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Author: Jeffrey Richards
Publisher: Bloomsbury Publishing
ISBN: 085773587X
Category : Performing Arts
Languages : en
Pages : 682
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Book Description
Of all the theatrical genres most prized by the Victorians, pantomime is the only one to have survived continuously into the twenty-first century. It remains as true today as it was in the 1830s, that a visit to the pantomime constitutes the first theatrical experience of most children and now, as then, a successful pantomime season is the key to the financial health of most theatres. Everyone went to the pantomime, from Queen Victoria and the royal family to the humblest of her subjects. It appealed equally to West End and East End, to London and the provinces, to both sexes and all ages. Many Victorian luminaries were devotees of the pantomime, notably among them John Ruskin, Charles Dickens, Lewis Carroll and W.E. Gladstone. In this vivid and evocative account of the Victorian pantomime, Jeffrey Richards examines the potent combination of slapstick, spectacle and subversion that ensured the enduring popularity of the form. The secret of its success, he argues, was its continual evolution. It acted as an accurate cultural barometer of its times, directly reflecting current attitudes, beliefs and preoccupations, and it kept up a flow of instantly recognisable topical allusions to political rows, fashion fads, technological triumphs, wars and revolutions, and society scandals. Richards assesses throughout the contribution of writers, producers, designers and stars to the success of the pantomime in its golden age. This book is a treat as rich and appetizing as turkey, mince pies and plum pudding.
Author: Jeffrey Richards
Publisher: Bloomsbury Publishing
ISBN: 085773587X
Category : Performing Arts
Languages : en
Pages : 682
Get Book Here
Book Description
Of all the theatrical genres most prized by the Victorians, pantomime is the only one to have survived continuously into the twenty-first century. It remains as true today as it was in the 1830s, that a visit to the pantomime constitutes the first theatrical experience of most children and now, as then, a successful pantomime season is the key to the financial health of most theatres. Everyone went to the pantomime, from Queen Victoria and the royal family to the humblest of her subjects. It appealed equally to West End and East End, to London and the provinces, to both sexes and all ages. Many Victorian luminaries were devotees of the pantomime, notably among them John Ruskin, Charles Dickens, Lewis Carroll and W.E. Gladstone. In this vivid and evocative account of the Victorian pantomime, Jeffrey Richards examines the potent combination of slapstick, spectacle and subversion that ensured the enduring popularity of the form. The secret of its success, he argues, was its continual evolution. It acted as an accurate cultural barometer of its times, directly reflecting current attitudes, beliefs and preoccupations, and it kept up a flow of instantly recognisable topical allusions to political rows, fashion fads, technological triumphs, wars and revolutions, and society scandals. Richards assesses throughout the contribution of writers, producers, designers and stars to the success of the pantomime in its golden age. This book is a treat as rich and appetizing as turkey, mince pies and plum pudding.
Author: Clement 1841-1904 Scott
Publisher: Wentworth Press
ISBN: 9781363734689
Category : History
Languages : en
Pages : 388
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: J. Davis
Publisher: Springer
ISBN: 0230291783
Category : Performing Arts
Languages : en
Pages : 239
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Book Description
Featuring contributions by new and established nineteenth-century theatre scholars, this collection of critical essays is the first of its kind devoted solely to Victorian pantomime. It takes us through the various manifestations of British pantomime in the Victorian period and its ambivalent relationship with Victorian values.
Author: University of Aberdeen. Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 444
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Book Description
Author: Derek Hudson
Publisher: CUP Archive
ISBN:
Category : Great Britain
Languages : en
Pages : 234
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Book Description
Author: Jacky Bratton
Publisher: Cambridge University Press
ISBN: 1139502220
Category : Drama
Languages : en
Pages : 231
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Book Description
All roads lead to London - and to the West End theatre. This book presents a new history of the beginnings of the modern world of London entertainment. Putting female-centred, gender-challenging managements and styles at the centre, it redraws the map of performance history in the Victorian capital of the world. Bratton argues for the importance in Victorian culture of venues like the little Strand Theatre and the Gallery of Illustration in Regent Street in the experience of mid-century London, and of plays drawn from the work of Charles Dickens as well as burlesques by the early writers of Punch. Discovering a much more dynamic and often woman-led entertainment industry at the heart of the British Empire, this book seeks a new understanding of the work of women including Eliza Vestris, Mary Ann Keeley and Marie Wilton in creating the template for a magical new theatre of music, feeling and spectacle.
Author: Allen A. Brown Collection (Boston Public Library)
Publisher: Boston : The Trustees
ISBN:
Category : Drama
Languages : en
Pages : 976
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Book Description
Author: University of Aberdeen
Publisher:
ISBN:
Category :
Languages : en
Pages : 816
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Book Description
Author: Andrew Crowther
Publisher: The History Press
ISBN: 0752463853
Category : Biography & Autobiography
Languages : en
Pages : 404
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Book Description
The author of The Pirates of Penzance, The Mikado, H.M.S. Pinafore and the other great Savoy libretti, W.S. Gilbert was witty, caustic and disrespectful, one of the celebrities of the late Victorian era. He wrote the most brilliantly inventive plays of his time, and with Arthur Sullivan he wrote comic operas that defined the age. He became richer and more famous than he could have imagined, but at the price of his artistic freedom. In his time Gilbert had been many things: journalist, theatre critic, cartoonist, comic poet, stage director, writer of short stories, dramatist. Andrew Crowther examines W.S. Gilbert from all these angles, using a wealth of sources to tell the story of an angry and quarrelsome man, discontented with himself and the age he lived in, raging at life's absurdities and laughing at them. In this book Gilbert's glorious, contradictory character is explored and brought vividly to life.
Author: Mark Tunick
Publisher: University of California Press
ISBN: 9780520912311
Category : Social Science
Languages : en
Pages : 810
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Book Description
What actions should be punished? Should plea-bargaining be allowed? How should sentencing be determined? In this original, penetrating study, Mark Tunick explores not only why society punishes wrongdoing, but also how it implements punishment. Contending that the theory and practice of punishment are inherently linked, Tunick draws on a broad range of thinkers, from the radical criticisms of Nietzsche, Foucault, and some Marxist theorists through the sociological theories of Durkheim and Girard to various philosophical traditions and the "law and economics" movement. He defends punishment against its radical critics and offers a version of retribution, distinct from revenge, that holds that we punish not to deter or reform, but to mete out just deserts, vindicate right, and express society's righteous anger. Demonstrating first how this theory best accounts for how punishment is carried out, he then provides "immanent criticism" of certain features of our practice that don't accord with the retributive principle. Thought-provoking and deftly argued, Punishment will garner attention and spark debate among political theorists, philosophers, legal scholars, sociologists, and criminologists. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1992. What actions should be punished? Should plea-bargaining be allowed? How should sentencing be determined? In this original, penetrating study, Mark Tunick explores not only why society punishes wrongdoing, but also how it implements punishment.
