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Languages : en
Pages : 11
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![Biography [of] ... Gilbert Tennent ... PDF](https://books.google.com/books/content/images/frontcover/jDY8NQEACAAJ?fife=w80-h100)
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Languages : en
Pages : 11
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Author: Milton J. Coalter
Publisher:
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Category :
Languages : en
Pages : 0
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Author: Luke Tyerman
Publisher:
ISBN:
Category :
Languages : en
Pages : 584
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Author: Luke Tyerman
Publisher: BoD – Books on Demand
ISBN: 3385539544
Category : Fiction
Languages : en
Pages : 658
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Book Description
Reprint of the original, first published in 1877.
Author: L. Tyerman
Publisher: BoD – Books on Demand
ISBN: 3368913972
Category : Fiction
Languages : en
Pages : 754
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Reproduction of the original.
Author: John Howard Smith
Publisher: Rowman & Littlefield
ISBN: 1611477158
Category : History
Languages : en
Pages : 357
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Book Description
The First Great Awakening, an unprecedented surge in Protestant Christian revivalism in the Eighteenth Century, sparked enormous of controversy at the time and has been a source of scholarly debate ever since. Few historians have sought to write a synthetic history of the First Great Awakening, and in recent decades it has been challenged as having happened at all, being either an exaggeration or an “invention.” The First Great Awakening expands the movement’s geographical, theological, and sociopolitical scope. Rather than focus exclusively on the clerical elites, as earlier studies have done, it deals with them alongside ordinary people, and includes the experiences of women, African Americans, and Indians as the observers and participants they were. It challenges prevailing scholarly opinion concerning what the revivals were and what they meant to the formation of American religious identity and culture. Cover image: NPG 131, George Whitefield by John Wollaston, oil on canvas, circa 1742. © National Portrait Gallery, London
Author: Miles Douglas Harper
Publisher:
ISBN:
Category :
Languages : en
Pages : 966
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Author: John A Grigg
Publisher: Oxford University Press
ISBN: 0199707103
Category : Religion
Languages : en
Pages : 290
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Book Description
The story of the eighteenth century preacher David Brainerd has been told in dozens of popular biographies, articles, and short essays. Almost without exception, these works are celebratory, even hagiographic in nature, making him into a kind of Protestant saint, a model for generations of missionaries. This book will be the first scholarly biography of Brainerd, drawing on everything from town records and published sermons to hand-written fragments to tell the story not only of Brainerd's life, but of his legend.
Author: Amos Stevens Billingsley
Publisher:
ISBN:
Category : Presbyterian Church
Languages : en
Pages : 482
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Author: Michael Gaudio
Publisher: U of Minnesota Press
ISBN: 1452960909
Category : Art
Languages : en
Pages : 234
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A visionary new approach to the Americas during the age of colonization, made by engaging with the aural aspects of supposedly “silent” images Colonial depictions of the North and South American landscape and its indigenous inhabitants fundamentally transformed the European imagination—but how did those images reach Europe, and how did they make their impact? In Sound, Image, Silence, noted art historian Michael Gaudio provides a groundbreaking examination of the colonial Americas by exploring the special role that aural imagination played in visible representations of the New World. Considering a diverse body of images that cover four hundred years of Atlantic history, Sound, Image, Silence addresses an important need within art history: to give hearing its due as a sense that can inform our understanding of images. Gaudio locates the noise of the pagan dance, the discord of battle, the din of revivalist religion, and the sublime sounds of nature in the Americas, such as lightning, thunder, and the waterfall. He invites readers to listen to visual media that seem deceptively couched in silence, offering bold new ideas on how art historians can engage with sound in inherently “mute” media. Sound, Image, Silence includes readings of Brazilian landscapes by the Dutch painter Frans Post, a London portrait of Benjamin Franklin, Thomas Edison’s early Kinetoscope film Sioux Ghost Dance, and the work of Thomas Cole, founder of the Hudson River School of American landscape painting. It masterfully fuses a diversity of work across vast social, cultural, and spatial distances, giving us both a new way of understanding sound in art and a powerful new vision of the New World.
