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Author: Charles Hindley
Publisher:
ISBN:
Category :
Languages : en
Pages : 498
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Book Description
Author: Charles Hindley
Publisher:
ISBN:
Category :
Languages : en
Pages : 498
Get Book Here
Book Description
Author: CHARLES. HINDLEY
Publisher:
ISBN: 9781033626986
Category :
Languages : en
Pages : 0
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Book Description
Author: Charles Hindley
Publisher: Cambridge University Press
ISBN: 1108039421
Category : Biography & Autobiography
Languages : en
Pages : 457
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Book Description
An entertaining biography of infamous broadsheet publisher James Catnach, first published in 1878, illustrated with examples of his printed work.
Author: Charles Hindley
Publisher:
ISBN: 9781331986508
Category : Biography & Autobiography
Languages : en
Pages : 458
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Book Description
Excerpt from The Life and Times of James Catnach, (Late of Seven Dials), Ballad Monger "The Life and Times of James Catnach," owes its origin to the circumstance that, in 1869, the compiler of the present work published "The Catnach Press," and guaranteed only "Two Hundred and Fifty Copies Printed - namely: 175 on Fine and 75 on Extra-thick paper. Each copy numbered." The outer and descriptive title set forth that the work contained: - "A Collection of Books and Wood-cuts of James Catnach, late of Seven Dials, Printer, consisting of Twenty Books of the Cock Robin Class, from 'This is the House that Jack Built, to Old Mother Hubbard' (printed with great care) specialite at The Catnach Press, from the old plates and wood-cuts, prior to their final destruction, to which is added a selection of. Catnachian wood-cuts, many by Bewick, and many of the most anti-Bewickian character it is possible to conceive." The announcement of the publication of the work was first made known through the medium of the metropolitan press, some few days prior to the copies being delivered by the bookbinders, and so great was the demand of the London and American trade, that every copy was disposed of on the day of issue. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."
Author: Charles D. 1893 Hindley
Publisher: Wentworth Press
ISBN: 9781372127694
Category : History
Languages : en
Pages : 466
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: David Atkinson
Publisher: Routledge
ISBN: 1317049217
Category : Literary Criticism
Languages : en
Pages : 307
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Book Description
In recent years, the assumption that traditional songs originated from a primarily oral tradition has been challenged by research into ’street literature’ - that is, the cheap printed broadsides and chapbooks that poured from the presses of jobbing printers from the late sixteenth century until the beginning of the twentieth. Not only are some traditional singers known to have learned songs from printed sources, but most of the songs were composed by professional writers and reached the populace in printed form. Street Ballads in Nineteenth-Century Britain, Ireland, and North America engages with the long-running debate over the origin of traditional songs by examining street literature’s interaction with, and influence on, oral traditions.
Author: John Minton
Publisher: Univ. Press of Mississippi
ISBN: 1604733276
Category : Music
Languages : en
Pages : 299
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Book Description
When record men first traveled from Chicago or invited musicians to studios in New York, these entrepreneurs had no conception how their technology would change the dynamics of what constituted a musical performance. 78 Blues: Folksongs and Phonographs in the American South covers a revolution in artist performance and audience perception through close examination of hundreds of key “hillbilly” and “race” records released between the 1920s and World War II. In the postwar period, regional strains recorded on pioneering 78 r.p.m. discs exploded into urban blues and R&B, honky-tonk and western swing, gospel, soul, and rock 'n' roll. These old-time records preserve the work of some of America's greatest musical geniuses such as Jimmie Rodgers, Robert Johnson, Charlie Poole, and Blind Lemon Jefferson. They are also crucial mile markers in the course of American popular music and the growth of the modern recording industry. When these records first circulated, the very notion of recorded music was still a novelty. All music had been created live and tied to particular, intimate occasions. How were listeners to understand an impersonal technology like the phonograph record as a musical event? How could they reconcile firsthand interactions and traditional customs with technological innovations and mass media? The records themselves, several hundred of which are explored fully in this book, offer answers in scores of spoken commentaries and skits, in song lyrics and monologues, or other more subtle means.
Author: Martha Vicinus
Publisher: Taylor & Francis
ISBN: 1040087590
Category : Literary Criticism
Languages : en
Pages : 376
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Book Description
First published in 1974, The Industrial Muse is a study of the literary achievements of the working class. The focus is upon the cultural environment and assumptions of self-educated writers, their literary preoccupations and careers, and the content, form and structure of their writings. This literature must first be considered from the perspective of the working people who read and wrote it, for it functioned in their lives in a number of important ways. Its character was due in large part to the conscious efforts of educated workers who wish to gain cultural recognition along with social and economic justice. It helped to shape individual and class consciousness by giving order to working men's lives and clarifying their relationship with those who held cultural and political power. This literature asserted the autonomy of the working class, but did not posit a new worldview, lest the gains of class solidarity be lost irretrievably. This is an interesting read for scholars and researchers of working-class literature, english literature and working-class history.
Author: David Atkinson
Publisher: Cambridge Scholars Publishing
ISBN: 1527502759
Category : History
Languages : en
Pages : 387
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Book Description
For centuries, street literature was the main cheap reading material of the working classes: broadsides, chapbooks, songsters, prints, engravings, and other forms of print produced specifically to suit their taste and cheap enough for even the poor to buy. Starting in the sixteenth century, but at its chaotic and flamboyant peak in the nineteenth, street literature was on sale everywhere – in urban streets and alleyways, at country fairs and markets, at major sporting events and holiday gatherings, and under the gallows at public executions. For this very reason, it was often despised and denigrated by the educated classes, but remained enduringly popular with the ordinary people. Anything and everything was grist to the printers’ mill, if it would sell. A penny could buy you a celebrity scandal, a report of a gruesome murder, the last dying speech of a condemned criminal, wonder tales, riddles and conundrums, a moral tale of religious danger and redemption, a comic tale of drunken husbands and shrewish wives, a temperance tract or an ode to beer, a satire on dandies, an alphabet or “reed-a-ma-daisy” (reading made easy) to teach your children, an illustrated chapbook of nursery rhymes, or the adventures of Robin Hood and Jack the Giant Killer. Street literature long held its own by catering directly for the ordinary people, at a price they could afford, but, by the end of the Victorian era, it was in terminal decline and was rapidly being replaced by a host of new printed materials in the shape of cheap newspapers and magazines, penny dreadful novels, music hall songbooks, and so on, all aimed squarely at the burgeoning mass market. Fascinating today for the unique light it shines on the lives of the ordinary people of the age, street literature has long been neglected as a historical resource, and this collection of essays is the first general book on the trade for over forty years.
Author: Patricia Fumerton
Publisher: Routledge
ISBN: 1317176375
Category : Literary Criticism
Languages : en
Pages : 332
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Book Description
Bringing together diverse scholars to represent the full historical breadth of the early modern period, and a wide range of disciplines (literature, women's studies, folklore, ethnomusicology, art history, media studies, the history of science, and history), Ballads and Broadsides in Britain, 1500-1800 offers an unprecedented perspective on the development and cultural practice of popular print in early modern Britain. Fifteen essays explore major issues raised by the broadside genre in the early modern period: the different methods by which contemporaries of the sixteenth through nineteenth centuries collected and "appreciated" such early modern popular forms; the preoccupation in the early modern period with news and especially monsters; the concomitant fascination with and representation of crime and the criminal subject; the technology and formal features of early modern broadside print together with its bearing on gender, class, and authority/authorship; and, finally, the nationalizing and internationalizing of popular culture through crossings against (and sometimes with) cultural Others in ballads and broadsides of the time.
