Author: Craig Dionne
Publisher: University of Michigan Press
ISBN: 0472113747
Category : Biography & Autobiography
Languages : en
Pages : 425
Book Description
A definitive collection of critical essays on the literary and cultural impact of the early modern rogue
Rogues and Early Modern English Culture
Author: Craig Dionne
Publisher: University of Michigan Press
ISBN: 0472113747
Category : Biography & Autobiography
Languages : en
Pages : 425
Book Description
A definitive collection of critical essays on the literary and cultural impact of the early modern rogue
Publisher: University of Michigan Press
ISBN: 0472113747
Category : Biography & Autobiography
Languages : en
Pages : 425
Book Description
A definitive collection of critical essays on the literary and cultural impact of the early modern rogue
Introductions, Notes, and Commentaries to Texts in 'The Dramatic Works of Thomas Dekker': Volume 3, The Roaring Girl; If this be Not a Good Play, the Devil is in It; Troia-Nova Triumphans; Match Me in London; The Virgin Martyr; The Witch of Edmonton; The Wonder of a Kingdom
Author: Cyrus Henry Hoy
Publisher: Cambridge University Press
ISBN: 9780521223362
Category : Drama
Languages : en
Pages : 348
Book Description
Companion guide to the third volume of Dekker's plays, with introductions and commentary on The Roaring Girl, If this be Not a Good Play, the Devil is in it, Troia-Nova Triumphans, Match me in London, The Virgin Martyr, The Witch of Edmonton and The Wonder of a Kingdom.
Publisher: Cambridge University Press
ISBN: 9780521223362
Category : Drama
Languages : en
Pages : 348
Book Description
Companion guide to the third volume of Dekker's plays, with introductions and commentary on The Roaring Girl, If this be Not a Good Play, the Devil is in it, Troia-Nova Triumphans, Match me in London, The Virgin Martyr, The Witch of Edmonton and The Wonder of a Kingdom.
Humankinds
Author: Andreas Höfele
Publisher: Walter de Gruyter
ISBN: 3110258307
Category : History
Languages : en
Pages : 289
Book Description
Anthropology is a notoriously polysemous term. Within a continental European academic context, it is usually employed in the sense of philosophical anthropology, and mainly concerned with exploring concepts of a universal human nature. By contrast, Anglo-American scholarship almost exclusively associates anthropology with the investigation of cultural and ethnic differences (cultural anthropology). How these two main traditions (and their 'derivations' such as literary anthropology, historical anthropology, ethnology, ethnography, intercultural studies) relate to each other is a matter of debate. Both, however, have their roots in the path-breaking changes that occurred within sixteenth and early seventeenth-century culture and scientific discourse. It was in fact during this period that the term anthropology first acquired the meanings on which its current usage is based. The Renaissance did not 'invent' the human. But the period that gave rise to 'humanism' witnessed an unprecedented diversification of the concept that was at its very core. The question of what defines the human became increasingly contested as new developments like the emergence of the natural sciences, religious pluralisation, as well as colonial expansion, were undermining old certainties. The proliferation of doctrines of the human in the early modern age bears out the assumption that anthropology is a discipline of crisis, seeking to establish sets of common values and discursive norms in situations when authority finds itself under pressure.
Publisher: Walter de Gruyter
ISBN: 3110258307
Category : History
Languages : en
Pages : 289
Book Description
Anthropology is a notoriously polysemous term. Within a continental European academic context, it is usually employed in the sense of philosophical anthropology, and mainly concerned with exploring concepts of a universal human nature. By contrast, Anglo-American scholarship almost exclusively associates anthropology with the investigation of cultural and ethnic differences (cultural anthropology). How these two main traditions (and their 'derivations' such as literary anthropology, historical anthropology, ethnology, ethnography, intercultural studies) relate to each other is a matter of debate. Both, however, have their roots in the path-breaking changes that occurred within sixteenth and early seventeenth-century culture and scientific discourse. It was in fact during this period that the term anthropology first acquired the meanings on which its current usage is based. The Renaissance did not 'invent' the human. But the period that gave rise to 'humanism' witnessed an unprecedented diversification of the concept that was at its very core. The question of what defines the human became increasingly contested as new developments like the emergence of the natural sciences, religious pluralisation, as well as colonial expansion, were undermining old certainties. The proliferation of doctrines of the human in the early modern age bears out the assumption that anthropology is a discipline of crisis, seeking to establish sets of common values and discursive norms in situations when authority finds itself under pressure.
The Literature of Roguery
Author: Frank Wadleigh Chandler
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 304
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 304
Book Description
Fables You Shouldn't Pay Any Attention To
Author: Florence Parry Heide
Publisher: Simon and Schuster
ISBN: 1481463845
Category : Juvenile Fiction
Languages : en
Pages : 67
Book Description
In this new edition of the classic companion to Tales for the Perfect Child, Sergio Ruzzier lends his signature humor to Florence Parry Heide and Sylvia Worth Van Clief’s delectably subversive fables. Genevieve is careless. Muriel is discontented. Phoebe is always putting off until tomorrow what she should be doing today. And Chester is the laziest turkey you ever heard of. Caleb and Conrad, on the other hand, are polite and kind and thoughtful and gracious and truthful. But some good that does them! If the morals you find in these pages aren’t exactly, well, moral…just don’t pay any attention to them!
Publisher: Simon and Schuster
ISBN: 1481463845
Category : Juvenile Fiction
Languages : en
Pages : 67
Book Description
In this new edition of the classic companion to Tales for the Perfect Child, Sergio Ruzzier lends his signature humor to Florence Parry Heide and Sylvia Worth Van Clief’s delectably subversive fables. Genevieve is careless. Muriel is discontented. Phoebe is always putting off until tomorrow what she should be doing today. And Chester is the laziest turkey you ever heard of. Caleb and Conrad, on the other hand, are polite and kind and thoughtful and gracious and truthful. But some good that does them! If the morals you find in these pages aren’t exactly, well, moral…just don’t pay any attention to them!
Upstarts, Wanderers Or Swindlers: Anatomy of the Picaro
Author: Pellon
Publisher: BRILL
ISBN: 9004651314
Category : Literary Criticism
Languages : en
Pages : 307
Book Description
Publisher: BRILL
ISBN: 9004651314
Category : Literary Criticism
Languages : en
Pages : 307
Book Description
The Picaresque
Author: Harry Sieber
Publisher: Routledge
ISBN: 1315299615
Category : Literary Criticism
Languages : en
Pages : 108
Book Description
First published in 1977, this book studies the picaresque as a literary genre. It begins by discriminating between the literature of roguery and the picaresque in particular before discussing the origins of the genre in Spain and tracing its development into Europe. The book concludes with a brief description of ‘contemporary’ works which belong to the same tradition. In tracing the itinerary of the picaro in Europe and in America, it attempts to define a ‘myth’ of the picaresque which consists of two phases: the first being the traditional Spanish model of the picaresque and the second comprising of an ‘anti-picaresque’ myth, in which the ‘hero’ or ‘anti-hero’ no longer remains alienated but instead is the figure in which the ‘new’ society is formed.
Publisher: Routledge
ISBN: 1315299615
Category : Literary Criticism
Languages : en
Pages : 108
Book Description
First published in 1977, this book studies the picaresque as a literary genre. It begins by discriminating between the literature of roguery and the picaresque in particular before discussing the origins of the genre in Spain and tracing its development into Europe. The book concludes with a brief description of ‘contemporary’ works which belong to the same tradition. In tracing the itinerary of the picaro in Europe and in America, it attempts to define a ‘myth’ of the picaresque which consists of two phases: the first being the traditional Spanish model of the picaresque and the second comprising of an ‘anti-picaresque’ myth, in which the ‘hero’ or ‘anti-hero’ no longer remains alienated but instead is the figure in which the ‘new’ society is formed.
The Picaresque
Author: Carmen Benito-Vessels
Publisher: University of Delaware Press
ISBN: 9780874134582
Category : Literary Criticism
Languages : en
Pages : 204
Book Description
"Like cartographers after the Treaty of Versailles, contemporary critics of picaresque literature are hard at work redrawing lines and polemicizing boundaries in an attempt to resolve prevailing problems of definition and method. To reevaluate this canon of texts and to address critical issues, a group of internationally renowned scholars gathered in April 1989 for a two-day conference, "The Picaresque: A Symposium on the Rogue's Tale," which was held at the University of Maryland at College Park and sponsored by the Center for Renaissance and Baroque Studies in conjunction with the Department of Spanish and Portuguese. The essays in this volume grew out of this scholarly exchange and map out an unusually broad landscape of contemporary critical concern." "The volume opens with an essay by Marina S. Brownlee, which addresses whether there is an "essential feature, configuration, or environment that determines the presence of a picaresque text." In his study of classicity in the Spanish Golden Age, Joseph V. Ricapito examines the Perez translation of the Odyssey and its link with the Spanish picaresque genre. Bruno M. Damiani's essay focuses on Lozana Andaluza as an important link between Celestina and the Lazarillo and investigates traits common in the later novel of roguery. "The Picaresque and Autobiography" by Randolph D. Pope examines the split vision of autobiography in Golden Age picaresque. Calhoun Winton looks into the rise of the picaresque novel in seventeenth-century London printing and publishing practice. Studying pamphlets, chapbooks, and periodicals, he poses the question: By whom were these examples of the picaresque mode written, for what reward, and with what audience in mind? Jerry C. Beasley's "Translation and Cultural Translatio" addresses questions of the translation of picaresque texts and the impact of this genre on novelistic discourse throughout Europe. In his essay Gerald Gillespie contextualizes Grimmelshausen's The Adventurous German Simplicissimus in French comic and satiric and Spanish disillusionistic modes. Nancy Vogeley examines Lizardi's Don Catrin de la Fechenda in the context of the Enlightenment and redefinition and politicization of the concepts of vice and virtue and discusses how these changing thought patterns facilitated the task of American writers who were then rethinking their political and moral landscape. Jerome Christensen's essay on Lord Byron investigates with primary and secondary textual sources the meaning of picaresque in Don Juan, establishes the vitality of the genre in this work, and looks into the distinction made between tuum and meum. The closing essay, Mario M. Gonzalez's "The Brazilian Picaresque," presents an overview of the genre in Brazilian literature." "This volume represents the diversity of scholarly approaches to the study of picaresque and opens up new questions concerning the picaresque canon, especially regarding its criteria for the definition of parameters that include elements from classical antiquity to contemporary theory."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Publisher: University of Delaware Press
ISBN: 9780874134582
Category : Literary Criticism
Languages : en
Pages : 204
Book Description
"Like cartographers after the Treaty of Versailles, contemporary critics of picaresque literature are hard at work redrawing lines and polemicizing boundaries in an attempt to resolve prevailing problems of definition and method. To reevaluate this canon of texts and to address critical issues, a group of internationally renowned scholars gathered in April 1989 for a two-day conference, "The Picaresque: A Symposium on the Rogue's Tale," which was held at the University of Maryland at College Park and sponsored by the Center for Renaissance and Baroque Studies in conjunction with the Department of Spanish and Portuguese. The essays in this volume grew out of this scholarly exchange and map out an unusually broad landscape of contemporary critical concern." "The volume opens with an essay by Marina S. Brownlee, which addresses whether there is an "essential feature, configuration, or environment that determines the presence of a picaresque text." In his study of classicity in the Spanish Golden Age, Joseph V. Ricapito examines the Perez translation of the Odyssey and its link with the Spanish picaresque genre. Bruno M. Damiani's essay focuses on Lozana Andaluza as an important link between Celestina and the Lazarillo and investigates traits common in the later novel of roguery. "The Picaresque and Autobiography" by Randolph D. Pope examines the split vision of autobiography in Golden Age picaresque. Calhoun Winton looks into the rise of the picaresque novel in seventeenth-century London printing and publishing practice. Studying pamphlets, chapbooks, and periodicals, he poses the question: By whom were these examples of the picaresque mode written, for what reward, and with what audience in mind? Jerry C. Beasley's "Translation and Cultural Translatio" addresses questions of the translation of picaresque texts and the impact of this genre on novelistic discourse throughout Europe. In his essay Gerald Gillespie contextualizes Grimmelshausen's The Adventurous German Simplicissimus in French comic and satiric and Spanish disillusionistic modes. Nancy Vogeley examines Lizardi's Don Catrin de la Fechenda in the context of the Enlightenment and redefinition and politicization of the concepts of vice and virtue and discusses how these changing thought patterns facilitated the task of American writers who were then rethinking their political and moral landscape. Jerome Christensen's essay on Lord Byron investigates with primary and secondary textual sources the meaning of picaresque in Don Juan, establishes the vitality of the genre in this work, and looks into the distinction made between tuum and meum. The closing essay, Mario M. Gonzalez's "The Brazilian Picaresque," presents an overview of the genre in Brazilian literature." "This volume represents the diversity of scholarly approaches to the study of picaresque and opens up new questions concerning the picaresque canon, especially regarding its criteria for the definition of parameters that include elements from classical antiquity to contemporary theory."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Rogues and Early Modern English Culture
Author: Craig Dionne
Publisher: University of Michigan Press
ISBN: 0472025163
Category : Literary Criticism
Languages : en
Pages : 428
Book Description
"Those at the periphery of society often figure obsessively for those at its center, and never more so than with the rogues of early modern England. Whether as social fact or literary fiction-or both, simultaneously-the marginal rogue became ideologically central and has remained so for historians, cultural critics, and literary critics alike. In this collection, early modern rogues represent the range, diversity, and tensions within early modern scholarship, making this quite simply the best overview of their significance then and now." -Jonathan Dollimore, York University "Rogues and Early Modern English Culture is an up-to-date and suggestive collection on a subject that all scholars of the early modern period have encountered but few have studied in the range and depth represented here." -Lawrence Manley, Yale University "A model of cross-disciplinary exchange, Rogues and Early Modern English Culture foregrounds the figure of the rogue in a nexus of early modern cultural inscriptions that reveals the provocation a seemingly marginal figure offers to authorities and various forms of authoritative understanding, then and now. The new and recent work gathered here is an exciting contribution to early modern studies, for both scholars and students." -Alexandra W. Halasz, Dartmouth College Rogues and Early Modern English Culture is a definitive collection of critical essays on the literary and cultural impact of the early modern rogue. Under various names-rogues, vagrants, molls, doxies, vagabonds, cony-catchers, masterless men, caterpillars of the commonwealth-this group of marginal figures, poor men and women with no clear social place or identity, exploded onto the scene in sixteenth-century English history and culture. Early modern representations of the rogue or moll in pamphlets, plays, poems, ballads, historical records, and the infamous Tudor Poor Laws treated these characters as harbingers of emerging social, economic, and cultural changes. Images of the early modern rogue reflected historical developments but also created cultural icons for mobility, change, and social adaptation. The underclass rogue in many ways inverts the familiar image of the self-fashioned gentleman, traditionally seen as the literary focus and exemplar of the age, but the two characters have more in common than courtiers or humanists would have admitted. Both relied on linguistic prowess and social dexterity to manage their careers, whether exploiting the politics of privilege at court or surviving by their wits on urban streets. Deftly edited by Craig Dionne and Steve Mentz, this anthology features essays from prominent and emerging critics in the field of Renaissance studies and promises to attract considerable attention from a broad range of readers and scholars in literary studies and social history.
Publisher: University of Michigan Press
ISBN: 0472025163
Category : Literary Criticism
Languages : en
Pages : 428
Book Description
"Those at the periphery of society often figure obsessively for those at its center, and never more so than with the rogues of early modern England. Whether as social fact or literary fiction-or both, simultaneously-the marginal rogue became ideologically central and has remained so for historians, cultural critics, and literary critics alike. In this collection, early modern rogues represent the range, diversity, and tensions within early modern scholarship, making this quite simply the best overview of their significance then and now." -Jonathan Dollimore, York University "Rogues and Early Modern English Culture is an up-to-date and suggestive collection on a subject that all scholars of the early modern period have encountered but few have studied in the range and depth represented here." -Lawrence Manley, Yale University "A model of cross-disciplinary exchange, Rogues and Early Modern English Culture foregrounds the figure of the rogue in a nexus of early modern cultural inscriptions that reveals the provocation a seemingly marginal figure offers to authorities and various forms of authoritative understanding, then and now. The new and recent work gathered here is an exciting contribution to early modern studies, for both scholars and students." -Alexandra W. Halasz, Dartmouth College Rogues and Early Modern English Culture is a definitive collection of critical essays on the literary and cultural impact of the early modern rogue. Under various names-rogues, vagrants, molls, doxies, vagabonds, cony-catchers, masterless men, caterpillars of the commonwealth-this group of marginal figures, poor men and women with no clear social place or identity, exploded onto the scene in sixteenth-century English history and culture. Early modern representations of the rogue or moll in pamphlets, plays, poems, ballads, historical records, and the infamous Tudor Poor Laws treated these characters as harbingers of emerging social, economic, and cultural changes. Images of the early modern rogue reflected historical developments but also created cultural icons for mobility, change, and social adaptation. The underclass rogue in many ways inverts the familiar image of the self-fashioned gentleman, traditionally seen as the literary focus and exemplar of the age, but the two characters have more in common than courtiers or humanists would have admitted. Both relied on linguistic prowess and social dexterity to manage their careers, whether exploiting the politics of privilege at court or surviving by their wits on urban streets. Deftly edited by Craig Dionne and Steve Mentz, this anthology features essays from prominent and emerging critics in the field of Renaissance studies and promises to attract considerable attention from a broad range of readers and scholars in literary studies and social history.
Neo-historicism
Author: Robin Headlam Wells
Publisher: Boydell & Brewer Ltd
ISBN: 9780859915816
Category : History
Languages : en
Pages : 296
Book Description
Essays on English Renaissance culture make a major contribution to the debate on historical method.
Publisher: Boydell & Brewer Ltd
ISBN: 9780859915816
Category : History
Languages : en
Pages : 296
Book Description
Essays on English Renaissance culture make a major contribution to the debate on historical method.