer of When A Stranger Calls) Chuck Williams (Bubba Ho-Tep) Herschell Gordon Lewis (Blood Feast, Wizard of Gore) H.P. Lovecraft’s Notes on Writing Weird Fiction And many more...
Author: Vanessa Theme Ament
Publisher: Bloomsbury Publishing USA
ISBN: 1501359207
Category : Performing Arts
Languages : en
Pages : 176
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Book Description
By examining three case studies of award-winning soundtracks from cult films-Barton Fink (1991), Bram Stoker's Dracula (1992), and The English Patient (1996)-it becomes clear that major American film communities, when confronted with the initial technological changes of the 1990s, experienced similar challenges with the inelegant transition from analogue to digital. However, their cultural and structural labor differences governed different results. Vanessa Ament, author of The Foley Grail (2009), rather than defining the 1990s as an era of technological determinism-a superficial reading-it is best understood as one in which sound professionals became more viable as artists, collaborated in sound design authorship, and influenced this digital transition to better accommodate their needs and desires in their work.
