Author: Edith NesbitPublisher:
ISBN:
Category :
Languages : en
Pages : 340
Book Description
The Literary Sense
Author: Edith NesbitPublisher:
ISBN:
Category :
Languages : en
Pages : 340
Book Description
The Literary Sense
Author: Edith NesbitPublisher:
ISBN:
Category :
Languages : en
Pages : 350
Book Description
The Sense of a Beginning
Author: Niels Buch LeanderPublisher: Museum Tusculanum Press
ISBN: 9788763543866
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
The Sense of a Beginning is the first comprehensive exploration of the openings of novels. With a title that deliberately echoes Frank Kermode's famous book on endings, the book addresses the formal challenge of opening lines, especially in modernism, and illustrates their significance to both literary creation and literary criticism. Niels Buch Leander's approach is wide-ranging, examining how beginnings in fiction relate to beginnings in nature, how they work from a formal and narrative point of view, how modernist self-awareness plays out in openings, and how openings have altered criticism itself through intertextuality. Drawing on examples from D. H. Lawrence, Thomas Mann, Paul Valery, and more, as well as appraisals by critics like Roland Barthes and Edward Said, Leander fills a truly surprising gap in literary scholarship.
A Dictionary of Literary Devices
Author: Bernard Marie DupriezPublisher: University of Toronto Press
ISBN: 9780802068033
Category : Literary Criticism
Languages : en
Pages : 572
Book Description
Comprising some 4000 terms, defined and illustrated, "Gradus" calls upon the resources of linguistics, poetics, semiotics, socio-criticism, rhetoric, pragmatics, combining them in ways which enable readers quickly to comprehend the codes and conventions which together make up 'literarity.'
The Stuff of Literature
Author: E. A. LevenstonPublisher: State University of New York Press
ISBN: 1438410573
Category : Biography & Autobiography
Languages : en
Pages : 196
Book Description
The total meaning of a work of literature derives not only from what the words mean, but from what the text looks like. This stuff of literature, graphic substance or the physical raw material, is explored here in Levenston's comprehensive survey. Levenston discusses the main literary genres of poetry, drama, and fiction, and the extent to which they may be said to exist primarily in written or spoken form, or both. He then examines spelling, punctuation, typography, and layout, the four graphic aspects of a text which an author can manipulate for additional meanings. Also explored are the problems raised for translators by graphically unusual texts—and by the possibility of producing graphically unusual translations—and some of the solutions that have been found. A wealth of examples and analysis is offered, including poetry from Chaucer to Robert Graves and e. e. cummings; fiction such as Tristram Shandy, Ulysses and Finnegans Wake; works from Samuel Richardson to Ronald Sukenik; drama from Aristophanes to Bernard Shaw, and Shakespeare. Attention is also paid to graphic contributions in other literary traditions, from the Hebrew of the book of Psalms to Guillaume Apollinaires's "Calligrammes".
Encyclopaedia Britannica
Author: Hugh ChisholmPublisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 1090
Book Description
This eleventh edition was developed during the encyclopaedia's transition from a British to an American publication. Some of its articles were written by the best-known scholars of the time and it is considered to be a landmark encyclopaedia for scholarship and literary style.
Literary Meaning
Author: Wendell V. HarrisPublisher: NYU Press
ISBN: 0814735002
Category : Literary Criticism
Languages : en
Pages : 245
Book Description
"In this clearly written and accessible book, (Wendell) Harris sets out to expose the inadequacies of current methods and trends in literary criticism. . . . The book's greatest strength is its lucid presentation of critical works, which are then shown to be compromised by fallacies and flaws".-- CHOICE.
A Sense of Tales Untold
Author: Peter GrybauskasPublisher: Kent State University Press
ISBN: 9781606354308
Category : Literary Criticism
Languages : en
Pages : 260
Book Description
Exploring the uncanny perception of depth in Tolkien's writing and world-building A Sense of Tales Untoldexamines the margins of J. R. R. Tolkien's work: the frames, edges, allusions, and borders between story and un-story and the spaces between vast ages and miniscule time periods. The untold tales that are simply implied or referenced in the text are essential to Tolkien's achievement in world-building, Peter Grybauskas argues, and counter the common but largely spurious image of Tolkien as a writer of bloated prose. Instead, A Sense of Tales Untold highlights Tolkien's restraint--his ability to check the pen to great effect. The book begins by identifying some of Tolkien's principal sources of inspiration and his contemporaries, then summarizes theories and practices of the literary impression of depth. The following chapters offer close readings of key untold tales in context, ranging from the shadowy legends at the margins of The Lord of the Rings to the nexus of tales concerning Túrin Turambar, the great tragic hero of the Elder Days. In his frequent retellings of the Túrin legend, Tolkien found a lifelong playground for experimentation with untold stories. "A story must be told or there'll be no story, yet it is the untold stories that are most moving," wrote Tolkien to his son during the composition of The Lord of the Rings, cutting straight to the heart of the tension between storytelling and world-building that animates his work. From the most straightforward form of an untold tale--an omission--to vast and tangled webs of allusions, Grybauskas highlights this tension. A Sense of Tales Untold engages with urgent questions about interpretation, adaptation, and authorial control, giving both general readers and specialists alike a fresh look at the source material of the ongoing "Tolkien phenomenon."
Poetry and the Fate of the Senses
Author: Susan StewartPublisher: University of Chicago Press
ISBN: 0226774147
Category : Literary Criticism
Languages : en
Pages : 460
Book Description
What is the role of the senses in the creation and reception of poetry? How does poetry carry on the long tradition of making experience and suffering understood by others? With Poetry and the Fate of the Senses, Susan Stewart traces the path of the aesthetic in search of an explanation for the role of poetry in culture. Herself an acclaimed poet, Stewart not only brings the intelligence of a critic to the question of poetry, but the insight of a practitioner as well. Her new study includes close discussions of poems by Stevens, Hopkins, Keats, Hardy, Bishop, and Traherne, of the sense of vertigo in Baroque and Romantic works, and of the rich tradition of nocturnes in visual, musical, and verbal art. Ultimately, she argues that poetry can counter the denigration of the senses in contemporary life and can expand our imagination of the range of human expression. Poetry and the Fate of the Senses won the 2004 Truman Capote Award for Literary Criticism in Memory of Newton Arvin, administered for the Truman Capote Estate by the University of Iowa Writers' Workshop. It also won the Phi Beta Kappa Society's 2002 Christian Gauss Award for Literary Criticism.
The Organs of Sense
Author: Adam Ehrlich SachsPublisher: Farrar, Straus and Giroux
ISBN: 0374719969
Category : Fiction
Languages : en
Pages : 240
Book Description
"This book is only for people who like joy, absurdity, passion, genius, dry wit, youthful folly, amusing historical arcana, or telescopes." —Rivka Galchen, author of Little Labors and American Innovations In 1666, an astronomer makes a prediction shared by no one else in the world: at the stroke of noon on June 30 of that year, a solar eclipse will cast all of Europe into total darkness for four seconds. This astronomer is rumored to be using the longest telescope ever built, but he is also known to be blind—and not only blind, but incapable of sight, both his eyes having been plucked out some time before under mysterious circumstances. Is he mad? Or does he, despite this impairment, have an insight denied the other scholars of his day? These questions intrigue the young Gottfried Leibniz—not yet the world-renowned polymath who would go on to discover calculus, but a nineteen-year-old whose faith in reason is shaky at best. Leibniz sets off to investigate the astronomer’s claim, and over the three hours remaining before the eclipse occurs—or fails to occur—the astronomer tells the scholar the haunting and hilarious story behind his strange prediction: a tale that ends up encompassing kings and princes, family squabbles, obsessive pursuits, insanity, philosophy, art, loss, and the horrors of war. Written with a tip of the hat to the works of Thomas Bernhard and Franz Kafka, The Organs of Sense stands as a towering comic fable: a story about the nature of perception, and the ways the heart of a loved one can prove as unfathomable as the stars.
