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Author: John Addington Symonds
Publisher:
ISBN:
Category : Authors, English
Languages : en
Pages : 1038
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Book Description
Author: John Addington Symonds
Publisher:
ISBN:
Category : Authors, English
Languages : en
Pages : 1038
Get Book Here
Book Description
Author: Henry James
Publisher: U of Nebraska Press
ISBN: 1496207424
Category : Literary Collections
Languages : en
Pages : 435
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Book Description
This volume of The Complete Letters of Henry James, 1883–1884 includes 178 letters, of which 117 are published for the first time, written from January 2, 1883, to January 29, 1884. The letters trace the development of Henry James’s literary career as well as the maturation of his international reputation as a public figure. They also record James’s recovery following the deaths of his parents and brother, the difficult execution of his father’s will, and his return to England from an extended stay in the United States. This volume concludes with James’s continuing efforts to maximize his writing income.
Author: Elizabeth Prettejohn
Publisher: Manchester University Press
ISBN: 9780719054068
Category : Aesthetic movement (Art)
Languages : en
Pages : 292
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Book Description
What happened in Victorian painting and sculpture after the pre-Raphaelites? Aestheticism has been called the next avant-garde movement but attention has centred on literary figures such as Algernon Charles Swinburn, Walter Peter and Oscar Wilde. This volume overviews parallel trends in the visual arts, including the work of Dante Gabriel Rossetti, James McNeil Whistler, Edward Burne-Jones, Simeon Solomon and Albert Moore among others.
Author: Catharine Edwards
Publisher: Cambridge University Press
ISBN: 9780521591973
Category : History
Languages : en
Pages : 316
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Book Description
This collection of essays explores aspects of the reception of ancient Rome in a number of European countries from the late eighteenth century to the end of the Second World War. Rome has been made to stand for literary authority, republican heroism, imperial power and decline, the Catholic Church, the pleasure of ruins. The studies offered here examine some of the sometimes strange and unexpected places where Roman presences have manifested themselves during this period. Scholars from several disciplines, including English literature and history of art, as well as classics, bring to bear a variety of approaches on a wide range of images and texts, from statues of Napoleon to Freud's analysis of dreams. Rome's seemingly boundless capacity for multiple, indeed conflicting, signification has made it an extraordinarily fertile paradigm for making sense of - and also for destabilizing - history, politics, identity, memory and desire.
Author: Stephen L. Dyson
Publisher: State University of New York Press
ISBN: 1438452624
Category : Biography & Autobiography
Languages : en
Pages : 392
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Book Description
Finalist for the 2014 ForeWord IndieFab Book of the Year Award in the Biography Category This fascinating biography tells the story of William J. Stillman (1828–1901), a nineteenth-century polymath. Born and raised in Schenectady, New York, Stillman attended Union College and began his career as a Hudson River School painter after an apprenticeship with Frederic Edwin Church. In the 1850s, he was editor of The Crayon, the most important journal of art criticism in antebellum America. Later, after a stint as an explorer-promoter of the Adirondacks, he became the American consul in Rome during the Civil War. When his diplomatic career brought him to Crete, he developed an interest in archaeology and later produced photographs of the Acropolis, for which he is best known today. In yet another career switch, Stillman became a journalist, serving as a correspondent for The Times of London in Rome and the Balkans. In 1871, he married his second wife, Marie Spartali, a Pre-Raphaelite painter, and continued to write about history and art until his death. One of the later products of the American Enlightenment, he lived a life that intersected with many strands of American and European culture. Stillman can indeed be called "the last amateur."
Author: Alberto de Sanctis
Publisher: Andrews UK Limited
ISBN: 184540694X
Category : Philosophy
Languages : en
Pages : 225
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Book Description
The central concern of this book is to demonstrate how Puritanism was a theme which ran through all Green's biography and political philosophy. It thereby reveals how Green's connections with Evangelicalism and his known affinities with religious dissent came from his way of conceiving Puritanism. In Green’s eyes, its anti-formalist viewpoint made Puritanism the most suitable tool for avoiding the drawbacks of democracy. The key objective of the book is to illustrate how the philosophy elaborated by Green aimed to encapsulate the best of Puritanism whilst eschewing the dangerous abstractions of both Puritan philosophy and German idealism. It follows that Green’s conception of positive and negative freedom, and his vision of political obligation, stemmed from his effort to revive the Puritan heritage rather than from an ambiguous flirtation with idealism. The book purports to show how the influence of Puritanism in Green’s political thought is an element which can help to integrate the literature in the area, contributing to a better comprehension of a philosopher who, despite being unanimously considered as the founder of the so-called Oxford idealist school, had a very difficult and sometimes obscure connection with idealism. It has been widely argued that Green’s relationship with idealism seemed to be infected by a religious germ which, because it was unrelated to German idealism, gave it a bad taste. This study aims to encourage further investigation into the nature and propagation of that germ in the British idealist School.
Author: Patricia Rigg
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228010144
Category : Biography & Autobiography
Languages : en
Pages : 361
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Book Description
Born in England in 1857, Agnes Mary Frances Robinson contributed to cultural and literary currents from nineteenth-century Victorianism to twentieth-century modernism; she was equally at home in London and Paris and prolific in both English and French. Yet Robinson remains an enigma on many levels. This literary biography integrates Robinson's unorthodox life with her development as a writer across genres. Best known for her poetry, Robinson was also a respected biographer, history writer, travel writer, and contributor of reviews and articles to the Times Literary Supplement for nearly forty years. She had a romantic friendship with the writer Vernon Lee and two happy – and celibate – marriages. Her salons in London and Paris were attended by major literary and artistic figures, and she counted amongst her friends Robert Browning, Oscar Wilde, John Addington Symonds, Gaston Paris, Ernest Renan, and Maurice Barrès. Reflecting a decade of research in international archives and family papers, A. Mary F. Robinson reveals the extraordinary woman behind the popular writer and critically acclaimed poet.
Author: Alex Murray
Publisher: Cambridge University Press
ISBN: 1316764036
Category : Literary Criticism
Languages : en
Pages : 237
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Book Description
The challenges posed by Decadence to Victorian moral conventions - particularly sexual - have been well documented, but this book makes the case for understanding Decadence as a response to the ways in which place was accorded moral value in the period. The book uses landscape as a key trope for exploring Decadent writing's approach to location and identity. Drawing on a wide range of fin-de-siècle literature organised around a series of locations from Naples to New York, Murray argues that Decadent writers developed a form of landscape and place-based writing using a series of stylistic features to challenge the increasing homogenisation of both place and literary culture. Decadence and the literature of the fin de siècle are re-framed as a politically-engaged form of landscape writing. This is an ambitious and richly researched study.
Author: Eric Haralson
Publisher: Cambridge University Press
ISBN: 1139436112
Category : Literary Criticism
Languages : en
Pages : 283
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Book Description
In Henry James and Queer Modernity, first published in 2003, Eric Haralson examines far-reaching changes in gender politics and the emergence of modern male homosexuality as depicted in the writings of Henry James and three authors who were greatly influenced by him: Willa Cather, Gertrude Stein and Ernest Hemingway. Haralson places emphasis on American masculinity as portrayed in fiction between 1875 and 1935, but the book also treats events in England, such as the Oscar Wilde trials, that had a major effect on American literature. He traces James's engagement with sexual politics from his first novels of the 1870s to his 'major phase' at the turn of the century. The second section of this study measures James's extraordinary impact on Cather's representation of 'queer' characters, Stein's theories of writing and authorship as a mode of resistance to modern sexual regulation, and Hemingway's very self-constitution as a manly American author.
Author: Whitney Davis
Publisher: Columbia University Press
ISBN: 0231519559
Category : Philosophy
Languages : en
Pages : 367
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Book Description
The pioneering work of Johann Winckelmann (1717-1768) identified a homoerotic appreciation of male beauty in classical Greek sculpture, a fascination that had endured in Western art since the Greeks. Yet after Winckelmann, the value (even the possibility) of art's queer beauty was often denied. Several theorists, notably the philosopher Immanuel Kant, broke sexual attraction and aesthetic appreciation into separate or dueling domains. In turn, sexual desire and aesthetic pleasure had to be profoundly rethought by later writers. Whitney Davis follows how such innovative thinkers as John Addington Symonds, Michel Foucault, and Richard Wollheim rejoined these two domains, reclaiming earlier insights about the mutual implication of sexuality and aesthetics. Addressing texts by Arthur Schopenhauer, Charles Darwin, Oscar Wilde, Vernon Lee, and Sigmund Freud, among many others, Davis criticizes modern approaches, such as Kantian idealism, Darwinism, psychoanalysis, and analytic aesthetics, for either reducing aesthetics to a question of sexuality or for removing sexuality from the aesthetic field altogether. Despite these schematic reductions, sexuality always returns to aesthetics, and aesthetic considerations always recur in sexuality. Davis particularly emphasizes the way in which philosophies of art since the late eighteenth century have responded to nonstandard sexuality, especially homoeroticism, and how theories of nonstandard sexuality have drawn on aesthetics in significant ways. Many imaginative and penetrating critics have wrestled productively, though often inconclusively and "against themselves," with the aesthetic making of sexual life and new forms of art made from reconstituted sexualities. Through a critique that confronts history, philosophy, science, psychology, and dominant theories of art and sexuality, Davis challenges privileged types of sexual and aesthetic creation imagined in modern culture-and assumed today.
