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Author: Virginia Woolf
Publisher:
ISBN: 9780701204037
Category : Novelists, English
Languages : en
Pages :
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Book Description
Author: Virginia Woolf
Publisher:
ISBN: 9780701204037
Category : Novelists, English
Languages : en
Pages :
Get Book Here
Book Description
Author: Virginia Woolf
Publisher: Vintage
ISBN: 9780701204037
Category :
Languages : en
Pages : 0
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Book Description
Author: G. Gilbert
Publisher: Springer
ISBN: 0230510213
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
Before Modernism Was places modernist writing within the texture of modern history. Texts by Woolf, James, Freud, Wyndham Lewis, Stein, Malinowski, and others are read through a range of figures that construct and disrupt modern meaning: the ghost that affects the value of your property; the sulky, graceless adolescent; the Pole who may not be Polish; the nervous owner of the dog; the addict and her smoke. Eccentric to its institutions, these figures are central to the constituency of modernism.
Author: Maria Cândida Zamith
Publisher: Universidade do Porto
ISBN: 9789728932237
Category :
Languages : en
Pages : 188
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Book Description
Author: Jane Marcus
Publisher: U of Nebraska Press
ISBN: 9780803230705
Category : Literary Criticism
Languages : en
Pages : 302
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Book Description
Recent feminist criticism has revolutionized the way we view modern literature, none more than the stories and novels of Virginia Woolf. Jane Marcus here collects twelve provocative new essays by women scholars, all of them taking feminist critical approaches to yield fresh readings of Woolf's work. Ellen Hawke's "The Magical Garden of Women" and Jane Marcus's "Thinking Back through Our Mothers" explore Woolf's relationships with women and offer a historical approach to her identification with other women writers. Marcus points out Woolf's technical achievement in the creation of a demotic chorus, the "collective sublime," in direct opposition to the "egotistical sublime" of male writers. Sara Ruddick's "Private Brothers/Public World" compares Woolf's relations with real and fictional brothers. Judy Little revises all previous readings of Jacob's Room by treating it as parody. J. J. Wilson's "Why Is Orlando Difficult?" broaches the central problem of Woolf's most notorious novel. Jane Lilienfeld's investigation of To the Lighthouse provides new insight into the Ramsays' marriage. Suzette Henke's reading of Mrs. Dalloway detects an interlacing of feminism and Christian mysticism in the novel. Madeline Moore's essay on The Voyage Out explains that puzzling novel in terms of the myth of Demeter and Persephone, again a mother-daughter relationship. Susan Squier, overturning established opinion, argues that They Years is one of Woolf's most important novels. Louise DeSalvo's "Shakespeare's Other Sister" analyzes an unpublished Woolf story. Nora Eisenberg uses "Anon," an unpublished manuscript in the Berg Collections, to elucidate Between the Acts.
Author: Jessica Berman
Publisher: John Wiley & Sons
ISBN: 1118457889
Category : Literary Criticism
Languages : en
Pages : 520
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Book Description
A Companion to Virginia Woolf is a thorough examination of her life, work, and multiple contexts in 33 essays written by leading scholars in the field. Contains insightful and provocative new scholarship and sketches out new directions for future research Approaches Woolf's writing from a variety of perspectives and disciplines, including modernism, post-colonialism, queer theory, animal studies, digital humanities, and the law Explores the multiple trajectories Woolf’s work travels around the world, from the Bloomsbury Group, and the Hogarth Press to India and Latin America Situates Woolf studies at the vanguard of contemporary literature scholarship and the new modernist studies
Author: Allyson N. May
Publisher: Routledge
ISBN: 1317031393
Category : History
Languages : en
Pages : 220
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Book Description
August 1781 saw the publication of a manual on fox hunting that would become a classic of its genre. Hugely popular in its own day, Peter Beckford's Thoughts on Hunting is often cited as marking the birth of modern hunting and continues to be quoted from affectionately today by the hunting fraternity. Less stressed is the fact that its subject was immediately controversial, and that a hostile review which appeared on the heels of the manual's publication raised two criticisms of fox hunting that would be repeated over the next two centuries: fox hunting was a cruel sport and a feudal, anachronistic one at that. This study explores the attacks made on fox hunting from 1781 to the legal ban achieved in 2004, as well as assessing the reasons for its continued appeal and post-ban survival. Chapters cover debates in the areas of: class and hunting; concerns over cruelty and animal welfare; party politics; the hunt in literature; and nostalgia. By adopting a thematic approach, the author is able to draw out the wider social and cultural implications of the debates, and to explore what they tell us about national identity, social mores and social relations in modern Britain.
Author: V. Sanders
Publisher: Springer
ISBN: 0230513212
Category : Literary Criticism
Languages : en
Pages : 234
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Book Description
This book argues that brother-sister relationships, idealized by the Romantics, intensified in nineteenth-century English domestic culture, and is a neglected key to understanding Victorian gender relations. Attracted by the apparent purity of the sibling bond, novelists and poets also acknowledged its innate ambivalence and instability, through conflicting patterns of sublimated devotion, revenge fantasy, and corrosive obsession. The final chapter shows how the brother-sister bond was permanently changed by the experience of the First World War.
Author: Meg Jensen
Publisher: Springer
ISBN: 303006106X
Category : Literary Criticism
Languages : en
Pages : 306
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Book Description
This book examines posttraumatic autobiographical projects, elucidating the complex relationship between the ‘science of trauma’ (and how that idea is understood across various scientific disciplines), and the rhetorical strategies of fragmentation, dissociation, reticence and repetitive troping widely used the representation of traumatic experience. From autobiographical fictions to prison poems, from witness testimony to autography, and from testimonio to war memorials, otherwise dissimilar projects speak of past suffering through a limited and even predictable discourse in search of healing. Drawing on approaches from literary, human rights and cultural studies that highlight relations between trauma, language, meaning and self-hood, and the latest research on the science of trauma from the fields of clinical, behavioral and evolutionary psychology and neuroscience, I read such autobiographical projects not as ‘symptoms’ but as complex interrogative negotiations of trauma and its aftermath: commemorative and performative narratives navigating aesthetic, biological, cultural, linguistic and emotional pressure and inspiration.
Author: Marjorie Garber
Publisher: Yale University Press
ISBN: 0300274548
Category : Literary Criticism
Languages : en
Pages : 401
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Book Description
The untold story of Shakespeare’s profound influence on Virginia Woolf and the rest of the Bloomsbury Group For the men and women of the Bloomsbury Group, Shakespeare was a constant presence and a creative benchmark. Not only the works they intended for publication—the novels, biographies, economic and political writings, stage designs and reviews—but also their diaries and correspondence, their gossip and small talk turned regularly on Shakespeare. They read his plays for pleasure in the evenings, and on sunny summer afternoons in the country. They went to the theater, discussed performances, and speculated about Shakespeare’s mind. As poet, as dramatist, as model and icon, as elusive “life,” Shakespeare haunted their imaginations and made his way, through phrase, allusion, and oblique reference, into their own lives and art. This is a book about Shakespeare in Bloomsbury—about the role Shakespeare played in the lives of a charismatic and influential cast, including Virginia and Leonard Woolf, Vanessa Bell, Clive Bell, Roger Fry, Duncan Grant, Lytton Strachey, John Maynard Keynes and Lydia Lopokova Keynes, Desmond and Molly MacCarthy, and James and Alix Strachey. All are brought to sparkling life in Marjorie Garber’s intimate account of how Shakespeare provided them with a common language, a set of reference points, and a model for what they did not hesitate to call genius. Among these brilliant friends, Garber shows, Shakespeare was in effect another, if less fully acknowledged, member of the Bloomsbury Group.
