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Author: Sheila Hale
Publisher: Harper Collins
ISBN: 0062218131
Category : Art
Languages : en
Pages : 722
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Book Description
The first definitive biography of the master painter in more than a century, Titian: His Life is being hailed as a "landmark achievement" for critically acclaimed author Sheila Hale (Publishers Weekly). Brilliant in its interpretation of the 16th-century master's paintings, this monumental biography of Titian draws on contemporary accounts and recent art historical research and scholarship, some of it previously unpublished, providing an unparalleled portrait of the artist, as well as a fascinating rendering of Venice as a center of culture, commerce, and power. Sheila Hale's Titian is destined to be this century's authoritative text on the life of greatest painter of the Italian High Renaissance.
Author: Sheila Hale
Publisher: Harper Collins
ISBN: 0062218131
Category : Art
Languages : en
Pages : 722
Get Book Here
Book Description
The first definitive biography of the master painter in more than a century, Titian: His Life is being hailed as a "landmark achievement" for critically acclaimed author Sheila Hale (Publishers Weekly). Brilliant in its interpretation of the 16th-century master's paintings, this monumental biography of Titian draws on contemporary accounts and recent art historical research and scholarship, some of it previously unpublished, providing an unparalleled portrait of the artist, as well as a fascinating rendering of Venice as a center of culture, commerce, and power. Sheila Hale's Titian is destined to be this century's authoritative text on the life of greatest painter of the Italian High Renaissance.
Author: Carlo Ridolfi
Publisher: Penn State Press
ISBN: 027104053X
Category : Biography & Autobiography
Languages : en
Pages : 157
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Book Description
After Vasari's Lives of the Most Famous Artists,The Life of Titian by the seventeenth-century Venetian artist and writer Carlo Ridolfi is the most important contemporary documentary source for our understanding of the great Renaissance artist. This new critical edition, the first translation into English of Ridolfi's biography, illuminates his life, his artistic production, and his early critical reputation. The editors address art-historical questions of attribution, provenance, and documentation that Ridolfi's biography raises. Two introductory essays present the nature, scope, and importance of the biography for the study of Titian and Venetian Renaissance art and place Ridolfi in the tradition of Renaissance biography and artistic literature. The annotations provide a useful and current bibliography drawn from both art history and literature. The Life of Titian will be of interest to a wide audience of scholars and students of the history of Renaissance art, literature, language, and culture.
Author: Giorgio Vasari
Publisher: Penguin UK
ISBN: 0141919973
Category : Art
Languages : en
Pages : 480
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Book Description
Beginning with Cimabue and Giotto in the thirteenth century, Vasari traces the development of Italian art across three centuries to the golden epoch of Leonardo and Michelangelo. Great men, and their immortal works, are brought vividly to life, as Vasari depicts the young Giotto scratching his first drawings on stone; Donatello gazing at Brunelleschi's crucifix; and Michelangelo's painstaking work on the Sistine Chapel, harassed by the impatient Pope Julius II. The Lives also convey much about Vasari himself and his outstanding abilities as a critic inspired by his passion for art.
Author: Young Men's Christian Associations. Louisville, Ky. Library
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 30
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Book Description
Author: Maria H. Loh
Publisher: Reaktion Books
ISBN: 178914082X
Category : Art
Languages : en
Pages : 289
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Book Description
At the end of his long, prolific life, Titian was rumored to paint directly on the canvas with his bare hands. He would slide his fingers across bright ridges of oil paint, loosening the colors, blending, blurring, and then bringing them together again. With nothing more than the stroke of a thumb or the flick of a nail, Titian’s touch brought the world to life. The clinking of glasses, the clanging of swords, and the cry of a woman’s grief. The sensation of hair brushing up against naked flesh, the sudden blush of unplanned desire, and the dry taste of fear in a lost, shadowy place. Titian’s art, Maria H. Loh argues in this exquisitely illustrated book, was and is a synesthetic experience. To see is at once to hear, to smell, to taste, and to touch. But while Titian was fully attached to the world around him, he also held the universe in his hands. Like a magician, he could conjure appearances out of thin air. Like a philosopher, his exploration into the very nature of things channelled and challenged the controversial ideas of his day. But as a painter, he created the world anew. Dogs, babies, rubies, and pearls. Falcons, flowers, gloves, and stone. Shepherds, mothers, gods, and men. Paint, canvas, blood, sweat, and tears. In a series of close visual investigations, Loh guides us through the lush, vibrant world of Titian’s touch.
Author: Matthias Wivel
Publisher: National Gallery London
ISBN: 9781857096552
Category : Art, Renaissance
Languages : en
Pages : 0
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Book Description
A celebration of one of the most important groups of Renaissance paintings
Author: Matthew Collings
Publisher: Weidenfeld & Nicolson
ISBN: 9780297646716
Category : Architecture
Languages : en
Pages : 240
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Book Description
Welcome to an alarming book. In it Matthew Collings, known for his TV programmes and books about new art, tells you how to look at the old masters. Of course you can look at them however you like. But this book gives you some art historical facts as the context for what you're looking at - Collings gives you the resources you need, in order to make sense of what you're seeing. And he gets you to think for yourself. In art culture today all you hear about are literal meanings, about subject matter and ideas. Matt Collings objects to the droning repetition of that stuff. He looks to the past for a different model of art, one where the surface, the form, the look of something, is part of the idea, maybe even the main thing. We can't have the past back as a complete package, of course. That would be mad. But we can find critical principles in it that we can use to make something better out of our own time. The key figures he has chosen are Titian, Rubens, Velasquez and Hogarth. The first three stand for the highest that painting can go - rich, free, flowing, grand. In art historical terms, this is the 'painterly' stream of art. The last one didn't punch quite so high, but in him Collings sees a principle of adapting your understanding and admiration for what seems higher and greater than yourself - the achievements of the past - to your own sense of what is alive and real.Matthew Collings' new book gives a unique approach to the paintings of the past.
Author: Noah Charney
Publisher: W. W. Norton & Company
ISBN: 0393248399
Category : Biography & Autobiography
Languages : en
Pages : 400
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Book Description
“Readers curious about the making of Renaissance art, its cast of characters and political intrigue, will find much to relish in these pages.” —Wall Street Journal Giorgio Vasari (1511–1574) was a man of many talents—a sculptor, painter, architect, writer, and scholar—but he is best known for Lives of the Artists, which singlehandedly established the canon of Italian Renaissance art. Before Vasari’s extraordinary book, art was considered a technical skill, and artists were mere decorators and craftsmen. It was through Vasari’s visionary writings that Raphael, Leonardo, and Michelangelo came to be regarded as great masters of life as well as art, their creative genius celebrated as a divine gift. Lauded by Sarah Bakewell as “insightful, gripping, and thoroughly enjoyable,” The Collector of Lives reveals how one Renaissance scholar completely redefined how we look at art.
Author: Lorne Campbell
Publisher: National Gallery London
ISBN:
Category : Art
Languages : en
Pages : 312
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Book Description
"This survey traces the development of portrait painting in Northern and Southern Europe during the Renaissance, when the genre first flourished. Both regions developed their own distinct styles and techniques, but each was influenced by the other. Focusing on the relationship between artists of the north and south, renowned specialists analyse the notion of likeness - at that time based not only on accurate reference to posterity, but incorporating all aspects of human life, including propaganda, power, courtship, love, family, ambition and hierarchy. Essays and individual catalogue entries present new research on works by some of the greatest portraitists of the period, including Giovanni Bellini, Sandro Botticelli, Lucas Cranach, Albrecht Durer, Jan van Eyck, Hans Holbein and Titan, all magnificently illustrated."--Jacket.
Author: Tom Nichols
Publisher: Reaktion Books
ISBN: 1780232276
Category : Art
Languages : en
Pages : 257
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Book Description
Titian is best known for paintings that embodied the tradition of the Venetian Renaissance—but how Venetian was the artist himself? In this study, Tom Nichols probes the tensions between the individualism of Titian’s work and the conservative mores of the city, showing how his art undermined the traditional self-suppressing approach to painting in Venice and reflected his engagement with the individualistic cultures emerging in the courts of early modern Europe. Ranging widely across Titian’s long career and varied works, Titian and the End of the Venetian Renaissance outlines his radical innovations to the traditional Venetian altarpiece; his transformation of portraits into artistic creations; and his meteoric breakout from the confines of artistic culture in Venice. Nichols explores how Titian challenged the city’s communal values with his competitive professional identity, contending that his intensely personalized way of painting resulted in a departure that effectively brought an end to the Renaissance tradition of painting. Packed with 170 illustrations, this groundbreaking book will change the way people look at Titian and Venetian art history.
