The Life and Labours in Art and Archæology, of George Petrie ... PDF Download
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Author: William Stokes
Publisher:
ISBN:
Category :
Languages : en
Pages : 468
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Book Description
Author: William Stokes
Publisher:
ISBN:
Category :
Languages : en
Pages : 468
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Book Description
Author: Fintan Cullen
Publisher: Cork University Press
ISBN: 9781859181553
Category : Architecture
Languages : en
Pages : 332
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Book Description
"The publication of these texts in a single volume enables the reader to create useful historical comparisons as well as facilitating the careful examination of historical documents. Sources in Irish Art: A Reader will be an ideal text for Irish Studies and relevant Art History courses both at undergraduate and postgraduate levels."--BOOK JACKET.
Author: M. Williams
Publisher: Springer
ISBN: 1137057262
Category : History
Languages : en
Pages : 219
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Book Description
From majestic Celtic crosses to elaborate knotwork designs, visual symbols of Irish identity at its most medieval abound in contemporary culture. Consdering both scholarly and popular perspectives this book offers a commentary on the blending of pasts and presents that finds permanent visualization in these contemporary signs.
Author: Sophie Junge
Publisher: Taylor & Francis
ISBN: 1000782026
Category : Photography
Languages : en
Pages : 332
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Book Description
This edited volume considers the many ways in which landscape (seen and unseen) is fundamental to placemaking, colonial settlement, and identity formation. Collectively, the book’s authors map a constellation of interlocking photographic histories and survey practices, decentering Europe as the origin of camera-based surveillance. The volume charts a conversation across continents - connecting Europe, Africa, the Arab World, Asia, and the Americas. It does not segregate places, histories, and traditions but rather puts them in dialogue with one another, establishing solidarity across ever-shifting national, linguistic, racial, religious, and ethnic. Refusing the neat organization of survey photographs into national or imperial narratives, these essays celebrate the messy, cross-cultural reverberations of landscape over the past 170 years. Considering the visual, social, and historical networks in which these images circulate, this anthology connects the many entangled and political histories of photography in order to reframe survey practices and the multidimensionality of landscape as an international phenomenon. This book will be of interest to scholars in art history, history of photography, and landscape history.
Author: James Francis Kenney
Publisher: New York : Octagon Books, 1966 [c1929]
ISBN:
Category : Ireland
Languages : en
Pages : 924
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Book Description
Author: Rebecca Anne Barr
Publisher:
ISBN: 1786942089
Category : History
Languages : en
Pages : 232
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Book Description
This volume explores the multiple forms and functions of reading and writing in nineteenth-century Ireland. It traces how understandings of literacy and language shaped national and transnational discourses of cultural identity, and the different reading communities produced by questions of language, religion, status, education and audience.
Author: Fintan Cullen
Publisher: Routledge
ISBN: 1351578022
Category : Art
Languages : en
Pages : 280
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Book Description
A Shared Legacy: Essays on Irish and Scottish Art and Visual Culture brings together for the first time a unique selection of new research by leading Irish, Scottish, English and North American scholars to explore the varying ways in which the visual can operate within the context of two countries with related experiences of lost statehood yet retained nationhood. Covering a span of three centuries, this skilfully-crafted book takes the discussion of Irish and Scottish art beyond the often isolationist approach adopted in the past, dealing directly with issues of nationality in a wider context. The authors identify national concerns through a range of themes: race, class, union and assimilation or nationalism and internationalism and while many of the essays focus on paintings, sculpture, prints and watercolours, others consider a wider notion of visual culture by investigating photography, magic lantern slides and the home arts of embroidery and textiles.
Author: Celeste Ray
Publisher: Indiana University Press
ISBN: 0253066697
Category : History
Languages : en
Pages : 335
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Book Description
The storied landscapes of Ireland are dotted with holy wells--hallowed springs, pools, ponds, and lakes credited with curative powers and often associated with Catholic and indigenous saints. While many of these sites have been recently lost to development, others are visited daily for devotions and remain the focus of annual community gatherings. Encouraging both their use and protection, Holy Wells of Ireland delves into these irreplaceable resources of spiritual, archaeological, and historical significance. Reserves of localized spiritual practices, holy wells are also ecosystems in themselves and provide habitats for rare and culturally meaningful flora and fauna. The shift toward a "post-Catholic" Ireland has prompted renewed interest in holy wells as popular domains with organic faith traditions. Of the roughly 3,000 holy wells documented across Ireland, some attract international pilgrims and others are stewarded by a single family. Featuring 140 color images, this remarkable volume shares the transdisciplinary work of contributors who study these wells through the overlapping lenses of anthropology, archaeology, art history, biomedicine, folklore, geography, history, and hydrology. Braiding community perspectives with those of scholars across academia, Holy Wells of Ireland considers Irish holy wells as a resilient feature of ever-evolving Irish Christianity, as inspiration to other faith traditions, as places of pilgrimage and healing, and as threatened biocultural resources.
Author: Heather Pulliam
Publisher: Edinburgh University Press
ISBN: 1399517406
Category : History
Languages : en
Pages : 491
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Book Description
As evidenced by the famed Book of Kells and monumental high crosses, Scotland and Ireland have long shared a distinctive artistic tradition. The story of how this tradition developed and flourished for another millennium through survival, adaptation and revival is less well known. Some works were preserved and repaired as relics, objects of devotion believed to hold magical powers. Respect for the past saw the creation of new artefacts through the assemblage of older parts, or the creation of fakes and facsimiles. Meanings and values attached to these objects, and to places with strong early Christian associations, changed over time but their 'Celtic' and/or 'Gaelic' character has remained to the forefront of Scottish and Irish national expression. Exploring themes of authenticity, imitation, heritage, conservation and nationalism, these interdisciplinary essays draw attention to a variety of understudied artworks and illustrate the enduring link that exists between Scottish and Irish cultures.
Author: Micheline Nilsen
Publisher: Routledge
ISBN: 1351556274
Category : Art
Languages : en
Pages : 293
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Book Description
Eschewing the limiting idea that nineteenth-century architecture photography merely reflects functionality, the objective of this collection is to reflect the aesthetic, intellectual, and cultural concerns of the time. The essays hold appeal for social and cultural historians, as well as those with an interest in the fields of art history, urban geography, history of travel and tourism. Nineteenth-century photographers captured what could be seen and what they wanted to be seen. Their images informed of exploration, progress, heritage, and destruction. Architecture was a staple subject for the first generation of photographers as it patiently tolerated the long exposures of the early processes. During its formative decades photography responded to evolutionary cultural forces of market and artistic production. Photographs of architecture reflected a specific political or social context modulated through individual points of view. For this reason, the examination of each photographic image as a primary visual document and an aesthetic object rather than a technical milestone on a chronological trajectory affords a richer multi-faceted approach to the extensive and complex corpus of photographs taken by photographers all over the world. This project acknowledges the importance of technique in the early decades of photography but focuses on the thematic content of the material. It places the photography of architecture in an international context under the contemporary critical lens sharpened by theoretical and cultural examinations of the topic.
