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Author: Michel Feher
Publisher: Princeton University Press
ISBN:
Category : Fiction
Languages : en
Pages : 1388
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Book Description
Irresistibly charming or shamelessly deceitful, remarkably persuasive or uselessly verbose, everything one loves to hate — or hates to love — about “French lovers” and their self-styled reputation can be traced to eighteenth-century libertine novels. Obsessed with strategies of seduction, endlessly speculating about the motives and goals of lovers, the idle aristocrats who populate these novels are exclusively preoccupied with their erotic lives. Deprived of other battlefields in which to fulfill their thirst for glory, libertine noblemen seek to conquer the women of their class without falling into the trap of love, while their female prey attempt to enjoy the pleasures of love without sacrificing their honor. Yet, in spite of the licentious mores of the declining Old Regime, men and women are still expected to pay lip service to an austere code of morals. Asked to constantly denounce their own practices, they find that their erotic war games are thus governed by a double constraint: whatever they feel or intend, the heroes of libertine literature can neither say what they mean nor mean what they say. The Libertine Reader includes all the varieties of libertine strategies: from the successful cunning of Mme de T– in Denon’s No Tomorrow to the ill-fated genius of Mme Merteuil in Laclos’s Dangerous Liaisons; from the laborious sentimental education of Meilcour in Crébillon fils’s Wayward Head and Heart to the hazardous master plan of the French ambassador in Prévost’s The Story of a Modern Greek Woman. The discrepancies between the characters’ words and their true intentions — the libertine double entendre — are exposed through the speaking vaginas in Diderot’s Indiscreet Jewels and the wandering soul of Amanzei in Crébillon fils’s Sofa, while the contrasts between natural and civilized — or degenerate — erotics are the subjects of both Diderot’s Supplement to Bougainville’s Voyage and Laclos’s On the Education of Women. Finally, Sade’s Florville and Courval shows that destiny itself is on the side of libertinism.
Author: Michel Feher
Publisher: Princeton University Press
ISBN:
Category : Fiction
Languages : en
Pages : 1388
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Book Description
Irresistibly charming or shamelessly deceitful, remarkably persuasive or uselessly verbose, everything one loves to hate — or hates to love — about “French lovers” and their self-styled reputation can be traced to eighteenth-century libertine novels. Obsessed with strategies of seduction, endlessly speculating about the motives and goals of lovers, the idle aristocrats who populate these novels are exclusively preoccupied with their erotic lives. Deprived of other battlefields in which to fulfill their thirst for glory, libertine noblemen seek to conquer the women of their class without falling into the trap of love, while their female prey attempt to enjoy the pleasures of love without sacrificing their honor. Yet, in spite of the licentious mores of the declining Old Regime, men and women are still expected to pay lip service to an austere code of morals. Asked to constantly denounce their own practices, they find that their erotic war games are thus governed by a double constraint: whatever they feel or intend, the heroes of libertine literature can neither say what they mean nor mean what they say. The Libertine Reader includes all the varieties of libertine strategies: from the successful cunning of Mme de T– in Denon’s No Tomorrow to the ill-fated genius of Mme Merteuil in Laclos’s Dangerous Liaisons; from the laborious sentimental education of Meilcour in Crébillon fils’s Wayward Head and Heart to the hazardous master plan of the French ambassador in Prévost’s The Story of a Modern Greek Woman. The discrepancies between the characters’ words and their true intentions — the libertine double entendre — are exposed through the speaking vaginas in Diderot’s Indiscreet Jewels and the wandering soul of Amanzei in Crébillon fils’s Sofa, while the contrasts between natural and civilized — or degenerate — erotics are the subjects of both Diderot’s Supplement to Bougainville’s Voyage and Laclos’s On the Education of Women. Finally, Sade’s Florville and Courval shows that destiny itself is on the side of libertinism.
Author: Michel Delon
Publisher: National Geographic Books
ISBN: 0789211475
Category : Literary Collections
Languages : en
Pages : 0
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Book Description
A delightfully illustrated literary anthology that explores the fantasies, seductions, and intrigues of the eighteenth-century French lover This sumptuous volume presents more than eighty selections from eighteenth-century French literature, each concerning some facet of the game of love as practiced by the libertine, or the freethinking aristocratic hedonist, a type that flourished—not least in literature—in the declining years of the Ancien Régime. These pieces, which include fiction, drama, verse, essays, and letters, are the work of some sixty writers, both familiar—such as Voltaire, Rousseau, and, of course, the Marquis de Sade—and lesser-known. Each selection is illustrated by well-chosen period artworks, many rarely seen, by Watteau, Boucher, Fragonard, and numerous others. Racy, thought-provoking, and a treat for the eyes, The Libertine is the perfect gift for litterateurs, art lovers, roués, and coquettes.
Author: Benedetta Craveri
Publisher: New York Review of Books
ISBN: 1681373408
Category : History
Languages : en
Pages : 617
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Book Description
An enthralling work of history about the Libertine generation that came up during—and was eventually destroyed by—the French Revolution. The Last Libertines, as Benedetta Craveri writes in her preface to the book, is the story of a group of “seven aristocrats whose youth coincided with the French monarchy’s final moment of grace—a moment when it seemed to the nation’s elite that a style of life based on privilege and the spirit of caste might acknowledge the widespread demand for change, and in doing so reconcile itself with Enlightenment ideals of justice, tolerance, and citizenship.” Here we meet seven emblematic characters, whom Craveri has singled out not only for “the romantic character of their exploits and amours—but also by the keenness with which they experienced this crisis in the civilization of the ancien régime, of which they themselves were the emblem.” Displaying the aristocratic virtues of “dignity, courage, refinement of manners, culture, [and] wit,” the Duc de Lauzun, the Vicomte de Ségur, the Duc de Brissac, the Comte de Narbonne, the Chevalier de Boufflers, the Comte de Ségur, and the Comte de Vaudreuil were at the same time “irreducible individualists” and true “sons of the Enlightenment,” all of them ambitious to play their part in bringing around the great changes that were in the air. When the French Revolution came, however, they found themselves condemned to poverty, exile, and in some cases execution. Telling the parallel lives of these seven dazzling but little-remembered historical figures, Craveri brings the past to life, powerfully dramatizing a turbulent time that was at once the last act of a now-vanished world and the first act of our own.
Author: John Phillips
Publisher: Pluto Press (UK)
ISBN:
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
''... brilliantly original ... brings cultural and post-colonial theory to bear on a wide range of authors with great skill and sensitivity.' Terry Eagleton
Author: Stephen Jeffreys
Publisher: NHB Modern Plays
ISBN: 9781848425750
Category : Courts and courtiers
Languages : en
Pages : 0
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Book Description
'I am up for it. All the time. That's not a boast. Or an opinion. It is bone-hard medical fact.' John Wilmot, Earl of Rochester. Charismatic poet, playwright and rake with a legendary appetite for excess. Yet when a chance encounter with an actress at the Playhouse sends him reeling, he is forced to reconsider everything he thinks and feels. With all the wit, flair and bawdiness of a Restoration comedy, Stephen Jeffreys' brilliant play is an incisive critique of life in an age of excess. Originally performed at the Royal Court Theatre in 1994, The Libertine has been staged around the world, was adapted for radio, and became a film. This edition of the play was published alongside the 2016 production at the Theatre Royal Bath and Theatre Royal Haymarket, directed by Terry Johnson and starring Dominic Cooper as Wilmot.
Author: Doris L Garraway
Publisher: Duke University Press Books
ISBN:
Category : History
Languages : en
Pages : 440
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Book Description
DIVExplores the founding discourses of race, hybridity, savagery, and degenercy in the seventeenth and eighteenth century French Caribbean, in particular the way many of these discourses were used to describe French settlers./div
Author: James Fowler
Publisher: Routledge
ISBN: 1351542958
Category : Foreign Language Study
Languages : en
Pages : 183
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Book Description
What is the role of the prude in the roman libertin? James Fowler argues that in the most famous novels of the genre (by Richardson, Crebillon fils, Laclos and Sade) the prude is not the libertine's victim but an equal and opposite force working against him, and that ultimately she brings retribution for his social, erotic and philosophical presumption. In a word, she is his Nemesis. He is vulnerable to her power because of the ambivalence he feels towards her; she is his ideological enemy, but also his ideal object. Moreover, the libertine succumbs to an involuntary nostalgia for the values of the Seventeenth Century, which the prude continues to embody through the age of Enlightenment. In Crebillon fils and Richardson, the encounter between libertine and prude is played out as a skirmish or duel between two individuals. In Laclos and Sade, the presence of female libertines (the Marquise de Merteuil and Juliette) allows that encounter to be reenacted within a murderous triangle.
Author: Paul J. Young
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754664178
Category : Literary Criticism
Languages : en
Pages : 178
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Book Description
Considering canonical and lesser-known works by authors that include Rousseau, Sade, Bastide, Laclos, Crébillon fils, and the writers of two widely read libertine novels, Paul Young suggests that narratives of seduction function as a master plot for eighteenth-century French literature. How authors reacted to a cultural discourse that coded literature and solitary reading as dangerous, seductive practices sheds light on the history of authorship, especially the development of the novel.
![The Popular lecturer [afterw.] Pitman's Popular lecturer (and reader), ed. by H. Pitman PDF](https://books.google.com/books/content/images/frontcover/XF4EAAAAQAAJ?fife=w80-h100)
Author: Henry Pitman
Publisher:
ISBN:
Category :
Languages : en
Pages : 1316
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Book Description
Author: John C. O'Neal
Publisher: University of Delaware
ISBN: 1611490251
Category : Political Science
Languages : en
Pages : 241
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Book Description
In The Progressive Poetics of Confusion in the French Enlightenment, John C. O'Neal draws largely on the etymological meaning of the word confusion as the action of mixing or blending in order to trace the development of this project which, he claims, aimed to reject dogmatic thinking in all of its forms and recognized the need to embrace complexity. Eighteenth-century thinkers used the notion of confusion in a progressive way to reorganize social classes, literary forms, metaphysical substances, scientific methods, and cultural categories such as taste and gender. In this new work, O'Neal explores some of the paradoxes of the Enlightenment's theories of knowledge. Each of the chapters in this book attempts to address the questions raised by the eighteenth century's particular approach to confusion as a paradoxical reorganizing principle for the period's progressive agenda. Perhaps the most paradoxical thinker of his times, Diderot occupies a central place in this study of confusion. Other authors include Marivaux, CrZbillon, Voltaire, and Pinel, among others. Rousseau and Sade serve as counterexamples to this kind of enlightenment but ultimately do not so much oppose the period's poetics of confusion as they complement it. The final chapter on Sade combines contemporary discussions of politics, society, culture, philosophy, and science in an encyclopedic way that at once reflects the entire period's tendencies and establishes important differences between Sade's thinking and that of the mainstream philosophes. Ultimately, confusion serves, O'Neal argues, as an overarching positive notion for the Enlightenment and its progressive ideals.
