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Author: Todd Gannon
Publisher:
ISBN: 9781580931052
Category : Architecture, Modern
Languages : en
Pages : 0
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Book Description
The exhibition "Light Construction," held at New York's Museum of Modern Art in 1995, maintains a lasting influence on contemporary architecture. Architects represented in the show, such as Steven Holl and Toyo Ito, continue to win prestigious commissions. Others, such as Herzog and de Meuron and Frank Gehry, have risen to celebrity status with the completion of competition-winning designs for the Tate Museum, Bankside, in London and the Guggenheim Museum in Bilbao. These works share a taste for glass, perforated metal, and other transparent materials. In bringing together the work of these diverse architects, "Light Construction" raised crucial questions about the role of materials, the nature of architectural effects, and the legacy of modernism. The second volume of the Source Books in Architecture series, The Light Construction Reader is an ambitious collection of thirty-eight essays that explores the themes and issues surrounding this important exhibition. Included here are essays by exhibition curator Terence Riley as well as noted architects and critics such as Peter Eisenman, Anthony Vidler, Greg Lynn, and Robin Evans. The complete transcripts of the Light Construction Symposium, held at Columbia University in conjunction with the exhibition, are also included. Colin Rowe and Robert Slutzky's widely influential essay "Transparency: Literal and Phenomenal" is presented here for the first time together with its lesser-known sequel of 1971. Also represented are Italo Calvino, Jacques Derrida, Jean Starobinski, and many others.
Author: Todd Gannon
Publisher:
ISBN: 9781580931052
Category : Architecture, Modern
Languages : en
Pages : 0
Get Book Here
Book Description
The exhibition "Light Construction," held at New York's Museum of Modern Art in 1995, maintains a lasting influence on contemporary architecture. Architects represented in the show, such as Steven Holl and Toyo Ito, continue to win prestigious commissions. Others, such as Herzog and de Meuron and Frank Gehry, have risen to celebrity status with the completion of competition-winning designs for the Tate Museum, Bankside, in London and the Guggenheim Museum in Bilbao. These works share a taste for glass, perforated metal, and other transparent materials. In bringing together the work of these diverse architects, "Light Construction" raised crucial questions about the role of materials, the nature of architectural effects, and the legacy of modernism. The second volume of the Source Books in Architecture series, The Light Construction Reader is an ambitious collection of thirty-eight essays that explores the themes and issues surrounding this important exhibition. Included here are essays by exhibition curator Terence Riley as well as noted architects and critics such as Peter Eisenman, Anthony Vidler, Greg Lynn, and Robin Evans. The complete transcripts of the Light Construction Symposium, held at Columbia University in conjunction with the exhibition, are also included. Colin Rowe and Robert Slutzky's widely influential essay "Transparency: Literal and Phenomenal" is presented here for the first time together with its lesser-known sequel of 1971. Also represented are Italo Calvino, Jacques Derrida, Jean Starobinski, and many others.
Author: Horst Ruthrof
Publisher: Routledge
ISBN: 1134852061
Category : Literary Criticism
Languages : en
Pages : 197
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Book Description
In this book, first published in 1981, the author argues that narrative is an interaction between "the presented world and the presentational process" and attempts to define narrative from the perspective of reading. The Reader’s Construction of Narrative includes chapters on narrative language, translating narrative and discusses what happens when we read a narrative text. This book will be of particular interest to students of literary theory.
Author: Daniel Jutte
Publisher: Yale University Press
ISBN: 0300271522
Category : History
Languages : en
Pages : 511
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Book Description
A wide-ranging illustrated history of transparency as told through the evolution of the glass window Transparency is a mantra of our day. It is key to the Western understanding of a liberal society. We expect transparency from, for instance, political institutions, corporations, and the media. But how did it become such a powerful—and global—idea? From ancient glass to Apple’s corporate headquarters, this book is the first to probe how Western people have experienced, conceptualized, and evaluated transparency. Daniel Jütte argues that the experience of transparency has been inextricably linked to one element of Western architecture: the glass window. Windows are meant to be unnoticed. Yet a historical perspective reveals the role that glass has played in shaping how we see and interpret the world. A seemingly “pure” material, glass has been endowed, throughout history, with political, social, and cultural meaning, in manifold and sometimes conflicting ways. At the same time, Jütte raises questions about the future of vitreous transparency—its costs in terms of visual privacy but also its ecological price tag in an age of accelerating climate change.
Author: Anastasia Karandinou
Publisher: Routledge
ISBN: 1317087151
Category : Architecture
Languages : en
Pages : 398
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Book Description
How do digital media (mobile phones, GPS, iPods, portable computers, internet, virtual realities, etc.) affect the way we perceive, inhabit and design space? Why do architects traditionally design, draw and map the visual, as opposed to other types of sensations of space (the sound, the smell, the texture, etc.)? Architecture is not only about the solid, material elements of space; it is also about the invisible, immaterial, intangible elements of space. This book examines the design, representation and reception of the ephemeral in architecture. It discusses how architects map and examine the spatial qualities that these elements create and questions whether - and if so, how - they take them into account in the designing process. Karandinou argues that current interest in the ephemeral in contemporary culture and architecture is related to the evolution of digital media; and that it is related to the new ways of thinking about space and everyday situations that new media enables. With sound and video recording devices now being embedded in everyday gadgets and mobile phones, capturing sounds or ephemeral situations and events has become an everyday habit. New animation techniques allow designers to think about space through time, as they are able to design dynamic and responsive spaces, as well as static spaces explored by someone over time. Contemporary video games are no longer based on a simple visual input and a keyboard; they now involve other senses, movement, and the response of the whole body in space. This book therefore argues that the traditional binary opposition between the sensuous and the digital is currently being reversed. Subsequently, new media can also function as a new tool-to-think-with about space. Designers are now able to think through time, and design spaces accordingly. Time, temporality, ephemerality, become central issues in the designing process. The notion first claimed by Marshall McLuhan in the 1960s, that the emergence of new di
Author:
Publisher: BRILL
ISBN: 9401204063
Category : Social Science
Languages : en
Pages : 318
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Book Description
Have we moved beyond postmodernism? Did postmodernism lose its oppositional value when it became a cultural dominant? While focusing on questions such as these, the articles in this collection consider the possibility that the death of a certain version of postmodernism marks a renewed attempt to re-negotiate and perhaps re-embrace many of the cultural, literary and theoretical assumptions that postmodernism seemly denied outright. Including contributions from some of the leading scholars in the field – N. Katherine Hayles, John D. Caputo, Paul Maltby, Jane Flax, among others – this collection ultimately comes together to perform a certain work of mourning. Through their explorations of this current epistemological shift in narrative and theoretical production, these articles work to “get over” postmodernism while simultaneously celebrating a certain postmodern inheritance, an inheritance that can offer us important avenues to understanding and affecting contemporary culture and society.
Author: Giuliana Bruno
Publisher: University of Chicago Press
ISBN: 022611483X
Category : Art
Languages : en
Pages : 292
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Book Description
What is the place of materiality—the expression or condition of physical substance—in our visual age of rapidly changing materials and media? How is it fashioned in the arts or manifested in virtual forms? In Surface, cultural critic and theorist Giuliana Bruno deftly explores these questions, seeking to understand materiality in the contemporary world. Arguing that materiality is not a question of the materials themselves but rather the substance of material relations, Bruno investigates the space of those relations, examining how they appear on the surface of different media—on film and video screens, in gallery installations, or on the skins of buildings and people. The object of visual studies, she contends, goes well beyond the image and engages the surface as a place of contact between people and art objects. As Bruno threads through these surface encounters, she unveils the fabrics of the visual—the textural qualities of works of art, whether manifested on canvas, wall, or screen. Illuminating the modern surface condition, she notes how façades are becoming virtual screens and the art of projection is reinvented on gallery walls. She traverses the light spaces of artists Robert Irwin, James Turrell, Tacita Dean, and Anthony McCall; touches on the textured surfaces of Isaac Julien’s and Wong Kar-wai’s filmic screens; and travels across the surface materiality in the architectural practices of Diller Scofidio + Renfro and Herzog & de Meuron to the art of Doris Salcedo and Rachel Whiteread, where the surface tension of media becomes concrete. In performing these critical operations on the surface, she articulates it as a site in which different forms of mediation, memory, and transformation can take place. Surveying object relations across art, architecture, fashion, design, film, and new media, Surface is a magisterial account of contemporary visual culture.
Author:
Publisher: Alinea Editrice
ISBN: 8860556635
Category :
Languages : en
Pages : 180
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Book Description
Author: Akhtar Surahyo
Publisher: Springer
ISBN: 3030105105
Category : Technology & Engineering
Languages : en
Pages : 329
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Book Description
This book is a thorough and comprehensive update of the 2002 edition, that incorporates detailed references to the Canadian, American, and British (European) standards, contextualized by the author based on over 30 years of construction experience. In addition to updates to the core text, many new topics are presented in the second edition, including a chapter discussing the methods for achieving quality control and ensuring quality assurance in concrete construction. The book consists of two parts. The first part provides basic information about normal concrete, its grades used on sites and various kinds of modified concretes such as fiber- reinforced concrete, sulphur concrete, roller compacted concrete, high performance concrete, ultra- high performance concrete, and flowing concrete. . It further addresses physical properties of concrete and various types of Portland cement, blended cements, admixtures, additives including properties of aggregates and their influence. The second part of the book highlights the principal causes of concrete deterioration along with protective measures, resulting from incorrect selection of constituent materials, poor construction methods, external factors, chemical attack, corrosion problems, hot and cold weather effects, and the various errors in designing and detailing. Featuring an extensive bibliography of the highly adopted standards as well as manuals and journals critical to the construction industry at the end of each chapter, the volume offers readers an advanced understanding of the theory and practical application of concrete technology and international standards in North America and Britain. Addresses concrete technology as well as concrete construction practices, meeting national and international standards; Maximizes readers' understanding of the principal causes of concrete deterioration along with protective measures; Facilitates readers' grasp of different nomenclature used for the same materials in different parts of the world; Features suitable tables, charts, and diagrams that illustrate and organize useful information; Explains sustainable concrete doctrine and how to achieve it meeting green concrete / building requirements; Provides a glossary, conversion factors, and examples of concrete mix design. ·
Author: Scott Murray
Publisher: Routledge
ISBN: 113623568X
Category : Architecture
Languages : en
Pages : 202
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Book Description
Exploring the design of innovative building enclosure systems (or skins) in contemporary architecture and their precedents in earlier twentieth century modern architecture, this book examines the tectonics, the history and the influence of translucency as a defining characteristic in architecture. Highly illustrated throughout with drawings and full colour photographs, the book shows that translucency has been and continues to be a fertile ground for architectural experimentation. Each chapter presents a comparative analysis of two primary buildings: a recent project, paired with a historical precedent, highlighting how architects in different eras have realized the distinctive effects of translucency. The included buildings span a variety of program types, ranging from a single-family residence, to a factory, to a synagogue. Whether it is Pierre Chareau’s glass-lens curtain wall at the Maison de Verre, Frank Lloyd Wright’s wall of stacked glass tubes at the Johnson Wax Research Tower, or Peter Zumthor’s use of acid-etched glass in a double-skin envelope at the Kunsthaus Bregenz, the included projects each offer an exemplary case study of innovations in materiality and fabrication techniques. Today, among many contemporary architects, there is an engagement with new technologies, new material assemblies, and new priorities such as sustainability and energy-efficiency. A resurgent interest in translucency as a defining quality in buildings has been an important part of this recent dialogue and this book makes essential reading for any architect looking to incorporate aspects of translucency into their buildings.
Author: Wayne J. Del Pico
Publisher: John Wiley & Sons
ISBN: 1394150113
Category : Technology & Engineering
Languages : en
Pages : 690
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Book Description
A step-by-step guide to estimating building costs for contractors—updated to align with CSI MASTERFORMAT™ 2020 Few aspects of a construction project are more fundamental than the cost estimate, which can mean the difference between a professionally executed project and a financial and legal disaster. Properly handled, a construction cost estimate can protect both the contractor and the client from losing money on a project. The estimate is the first step toward a successful project. For contractors, therefore, the knowledge required to construct an accurate price estimate is critical. Estimating Building Costs for the Residential and Light Commercial Construction Professional provides this knowledge in a thorough and comprehensive guide. It takes readers step-by-step through the process of constructing a cost estimate, and provides guidance for incorporating cost estimates into budgeting, scheduling, project management, and more. The result is a fundamental guide to this critical aspect of the construction industry. Readers of the third edition of Estimating Building Costs for the Residential and Light Commercial Construction Professional will also find: Fully updated text to reflect the new CSI MASTERFORMAT™ 2020 Analysis of cost considerations, quantity takeoff, pricing, and more Step-by-step guidance for developing a comprehensive cost estimate All-new sections covering scope of work, wage scales in the US, and a project overhead checklist Considerations for adding profit and contingencies to an estimate Estimating Building Costs for the Residential and Light Commercial Construction Professional is an essential resource for contractors in residential and light commercial construction, as well as students studying construction management and construction estimating.
