The Librettos of Handel's Operas: Orlando ; Arianna ; Ariodante ; Alcina ; Atalanta PDF Download
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Author: George Frideric Handel
Publisher: Garland Publishing
ISBN:
Category : Music
Languages : en
Pages : 292
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Book Description
Author: George Frideric Handel
Publisher: Garland Publishing
ISBN:
Category : Music
Languages : en
Pages : 292
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Book Description
Author: Sarah Yuill McCleave
Publisher: University Rochester Press
ISBN: 1580464203
Category : Music
Languages : en
Pages : 282
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Book Description
Examines the pivotal role of dance in the Italian operas of Handel, perhaps the greatest opera composer between Monteverdi and Mozart. George Frideric Handel set himself apart from his contemporaries by employing choreographed instrumental music to complement and reinforce the emotional impact of his operas. Of his fifty-three operas, no fewer than fourteen -- including ten written for the London stage -- feature dances. Dance in Handel's London Operas explores the relationship between music, drama, and dance in these London works, dispelling the notion that dance was a largely peripheral element in Italian-language operas prior to those of Gluck. Taking a chronological approach, Sarah McCleave examines operas written throughout various periods in Handel's life, beginning with his early London operas, including his time at the Royal Music Academy and the "Sallé" operas of the 1730s, and concluding with his unstaged dramatic opera Alceste (1750). In considering the various influences on Handel (particularly the London stage), McCleave blends analysis of information from eighteenth-century treatises with that found in more modern studies, offering an informed and imaginative understanding of the role dance played in the work of this major figure --one who remained responsive throughout his career to the vital and innovative theatrical environment in which he worked. Sarah McCleave is a lecturer at The School of Creative Arts at Queen's University Belfast.
Author: George Grove
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 930
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 70
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Author: George Grove
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 916
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Book Description
Author: Annette Landgraf
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 872
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Book Description
From Arias to Zadok the Priest - over 700 entries by international experts explore all aspects of Handel's life and work.
Author: Timothy Erwin
Publisher: Rowman & Littlefield
ISBN: 1611485703
Category : Literary Criticism
Languages : en
Pages : 311
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Book Description
A stylish critique of literary attitudes towards painting, TextualVision explores the simultaneous rhetorical formation and empirical fragmentation of visual reading in enlightenment Britain. Beginning with an engaging treatment of Pope's Rape of the Lock, Timothy Erwin takes the reader on a guided tour of the pointed allusion, apt illustration, or the subtle appeal to the mind's eye within a wide array of genres and texts, before bringing his linked case studies to a surprising close with the fiction of Jane Austen. At once carefully researched, theoretically informed and highly imaginative, Textual Vision situates textual vision at the cultural crossroads of ancient pictura-poesis doctrine and modernist aesthetics. It provides reliable interpretive poles for reading enlightenment imagery, offers vivid new readings of familiar works, and promises to invigorate the study of Restoration and eighteenth-century visual culture.
Author: George Frideric Handel
Publisher: Garland Publishing
ISBN:
Category : Music
Languages : en
Pages : 412
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Book Description
Author: Percy Marshall Young
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 668
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Book Description
Author: Julie Anne Sadie
Publisher: Univ of California Press
ISBN: 9780520214149
Category : Music
Languages : en
Pages : 596
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Book Description
The Companion to Baroque Music is an illuminating survey of musical life in Europe and the New World from 1600 to 1750. With informative essays on the social, national, geographical, and cultural contexts of the music and musicians of the period by such internationally known scholars as Peter Holman, Louise Stein, Michael Talbot, Julie Anne Sadie, Stanley Sadie, and David Fuller, the Companion offers a fresh perspective on the musical styles and performance practices of the Baroque era. The Companion to Baroque Music is an illuminating survey of musical life in Europe and the New World from 1600 to 1750. With informative essays on the social, national, geographical, and cultural contexts of the music and musicians of the period by such internationally known scholars as Peter Holman, Louise Stein, Michael Talbot, Julie Anne Sadie, Stanley Sadie, and David Fuller, the Companion offers a fresh perspective on the musical styles and performance practices of the Baroque era.
